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    48 research outputs found

    Anthropocentrism and Environmental Crisis in Hujan Novel by Tere Liye: An Ecocritical Study of Human-Induced Environmental Damage

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    This study aims to reveal how human actions impact environmental damage as depicted in the novel Hujan by Tere Liye. The research design used a qualitative method, equipped with an ecocriticism theory of Anthropocentrism by Greg Garrard to explore the anthropocentrism in the novel. The results show; 1) The environmental damage: different kinds of environmental harm, including pollution, apocalypse, dwelling, and earth, with humans as the main cause and the impact that causes the ecosystem damage which eventually leads to extinction; 2) The environmental abuse: the role of humans in the destruction of the environment is reflected in the actions of destroying nature carried out by humans on the basis of the anthropocentrism paradigm; 3) The ecological ethics: the novel highlights the critical need for adhering to environmental wisdom, which includes maintaining harmony with nature, adopting sustainable practices, and considering long-term consequences of human actions.environmental values are embodied in the novel following the principles of environmental ethics

    A Critical Exploration of Human-Primate Dynamics and Ecological Reflections in ‘Rise of the Planets of the Apes’ Movie: An Ecocriticism Literary Analysis

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    This journal article offers an ecocritical analysis of the film "Rise of the Planet of the Apes" through the lens of Hiltner\u27s "Ecocriticism" (2014). Employing a qualitative methodology, the study examines the movie\u27s portrayal of human-animal relationships and environmental ethics. Additionally, the article delves into the cinematography of the film, focusing on the use of camera techniques to convey environmental and ethical themes. As the result: 1) The interconnectedness among humans, apes and environment portrays ethical concerns regarding the separation of apes with their habitat for medical experiment. 2) The human-animal relationships depicted shows that the apes\u27 yearning for freedom and acceptance creates ethical implications: being seen as part of a family and as a mere experimental subject. 3) The disruption of ecosystems by human actions, particularly the apes\u27 habitat, exploitation and abuses has made severe disruption both the humans and the apes, caused by the injustice experienced by the apes. This aligns with the film\u27s broader portrayal, highlighting the interconnectedness between human exploitation, environmental disruption, and the need for ethical considerations

    Unveiling the Semiotics of Cigarette Advertising: Analyzing Propaganda Strategies

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    This study aims at demonstrating how prolonged exposure to media, particularly in cigarette ads, can shape individuals\u27 beliefs, attitudes, and values. The cultivation theory by Gerbner, G. (1998) was applied in the analysis to show the mentioned issues. Besides, the study also investigated the role of cinematography, specifically cameraworks, and employed a semiotic approach to explore signs and symbols in the ads. Ferdinand de Saussure\u27s (1916) "signifier" and "signified" framework was used to illustrate how visual elements construct narratives, shedding light on how cigarette ads subtly influence perceptions of smoking and its lifestyle implications. Based on the analysis, it can be concluded that: 1) It is revealed that extensive exposure to media, including cigarette ads, distorts perceptions of smoking\u27s prevalence and harm, potentially influencing initiation or continuation of smoking behaviors. 2) Cinematography, analyzed through semiotics, unveils how visual elements in cigarette ads construct intricate narratives. The interplay of "signifier" and "signified," rooted in Saussure\u27s framework, showcases how camera techniques convey nuanced implicit and explicit meanings. 3) Cigarette ads employ a dual-layered approach, blending explicit messages of courage with implicit motives of empowerment. Regular media consumers are more inclined to perceive these messages as reflective of reality. The examination illustrates the interrelated aspects of cinematography, and semiotics, discussed by using cultivation theory in molding the complex issues of cigarette advertisements. The interaction among these components impacts how viewers perceive, shape stories, and nurture distinct convictions and viewpoints.

    Power Dynamics and Colonial Exploitation: Unveiling Predatory Forces in ‘Rise of the Planet of the Apes\u27

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    This abstract explores the dynamics of power, oppression, and resistance within the context of colonialism and postcolonialism, drawing on Robert J.C. Young\u27s theoretical framework (2005). Analyzing the movie\u27s portrayal of humans\u27 control over apes, the hierarchical relationship between colonizers and colonized becomes evident. The belief in human supremacy over apes is contextualized within discussions of colonial ideologies and racial hierarchies, reflecting a colonial mindset rooted in notions of superiority. The apes\u27 revolt against human captors mirrors historical resistance movements against exploitation and mistreatment. As a result: 1) The apes have been the subjects of experiments and exploited by the men; men keep forcing the apes to cooperate in experiments (Exploitation and Resistance). 2) The apes often get extreme abuse for the sake of the human race (Power Dynamics and Oppression). 3) The men’s superiority towards the apes creates resistance to fight back humans (Colonial Supremacy and Racial Hierarchies). It highlights the apes\u27 vulnerability to human dominance, their determination to resist, and the potential for collective strength. The contrasting loyalty of apes and humans is underscored, shedding light on the dynamics of power and unity in the face of oppression. As Young\u27s definition of colonialism comes to life, the complex interplay between dominance, resistance, and shared fears emerges, providing a thought-provoking perspective on the movie\u27s themes

