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Wooden Figure
No full textThis object was photographed and inventoried during summer 2019 by Julia Conway ('20) and Bailey Cook ('20) as part of a digital curation fellowship.�Please note that the date issued field refers to the date of the digital object's creation. The temporal coverage field contains date information for the actual physical object, when known.General Description: This is a small wooden figure that has been carved in the shape of a male figure. He is dressed in red robes with multi-colored floral designs. His face is white, suggesting a mask or heavy face powder. On his head he wears a tall black hat. His right arm is outstreched and his left arm is by his side. At the base of the figure beneath his red robes there is a black section that has characters in circles.Condition Description: There are multiple places where the paint is chipping away. The wood that the figure is made of is not chipped
Machera Floors Installation Images
No full textThis digital image was photographed by Chip Pankey and uploaded to DLynx by the Visual Resources Center in Fall 2019.This is an Installation Image taken by Chip Pankey of Johana Moscoso's "Machera Floors" exhibition in the Clough-Hanson Gallery. Johana Moscoso’s "Machera Floors" are a series of large scale floor sculptures accompanied by process videos in which the artist and her peers dance Colombian cumbia and salsa over unfired porcelain tiles. The wet tiles, imprinted with impressions of the dancers’ heeled shoes, were fired, glazed, and re-assembled into large sculptural dance floors that archive dynamic expressions of the dancers' movements. The indelible impressions in "Machera Floors" embody the history of migration, which needs to be remembered and constantly retold in an America that tends to overlook the cultural assets and values created by immigrated populations.
There was an Artist's talk held on September 5 at 6:00 in Blount Auditorium. The Opening reception was on September 6 from 5:00 - 7:00. The Exhibition was on view through October 12
"Aggregate Optics of Make-A-Do" Postcard
No full textThis item was uploaded to DLynx in the Visual Resources Center during the spring of 2019.Erin Harmon’s work dwells in the twilight zone between painting and sculpture. Filled with longing for places that do not actually exist, contradictions flourish with invocations of both the animated and the arrested, the joyful and the staid, the high and the low. Material and processes become sites for fantasy, illusion, and the interplay between flat and not-flat. The vibrant work in "Aggregate Optics of Make-A-Do" tinkers with scale to produce environments that we can project ourselves into as landscapes, even while confronting their qualities of un-nature.
Borne from Harmon’s previous body of painted paper collages, her new work is influenced by techniques common to theatrical painters, a lineage of shapes and images become a trail of breadcrumbs from one idea to another. These materials are scoured, drawn, painted, cut, and recycled over time, one idea begetting another, endlessly self-generating. Whether it be through ceramic, painted muslin, or projection animation (a collaborative video in which Harmon’s gouache-on-paper cut-outs have been animated by artist and musician Kyle Statham), the finished works encapsulate a romance with materials and processes
Round Box
No full textThis object was photographed and inventoried during summer 2019 by Julia Conway ('20) and Bailey Cook ('20) as part of a digital curation fellowship.�Please note that the date issued field refers to the date of the digital object's creation. The temporal coverage field contains date information for the actual physical object, when known.General Description: This is a small round box. It is red and black and depicts two figures under a tree with mountains in the distance in the center of the lid. The inside of the box is black. There is some kind of remains of a sticker on the inside of the box.Condition Description: There are a few places where the box is chipping
Fabric
No full textThis object was photographed and inventoried during summer 2019 by Julia Conway ('20) and Bailey Cook ('20) as part of a digital curation fellowship.�Please note that the date issued field refers to the date of the digital object's creation. The temporal coverage field contains date information for the actual physical object, when known.General Description: This is a small piece of off white fabric from Sicily. It has an embroidered circular pattern around the edges.Condition Description: Yellowing from age
Bowl with lid
No full textThis object was photographed and inventoried during summer 2019 by Julia Conway ('20) and Bailey Cook ('20) as part of a digital curation fellowship.�Please note that the date issued field refers to the date of the digital object's creation. The temporal coverage field contains date information for the actual physical object, when known.General Description: This is a small brown and white bowl with a lid. There are 6 small triangular cut outs around the lid. The lid is a darker brown and has a nob. The bowl is a lighter brown with darker brown designs. There is a piece of paper with charcters written on it inside the bowl. There are three triangular cutouts on the bottom of the bowl as well.Condition Description: The glaze is cracking in places all around the bowl
Round Box
No full textThis object was photographed and inventoried during summer 2019 by Julia Conway ('20) and Bailey Cook ('20) as part of a digital curation fellowship.�Please note that the date issued field refers to the date of the digital object's creation. The temporal coverage field contains date information for the actual physical object, when known.General Description: This is a small round black lacquer box. It has a design of three birds on the top done in pearl. It opens up to reveal a specked gold inside.Condition Description: This box is in good condition. There is slight wear where the rim meets the bottom of the box
"Aggregate Optics of Make-A-Do" Opening Image
No full textThis item was uploaded to DLynx in the Visual Resources Center during the spring of 2019.Erin Harmon’s work dwells in the twilight zone between painting and sculpture. Filled with longing for places that do not actually exist, contradictions flourish with invocations of both the animated and the arrested, the joyful and the staid, the high and the low. Material and processes become sites for fantasy, illusion, and the interplay between flat and not-flat. The vibrant work in "Aggregate Optics of Make-A-Do" tinkers with scale to produce environments that we can project ourselves into as landscapes, even while confronting their qualities of un-nature.
Borne from Harmon’s previous body of painted paper collages, her new work is influenced by techniques common to theatrical painters, a lineage of shapes and images become a trail of breadcrumbs from one idea to another. These materials are scoured, drawn, painted, cut, and recycled over time, one idea begetting another, endlessly self-generating. Whether it be through ceramic, painted muslin, or projection animation (a collaborative video in which Harmon’s gouache-on-paper cut-outs have been animated by artist and musician Kyle Statham), the finished works encapsulate a romance with materials and processes
Fabric
No full textThis object was photographed and inventoried during summer 2019 by Julia Conway ('20) and Bailey Cook ('20) as part of a digital curation fellowship.�Please note that the date issued field refers to the date of the digital object's creation. The temporal coverage field contains date information for the actual physical object, when known.General Description: This is a small section of fabric that depcts animals, insects and flowers in red, green, yellow and blue. There are two notes attached to the fabric that say the section of fabric is from Marseilles, France. There is a large rip on one side. The old inventory says that it is made of cotton.Condition Description: There are several places where there are stains on the fabric. There is also a large rip on one side of the fabric
American Flag at Beale
No full textThis digital image was taken by a member of the Memphis Art Project team. It was uploaded to DLynx during summer 2019.This mural of a rippling American Flag can be seen on the side of the 340 Beale Street building, which is a police station. It can be seen next to the Police sign. Its right side is diagonal