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    Race-based Shifting Standards and Financial Compensation in the Workplace

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    Presentation by Emily Watkins ('18), Zaria Jones ('19), Matthew Weeks (Department of Psychology), and Kelly Weeks (Department of Business) delivered at the Rhodes College Undergraduate Research and Creative Activity Symposium (URCAS).The present study examines the relationship between race and financial compensation within the workplace. Specifically, this study uses the Shifting Standards Model (SSM), which says that people are influenced by stereotypes when making judgments, as a framework to describe why raise amounts for two identical employees might differ based on race. In SSM, the influence of the stereotype is visible on an objective scale but hidden on a subjective scale. Participants are asked to think of themselves as a Human Resource Manager giving an employee a raise. Based on objective information that is given about the employee, who is either White or Black, the participant will be asked to give a raise in an objective, dollar amount. Then, the participant rates how large that raise is on a subjective scale. The SSM predicts that the Black employee will be given a smaller raise, which would then be rated as subjectively equal, or possibly better, than the higher objective raise the White employee is given. Preliminary data analysis indicates results in line with the predicted pattern, where the Black employee receives a smaller objective raise than the comparably described White employee, even as their raises are described as subjectively the same

    "TEXT | subtext |" Opening Reception Image

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    This digital image was photographed by Sarah Hatfield and uploaded to DLynx by the Visual Resources Center in April, 2018.This is an image from the "TEXT | subtext |" opening event, presented by Bonnie Whitehouse and Sarah Hatfield at the Evergreen Presbyterian Church. This show was curated through Rhodes College's Curation in Context course and funded graciously by the Clough Hanson Gallery. The show featured Lauren Blair of Memphis College of Art. This show focused on the connection between medically transitioning and mental health. The "TEXT | subtext |" exhibition was held on Sunday, April 22nd at 5:30. Live music began at 7:30, and the Blair's first solo exhibition ended at 8:30.Clough Hanson Galler

    "Enter Through the Window" Opening Reception Image

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    This digital image was photographed by Helen Files and uploaded to DLynx by the Visual Resources Center in April, 2018.This is an image from the opening event for the 2018 Senior Thesis Exhibition show, "Enter Through the Window". The art of the six seniors who completed Senior Thesis is displayed in Clough-Hanson Gallery. The show featured art from Reagan Alley, Frank Beiser, Mattie Boyd, Erin Burman, Hope Hudson and Olivia Thomas of Rhodes College. The "Enter Through the Window" exhibition was held on display from April 21-27, and the opening reception was on April 20th

    "Body-Ody-Oddy" exhibition image

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    This digital image was taken by Chip Pankey and uploaded to DLynx by the Visual Resources Center in July 2022.This is an image documenting the "Body-Ody-Oddy" exhibition, which was held in the Clough-Hanson Gallery from October 28 through December 5. This exhibition was a collaboration from artists Alex Paulus, Melissa Wilkinson, Katie Torn, Moth Moth Moth, and the Haus of Phantosea. The exhibition focuses on the boundaries and hybrids which demonstrate the politics and pleasure of the flesh. This exhibition included various media as well as an assortment of clothing and accessories

    Spring Beginning Painting Project 1: Environment

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    This painting was digitized and uploaded to DLynx by the Visual Resources Center in Spring 2018.This is a painting created by Vishwesh Ravva. It was submitted as part of the first project assigned to the Beginning Painting class of Spring 2018 taught by Carl Moore. This assignment, titled "Environment," required students to complete 20 paintings on a 9 x 12 inch cold press illustration board and two color charts. The "Environment" subject could reference objects from everyday life or a still life that was set up in the studio

    Rachel Shideler Drawing Portfolio

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    This drawing was digitized and uploaded to DLynx by the Visual Resources Center in Spring 2018.This is an image of a drawing created by Rachel Shideler as part of her drawing portfolio

    Rachel Shideler Drawing Portfolio

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    This drawing was digitized and uploaded to DLynx by the Visual Resources Center in Spring 2018.This is an image of a drawing created by Rachel Shideler as part of her drawing portfolio

    Rachel Shideler Drawing Portfolio

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    This drawing was digitized and uploaded to DLynx by the Visual Resources Center in Spring 2018.This is an image of a drawing created by Rachel Shideler as part of her drawing portfolio

    Rachel Shideler Drawing Portfolio

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    This drawing was digitized and uploaded to DLynx by the Visual Resources Center in Spring 2018.This is an image of a drawing created by Rachel Shideler as part of her drawing portfolio

    Rachel Shideler Drawing Portfolio

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    This drawing was digitized and uploaded to DLynx by the Visual Resources Center in Spring 2018.This is an image of a drawing created by Rachel Shideler as part of her drawing portfolio

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