34116 research outputs found
Sort by
Container
No full textThis object was photographed and inventoried during summer 2019 by Julia Conway ('20) and Bailey Cook ('20) as part of a digital curation fellowship.�Please note that the date issued field refers to the date of the digital object's creation. The temporal coverage field contains date information for the actual physical object, when known.General Description: This is a two leveled container with a handle on top. There are two spouts, one on each of the levels and on opposite sides. It is a green base with a grey/brown spiral pattern decending from top. There is some form of glaze over the color, and there is a stamp on the bottom.Condition Description: No noticable damage
"Aggregate Optics of Make-A-Do" Opening Image
No full textThis item was uploaded to DLynx in the Visual Resources Center during the spring of 2019.Erin Harmon’s work dwells in the twilight zone between painting and sculpture. Filled with longing for places that do not actually exist, contradictions flourish with invocations of both the animated and the arrested, the joyful and the staid, the high and the low. Material and processes become sites for fantasy, illusion, and the interplay between flat and not-flat. The vibrant work in "Aggregate Optics of Make-A-Do" tinkers with scale to produce environments that we can project ourselves into as landscapes, even while confronting their qualities of un-nature.
Borne from Harmon’s previous body of painted paper collages, her new work is influenced by techniques common to theatrical painters, a lineage of shapes and images become a trail of breadcrumbs from one idea to another. These materials are scoured, drawn, painted, cut, and recycled over time, one idea begetting another, endlessly self-generating. Whether it be through ceramic, painted muslin, or projection animation (a collaborative video in which Harmon’s gouache-on-paper cut-outs have been animated by artist and musician Kyle Statham), the finished works encapsulate a romance with materials and processes
"Monument Lab: Prototypes/Proposals" Installation Image
No full textThis digital image was photographed by Chip Pankey and uploaded to DLynx by the Visual Resources Center in Spring 2019.This is an image of the Monument Lab: Prototypes/Proposals installation held in the Clough Hanson Gallery. The exhibition is curated by Monument Lab’s Artistic Director Paul Farber. Monument Lab is a national public art and history project based in Philadelphia. As a curatorial team led by Paul Farber and Ken Lum, Monument Lab works with artists, activists, and students to critically engage the monuments we have inherited and unearth the next generation of monuments.
"Monument Lab: Prototypes/Proposals" includes prototype monuments from Monument Lab collaborators Kara Crombie, Michelle Angela Ortiz, Jamel Shabazz, and Marisa Williamson, in which they centered projects around themes of social justice and solidarity; artifacts of the Monument Lab public engagement process including samples of the public dataset of proposals and copies of the culminating Report to the City; and a research room that places the exhibition in local and global context.
Monument Lab: Prototypes/Proposals will run from January 19 through March 16, 2019
2019 Senior Thesis Exhibition Installation Image
No full textThis digital image was photographed by Chip Pankey and uploaded to DLynx by the Visual Resources Center in Summer 2019.This is an image of the 2019 Senior Thesis Exhibition for art majors at Rhodes College. Description is as follows: Our studio art majors’ capstone achievement, this exhibition features work by Olivia Rowe, Charlotte Sechrist, Qian Xu, Sara Lynn Abbott, and Melissa Kiker.
The exhibition was on view April 13, 16, and 23-25 between 11:00 am and 5:00 pm
Circular Box
No full textThis object was photographed and inventoried during summer 2019 by Julia Conway ('20) and Bailey Cook ('20) as part of a digital curation fellowship.�Please note that the date issued field refers to the date of the digital object's creation. The temporal coverage field contains date information for the actual physical object, when known.General Description: A small circular box with smooth sides and a removable lid. There is a small female figurine with a red skirt. This figure is on a pink fabric. The figure moves from an unknown contraption when the box is moved.Condition Description: The lid and outside of the box is slightly tarnished
Machera Floors Opening Reception
No full textThis digital image was photographed by Grayson Burke and uploaded to DLynx by the Visual Resources Center in Fall 2019.This is an image of the Opening Reception of Johana Moscoso's "Machera Floors" exhibition in the Clough-Hanson Gallery. Johana Moscoso’s "Machera Floors" are a series of large scale floor sculptures accompanied by process videos in which the artist and her peers dance Colombian cumbia and salsa over unfired porcelain tiles. The wet tiles, imprinted with impressions of the dancers’ heeled shoes, were fired, glazed, and re-assembled into large sculptural dance floors that archive dynamic expressions of the dancers' movements. The indelible impressions in "Machera Floors" embody the history of migration, which needs to be remembered and constantly retold in an America that tends to overlook the cultural assets and values created by immigrated populations. There was an Artist's talk held on September 5 at 6:00 in Blount Auditorium. The Opening reception was on September 6 from 5:00 - 7:00. The Exhibition was on view through October 12
Bowl
No full textThis object was photographed and inventoried during summer 2019 by Julia Conway ('20) and Bailey Cook ('20) as part of a digital curation fellowship.�Please note that the date issued field refers to the date of the digital object's creation. The temporal coverage field contains date information for the actual physical object, when known.General Description: This is a black bowl that has a gold decoration of a tree on it. It is missing its top so only half of the tree decoration is visible. The inside of the bowl is black speckled in gold.Condition Description: This bowl is in good condition. It is missing its top. There are a couple of places where the lacquer is scratched
Plate
No full textThis object was photographed and inventoried during summer 2019 by Julia Conway ('20) and Bailey Cook ('20) as part of a digital curation fellowship.�Please note that the date issued field refers to the date of the digital object's creation. The temporal coverage field contains date information for the actual physical object, when known.General Description: This is a dull green plate with a wave design done in white. The design in the center is done in a higher/thicker glaze. There is a seal on the bottom of the plate.Condition Description: There are a few places of chipping. There is a small crack on the edge of the bowl
Pin
No full textThis object was photographed and inventoried during summer 2019 by Julia Conway ('20) and Bailey Cook ('20) as part of a digital curation fellowship.�Please note that the date issued field refers to the date of the digital object's creation. The temporal coverage field contains date information for the actual physical object, when known.General Description: This is one of a set of two pins, the other being number 78.3079. It is gold colored lattice work in the shape of flowers and spirals. When combined with its matching piece, this pin forms the shape of a bow. Chinese.Condition Description: Some wear
Bead
No full textThis object was photographed and inventoried during summer 2019 by Julia Conway ('20) and Bailey Cook ('20) as part of a digital curation fellowship.�Please note that the date issued field refers to the date of the digital object's creation. The temporal coverage field contains date information for the actual physical object, when known.General Description: This is a small silver rectangular bead that opens up. It has geometric designs on it. There are circles on it that show it could have been strung on something.Condition Description: Slight denting, slight discoloratio