    THE ABSENT YEARS OF ‘PO’ IN “KUNG FU PANDA 3” MOVIE: PSYCHOANALYTIC LITERARY CRITICISM

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    This study aims at showing the correlation between the two early stages of childhood development of Po and the adult fixation that occurs at his present time; in addition, it is expected to give a deeper comprehensive understanding of how crucial the roles of parents in parenting during the childhood period. Having the data analyzed, a qualitative method was used to explain and describe the information collected which were related to psychological issues in the movie. The significant cinematography: camerawork in the movie, where the setting, plot, characters were described as the story is presented through moving pictures. Moreover, the theory of psychoanalysis: stages of psychosexual development by Sigmund Freud was used to explain the motives and behaviors of the character Po. As a result: 1) Po’s anxiety is triggered by his inadequate gratification of ‘id’ at the oral stage, making it difficult to control his dietary habit, pessimistic, dependent, and overly sensitive to rejection. 2) The lack of parenting at the anal stage makes him manifest a lack of self-control, disorganized, messy and careless behaviors. 3) Po eventually manages to gain his confidence; nevertheless, the adult fixation remains in him

    THE FIXATED TRAITS IN “KUNG FU PANDA 3” MOVIE: A PSYCHOANALYTIC LITERARY CRITICISM

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    This study aims to highlight the crucial childhood socio-cultural learning across the lifespan; how the affection, love, close relationships and parenting of both parents are primal that affect adulthood personality. Qualitative method was used to explain and criticize the psychological issue in this movie. Since the story is presented through moving pictures, cameraworks in cinematography were used to narrate the plot, settings, and characters. Furthermore, the theory of “Stages of Psychosocial Development” by Erik Erikson was applied as the approach to conduct this analysis in order to figure out what triggers Po’s anxiety related to two stages of Erikson\u27s Basic Trust vs Mistrust & Autonomy vs Doubt, Shame. As a result: 1) Po’s anxiety is triggered by his inadequate trust at the Basic Trust vs Mistrust stage, making it difficult to control his dietary habit, pessimistic, dependent, and overly sensitive to rejection. 2) The lack of parenting at the Autonomy vs Doubt, Shame stage makes him manifest unfavorable outcomes: a lack of self-control, disorganized, messy and careless behaviors. 3) Po eventually manages to gain his confidence; however, his adult fixation still remains.

    Neocolonialism in Black Panther “Wakanda forever” Movie

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    This study aims to show Neocolonialism in the movie "Black Panther: Wakanda Forever," employing the analytical framework of Marxism by Karl Marx and complemented by Foucault\u27s theory of Power. The analysis unveils the disapproval of neocolonialism from Karl Marx\u27s perspective through an in-depth exploration of the movie. The visual composition of the cinematography is conveyed along with the analysis of the movie. Embracing the Marxist approach, this study investigates the neocolonialism caused by external powers’ interest in the movie that has divided people even between social classes: Underwater Kingdom vs Wakanda. Three primary outcomes of neocolonialism emerge: 1) Resource Exploitation and Expansion (Namor): Namor, as the king of Sea peoples, represents the pursuit of expanding a powerful and resource-rich kingdom\u27s interests. His actions could mirror neocolonial tendencies by seeking to control and exploit resources beyond his own nation\u27s borders by any means: coercive, persuasive, or by force, mirroring neocolonizers. 2) Technological Protection and Resistance (Shuri): Shuri embodies the spirit of resistance against neocolonialism through her efforts to safeguard Wakanda\u27s advanced technology. Her actions reflect a determination to prevent the appropriation of Wakanda\u27s innovations by external forces, thereby preserving the nation\u27s sovereignty and preventing technological exploitation. 3) Liberation and Ideological Influence (Erik Killmonger): While not physically present, Killmonger\u27s legacy influences the resistance perspective. His radical ideals of liberating oppressed communities using Wakanda\u27s resources align with resistance\u27s goals, highlighting the potential outcome of neocolonialism where powerful nations may manipulate resources to advance their ideological interests.&nbsp

    THE MISSING AGES IN “KUNG FU PANDA 3” MOVIE: A PSYCHOANALYTIC LITERARY CRITICISM

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    This study aims at showing the connection between Po’s past experiences and his present manifestations. This analysis intends to show the significance of the affection and primal parenting of both parents. A qualitative approach was employed to elucidate and evaluate the psychological concern depicted in this film. Given the narrative\u27s visual medium, the utilization of cinematography in terms of camerawork served to articulate the storyline, environments, and characters. Additionally, the analytical framework of Sigmund Freud\u27s "psychoanalysis" was adopted as the methodology for this examination, aiming to ascertain the sources of Po\u27s anxiety as they relate to the phases of Freud\u27s psychosexual development. As a result: 1) Po experiences anxiety due to the insufficient fulfillment of his \u27id\u27 during the oral stage, resulting in challenges in regulating his eating behavior, displaying pessimism, dependence, and heightened vulnerability to rejection. 2) The lack of parenting at the anal stage makes him manifest a lack of self-control, disorganized, messy and careless behaviors. 3) Po ultimately succeeds in building up his self-assurance

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