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Tyler Hoare interview
No full textArtist Tyler Hoare talks about his building experiences in the Emeryville mudflats
Scott Donahue interview
No full textArtist and politican Scott Donahue talks about his building experiences in the Emeryville mudflats
Susanne Cockrell interview
No full textCCA Faculty Susanne Cockrell interviewed by CCA student Simone Hannum in 2018
Women of Color from CCA
No full textThis project includes seven interviews of seven women of color, who are artists studying or teaching at CCA in 2018. It also includes an illustrated information card with a quote and a portrait for each of the women, an audio file about the project and a webpage. These were created during the fall semester of 2018 by Ashley Cruz. This project was for Legacy Starts Here: Oakland Campus, taught by Victoria Wagner
HOME: Making Space for Radical Love and Struggle, exhibition, 2018
No full textPhotographic documentation of the HOME: Making Space for Radical Love and Struggle exhibit at the Oliver Art Center, CCA Oakland Campus, April 9-April 20, 2018
CCA MFA In Comics Anthology 2018
No full textThe CCA MFA in Comics Anthology features work by the graduate cartoonists at California College of the Arts
Digital Tradition: Arrangement and Labor in Istanbul's Recording Studio Culture by Eliot Bates (review)
No full text"The author effectively deploys multiple overarching framing devices, including the central one of the book's title: that developing versions of "traditional" musical products have been innovated through new digital means of audio recording and editing, enabling a "cut-and-paste" methodology where musical fragments can be intensively rearranged—with resultantly shifting aesthetic values. [...]the creation of "ethnic" music in the popular realm in Turkey in recent generations, while drawing on some musical elements of established customary use in certain locales, is as much dependent on arbitrary choices of other musical practices integrated into composite productions by professional studio practitioners. "Latency" is one especially generative notion the author proposes in tracking "lags" across different domains—from historical cultural values and social negotiations to cognitive psychology to the physics of temporal duration in translations from acoustical to analog electrical to digital signals and back again. Some close attention to extended performance techniques and customizing of traditional musical instruments precedes more substantial examples of how digital audio workstations changed compositional practices and creative roles among musicians, arrangers, and engineers.
Attention
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