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"Liberation" Official Installation Image
No full textThis digital image was photographed by Chip Pankey and uploaded to DLynx by the Visual Resources Center in April, 2018.This is an image from the "Liberation" exhibition, presented by The Collective. The Collective is a Memphis- based nonprofit organization that was launched in 2015. Their mission is to inspire and cultivate creativity within their community, to provide a platform for African American artists in Memphis to display their talents, and use that creative expression as a vehicle to uplift their community. The 'Liberation" exhibition was held from February 23- March 24. A panel discussion with the artists took place on March 13 , and a closing reception and performance took place in the gallery on March 23
Spring Beginning Painting Project 1: Environment
No full textThis painting was digitized and uploaded to DLynx by the Visual Resources Center in Spring 2018.This is a painting created by Elizabeth Sommerkamp. It was submitted as part of the first project assigned to the Beginning Painting class of Spring 2018 taught by Carl Moore. This assignment, titled "Environment," required students to complete 20 paintings on a 9 x 12 inch cold press illustration board and two color charts. The "Environment" subject could reference objects from everyday life or a still life that was set up in the studio
"Liberation" exhibition image
No full textThis digital image was taken by Chip Pankey and uploaded to DLynx by the Visual Resources Center in July 2022.This is an image documenting the "Liberation" exhibition, which was held in the Clough-Hanson Gallery from February 23 through March 24. The exhibition was presented by The Collective, a Memphis-based non-profit designed to uplift Black artists and art; the exhibition was curated by Lawrence Matthews. This collection includes painting, sculpture, photography, and installation by artists incluing Natalie Eddings, Nubia Yasin, Terry Lynn, and Desmond Lewis
The evaluation of Acheta domesticus hiding preference
No full textPresentation by Michael Geddati ('21), Ameley Lawson ('21), and Brandon Waddell ('21) delivered at the Rhodes College Undergraduate Research and Creative Activity Symposium (URCAS)
NELS
No full textThis digital image was taken by a member of the Memphis Art Project team. It was uploaded to DLynx during summer 2019.The word "NELS" in blue an orange is written on a black background and is busting out of the red brick wall. This work was created as part of Paint Memphis 2018. It can be found off 711 Doctor Martin Luther King Jr Ave
The effect of Miraclegro on agonistic behavior in crayfish
No full textPresentation by Natalie Arnold ('20), Jada Fortson ('21), Chris Gough ('21), and Samantha Wood ('20) delivered at the Rhodes College Undergraduate Research and Creative Activity Symposium (URCAS)
"Liberation" Official Installation Image
No full textThis digital image was photographed by Chip Pankey and uploaded to DLynx by the Visual Resources Center in April, 2018.This is an image from the "Liberation" exhibition, presented by The Collective. The Collective is a Memphis- based nonprofit organization that was launched in 2015. Their mission is to inspire and cultivate creativity within their community, to provide a platform for African American artists in Memphis to display their talents, and use that creative expression as a vehicle to uplift their community. The 'Liberation" exhibition was held from February 23- March 24. A panel discussion with the artists took place on March 13 , and a closing reception and performance took place in the gallery on March 23
New Daisy Theatre Tickets
No full textTickets and information cards from patrons to the New Diasy Theatre and Palace Theatre
Spring Beginning Painting Project 1: Environment
No full textThis painting was digitized and uploaded to DLynx by the Visual Resources Center in Spring 2018.This is a painting created by Benjamin Aquila. It was submitted as part of the first project assigned to the Beginning Painting class of Spring 2018 taught by Carl Moore. This assignment, titled "Environment," required students to complete 20 paintings on a 9 x 12 inch cold press illustration board and two color charts. The "Environment" subject could reference objects from everyday life or a still life that was set up in the studio