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    "Liberation" Closing Reception Image

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    This digital image was photographed by VRC student workers and uploaded to DLynx by the Visual Resources Center in April, 2018.This is an image from the "Liberation" closing event, presented by The Collective. The Collective is a Memphis- based nonprofit organization that was launched in 2015. Their mission is to inspire and cultivate creativity within their community, to provide a platform for African American artists in Memphis to display their talents, and use that creative expression as a vehicle to uplift their community. The 'Liberation" exhibition was held from February 23- March 24. A panel discussion with the artists took place on March 13 , and a closing reception and performance took place in the gallery on March 23

    "What's Gone With Boy I Wonder" Opening Reception Image

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    This digital image was photographed by Helen Files and uploaded to DLynx by the Visual Resources Center in September, 2018.This is an image of the opening reception for Jared Buckheister's exhibition "What’s Gone With That Boy I Wonder".Spanning the last decade, What’s Gone With That Boy I Wonder surveys Jared Buckhiester’s exploration of conflicted desires and the American archetypes that anchor them. This exhibition presents a selection of works inclusive of the artist’s varied and emotionally-invested approach to the medium drawing. Initially an exhibition titled Love Me Tender curated by David Getsy and presented at The Bureau Of General Services Queer Division in the fall of 2017, What’s Gone With That Boy I Wonder expands on its previous incarnation. In the current iteration of this exhibition, photography and sculpture are included alongside drawings, giving a fuller impression of Buckhiester’s working process, while broadening its narrative and conceptual possibilities. There was a lecture for the exhibition on August 30, and the exhibition was held from September 1st to October 7th

    "Body-ody-oddy" Opening Reception Image

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    This digital image was photographed by Helen Files and uploaded to DLynx by the Visual Resources Center in December, 2018.This is an image of the opening reception for the Body-ody-oddy exhibition held in the Clough Hanson Gallery on October 26, 2018. The exhibition consisted of artists exploring the body at, against, and beyond its boundaries, creating hybrids, amalgams, and excesses that illuminate the ways that politics and pleasures are made flesh. It featured work by Katie Torn, Alex Paulus, Melissa Wilkinson, and Moth Moth Moth and the Haus of Phantosea. Alex Paulus commented on his work, stating "My paintings are a representation of how ridiculous I think life can be...I also like to include humor in the work. If my art can make people laugh and feel good, I’ve succeeded. The paintings are usually very bright and bold in color, and the subject matter can be a little bizarre. The use of brightly colored paint seems to curb some the strange imagery and make it more palatable to the viewer." Melissa Wilkinson commented as well, saying "These series of paintings focus on my interest in dichotomies: obscuring and revealing, attraction and repulsion, good and evil, the past and the present. I appropriate imagery from a variety of sources in order to develop a pastiche that fractures the conventional male gaze and positions art historical models as both subject and spectacle. I choose to dismantle epic narratives from the past to create a schizophrenic perspective. The images break from their original sources into fragments, creating a complex visual experience that both irritates and seduces. It is through this body of work that I seek to challenge the hetero-normative male gaze and reinvent a fluid view that fluctuates between unconventional representations of the erotic body.

    Spring Beginning Painting Project 1: Environment

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    This painting was digitized and uploaded to DLynx by the Visual Resources Center in Spring 2018.This is a painting created by Luis Vela. It was submitted as part of the first project assigned to the Beginning Painting class of Spring 2018 taught by Carl Moore. This assignment, titled "Environment," required students to complete 20 paintings on a 9 x 12 inch cold press illustration board and two color charts. The "Environment" subject could reference objects from everyday life or a still life that was set up in the studio

    Spring Beginning Painting Project 1: Environment

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    This painting was digitized and uploaded to DLynx by the Visual Resources Center in Spring 2018.This is a painting created by Miriam Ellis. It was submitted as part of the first project assigned to the Beginning Painting class of Spring 2018 taught by Carl Moore. This assignment, titled "Environment," required students to complete 20 paintings on a 9 x 12 inch cold press illustration board and two color charts. The "Environment" subject could reference objects from everyday life or a still life that was set up in the studio

    Spring Beginning Painting Assignment 3: Statement

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    This painting was digitized and uploaded to DLynx by the Visual Resources Center in Spring 2018.This painting was created by Rachel Ward. It was submitted as a part of the third project assigned to the Beginning Painting class of Spring 2018 taught by Carl Moore.For this project, the students had to create 1 Painting on a 20 x 20 Wood Panel with a focus statement. The painting had to express a feeling, emotion, idea or commentary about a specific topic or idea

    "Body-Ody-Oddy" exhibition image

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    This digital image was taken by Chip Pankey and uploaded to DLynx by the Visual Resources Center in July 2022.This is an image documenting the "Body-Ody-Oddy" exhibition, which was held in the Clough-Hanson Gallery from October 28 through December 5. This exhibition was a collaboration from artists Alex Paulus, Melissa Wilkinson, Katie Torn, Moth Moth Moth, and the Haus of Phantosea. The exhibition focuses on the boundaries and hybrids which demonstrate the politics and pleasure of the flesh. This exhibition included various media as well as an assortment of clothing and accessories

    Environmental Threats facing Lake Baikal

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    Presentation by Alisa Redding ('18) delivered at the Rhodes College Undergraduate Research and Creative Activity Symposium (URCAS).Reaching a depth of 5,580 feet and estimated to be 25 million years old, Lake Baikal, located in Siberia, is regarded as the oldest and deepest lake on earth. Lake Baikal holds 20% of the world's freshwater and is therefore of extreme value to environmental and human life. The lake is home to hundreds of endemic species of animals and plants, most notable of which, is the copepod, Epischura baicalensis, that works as a filtration system in the lake's water to keep it clean. However, in recent years, the lake has begun to suffer from the effects of improper waste disposal, urban/industrial development, and deforestation. In 2014, 1,500 metric tons of algae washed up onto the shores of Lake Baikal, indicating a rise in eutrophication and fecal contamination. Using the program, ArcGIS 10.2.2, four different raster projections highlight distinct issues impacting the lake, and where their influence is concentrated

    Spring Beginning Painting Project 1: Environment

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    This painting was digitized and uploaded to DLynx by the Visual Resources Center in Spring 2018.This is a painting created by Vishwesh Ravva. It was submitted as part of the first project assigned to the Beginning Painting class of Spring 2018 taught by Carl Moore. This assignment, titled "Environment," required students to complete 20 paintings on a 9 x 12 inch cold press illustration board and two color charts. The "Environment" subject could reference objects from everyday life or a still life that was set up in the studio

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