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La philosophie de la rencontre chez Martin Buber :décryptage de l'oeuvre Je-Tu à l'aune du XXIe siècle
No full text" Toute vie réelle est rencontre"Cette assertion marque et synthétise, en si peu de mots, la pensée de Martin Buber.cela signifie que le "Je" se construit doublement dans la rencontre: rencontre avec le monde matériel ( relations à la nature, aux objets, ce sont les relations Je-cela) et rencontre avec autrui ( relations aux autres hommes ,ce sont les relations Je-Tu).Pour quelques uns qui en auront la volonté, le "Je" se pourra reposer sur une troisième base: la relation au " Tu Eternel" qui se tient tapi dans la relation à la nature et la relation aux autres hommes.Doctorat en PhilosophieMartin Buber, Je et Tu, op.cit. p.30.info:eu-repo/semantics/nonPublishe
The impact of heterosexual scripts on sexual desire of female in relationship
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Oscar Wilde and Pierre Louÿs: Gestures of Literary Friendship from Inspiration to Translation
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Local honey reflects environemental changes in metal concentrations and lead isotope ratios during COVID-19 restrictions in Brussels, Belgium, and Vancouver, Canada
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Designing with care and maintenance: a pedagogical approach to sustainable architecture
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Between Education and Religion: Psalms Quotations and Compositions in the Theban Area
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Beyond the Centres: Rethinking Russian Artistic Emigration in the Interwar Period
No full textThis paper explores the establishment of the notion of the so-called ‘centres of emigration’ from the Russian Empire during the interwar period. We investigate how the canonical representation of Russian émigré culture was formed within the paradigms of "Russian Paris", "Russian Berlin" and others, based on statistical reports and data collected at that time, which continue to serve as primary sources for most scholars in this field. We will see that, especially in the early stages, emigration flows did indeed follow specific directions, but also how unstable this situation was. How accurately does the notion of emigration centres describe the cultural context? We will examine this representation from the perspective of horizontal art history, which proposes to deconstruct this hierarchical centre-periphery narrative. Applying this concept in practice, we will analyse and visualise the data collected from the digital version of the biographical dictionary Iskusstvo i arkhitektura Russkogo zarubezh'ya (Art and Architecture of the Russian Emigration). We will see that, on the one hand, the recognized centres of emigration will still stand out, but on other levels, we will notice locations that differ from the established perception. Additionally, we will demonstrate how useful it is to represent such a large-scale phenomenon as Russian emigration as an interconnected system through networks.info:eu-repo/semantics/inPres
Hybrid beamforming for satellite ground stations in the mmWave band
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