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Spring Beginning Painting Project 1: Environment
No full textThis painting was digitized and uploaded to DLynx by the Visual Resources Center in Spring 2018.This is a painting created by Maria Popescu. It was submitted as part of the first project assigned to the Beginning Painting class of Spring 2018 taught by Carl Moore. This assignment, titled "Environment," required students to complete 20 paintings on a 9 x 12 inch cold press illustration board and two color charts. The "Environment" subject could reference objects from everyday life or a still life that was set up in the studio
Spring Beginning Painting Project 1: Environment
No full textThis painting was digitized and uploaded to DLynx by the Visual Resources Center in Spring 2018.This is a painting created by John (Siler) Sloan. It was submitted as part of the first project assigned to the Beginning Painting class of Spring 2018 taught by Carl Moore. This assignment, titled "Environment," required students to complete 20 paintings on a 9 x 12 inch cold press illustration board and two color charts. The "Environment" subject could reference objects from everyday life or a still life that was set up in the studio
"Supreme Being: The Symmetry of What You Saw and What You Say" Official Installation Image
No full textThis digital image was photographed by Chip Pankey and uploaded to DLynx by the Visual Resources Center in February, 2018.This is an installation image of Rashayla Marie Brown's exhibition "Supreme Being: The Symmetry of What You Saw and What You Say". The exhibition description reads as such: "In an 'undisciplinary' installation, Rashayla Marie Brown (RMB) explores a diverse array of media including writing, photography, voiceover acting, and an installation of a makeshift red 'dark room,' school desks, red vinyl window coverings, and a red carpet. Melding the aesthetics of kitsch (bourgeois realism) and communist art (social realism) with those of high art (museum design) and film, RMB’s work explores the coercive foundation of systems of display found in the desire to communicate a clear, moral message across various cultural contexts". Lauded as a 2017 Artadia Awardee, artist-scholar Rashayla Marie Brown (RMB) manages a living studio practice across an extensive list of cultural production modes, including photography, performance, writing, drawing, installation, and video art. Pictured in this photo are the works "Your Future and Your past or a Young Brown Girl's hand in Front of Painting of a Young Brown Girl", "Beauty Supply Store", and "Supreme Being".The exhibition opened on January 19 in the Clough Hanson gallery
Design and Synthesis of Novel LpxC Inhibitors to Impede Outer Membrane Formation in Gram-Negative Bacteria
No full textThe increasing global incidence of antibiotic-resistant Gram-negative bacteria necessitates the discovery of new treatment mechanisms to combat such untreatable and deadly infections. One promising target is LpxC, a highly conserved Gram-negative enzyme which performs a crucial step in the lipid A biosynthetic pathway. Lipid A serves as the anchor for lipopolysaccharides on the Gram-negative outer membrane and is essential to the structural integrity and viability of the bacterium. The LpxC active site is comprised of a zinc ion, a polar region, and a hydrophobic passage. A library of analogs with varying hydrophobic tails similar in structure to the natural substrate were designed and synthesized with the goal of optimizing binding within the active site. Two new analogs (DP-001 and DP-002) were added to the existing LpxC inhibitor library which contain a phenyl propargyl ethertail as a hydrophobic moiety. The phenyl propargyl ether tail was synthesized and a new approach was developed to achieve hydroxamic acid conversion. Both DP-001 and DP-002 will be tested alongside the rest of the Peterson library against various strains of Gram-negative and Gram-positive bacteria for antimicrobial activity
Spring Beginning Painting Project 1: Environment
No full textThis painting was digitized and uploaded to DLynx by the Visual Resources Center in Spring 2018.This is a painting created by Sean Mattheisen. It was submitted as part of the first project assigned to the Beginning Painting class of Spring 2018 taught by Carl Moore. This assignment, titled "Environment," required students to complete 20 paintings on a 9 x 12 inch cold press illustration board and two color charts. The "Environment" subject could reference objects from everyday life or a still life that was set up in the studio
Spring Beginning Painting Project 1: Environment
No full textThis painting was digitized and uploaded to DLynx by the Visual Resources Center in Spring 2018.This is a painting created by Eliza Lieberman. It was submitted as part of the first project assigned to the Beginning Painting class of Spring 2018 taught by Carl Moore. This assignment, titled "Environment," required students to complete 20 paintings on a 9 x 12 inch cold press illustration board and two color charts. The "Environment" subject could reference objects from everyday life or a still life that was set up in the studio
Sexual Arousal and Sexual Aversion in the Context of Mixed-Orientation Relationships
No full textPresentation by Zoe Feder ('19), Emily Boss ('19), and Will Stone ('19) delivered at the Rhodes College Undergraduate Research and Creative Activity Symposium (URCAS).Based on previous research, we expect White targets to be associated with higher levels of SES and Black targets with lower levels of SES. The Go/No Go Association Test (GNAT) will allow us to sort the associations and to assess whether Black Targets are associated with Low status words and occupations, whether White targets are associated with high status words or occupations, or whether both associations exist or do not exist. The shifting standards effect is the tendency for subjective judgments of targets to show null effects of stereotypes while objective judgements of the same targets show stereotypical effects. We're looking at the relationship between the strength with which someone holds the association from the GNAT and their tendency to shift standards in a race-SES paradigm. We would predict that those who exhibited the stereotypical association in the GNAT would exhibit a greater shifting of standards. Our findings demonstrate that those individuals with a strong Race-Status association show a greater shifting standards effect than those with a weak Race-Status association and these effects are primarily driven by the White-High Status association
Rhodes Institute for Regional Studies Student Papers
No full textNashville Sit-Ins and Student Activism in Civil Rights Movement
Spring Beginning Painting Project 1: Environment
No full textThis painting was digitized and uploaded to DLynx by the Visual Resources Center in Spring 2018.This is a painting created by Jessica Shainker. It was submitted as part of the first project assigned to the Beginning Painting class of Spring 2018 taught by Carl Moore. This assignment, titled "Environment," required students to complete 20 paintings on a 9 x 12 inch cold press illustration board and two color charts. The "Environment" subject could reference objects from everyday life or a still life that was set up in the studio
"Liberation" exhibition image
No full textThis digital image was taken by Chip Pankey and uploaded to DLynx by the Visual Resources Center in July 2022.This is an image documenting the "Liberation" exhibition, which was held in the Clough-Hanson Gallery from February 23 through March 24. The exhibition was presented by The Collective, a Memphis-based non-profit designed to uplift Black artists and art; the exhibition was curated by Lawrence Matthews. This collection includes painting, sculpture, photography, and installation by artists incluing Natalie Eddings, Nubia Yasin, Terry Lynn, and Desmond Lewis