Journal Service - Georg-August-Universität Göttingen
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1022 research outputs found
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Thomas Solomon and Sylvia A.Nannyonga-Tamusuza (eds.), Ethnomusicology in East Africa: Perspectives from Uganda and Beyond (2012) / Thomas Solomon (ed.), African Musics in Context: Institutions, Culture, Identity (2015)
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JSTOR link to article (restricted access) https://www.jstor.org/stable/4484197
Artistic Habitus in an Intercultural World: A Tale of Two Artists
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JSTOR link to article (restricted access) https://www.jstor.org/stable/4484196
Denis Crowdy, Hearing the Future: The Music and Magic of the Sanguma Band (2016)
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JSTOR link to article (restricted access) https://www.jstor.org/stable/4484197
Universal Jurisdiction in Absentia Before Domestic Courts Prosecuting International Crimes: A Suitable Weapon to Fight Impunity?
No full textThis article addresses the legality and desirability of States asserting universal jurisdiction without the suspect being present on their territory when prosecuting international crimes before domestic courts. First the legality under international law of States asserting universal jurisdiction in absentia (or absolute universal jurisdiction) will be discussed. No comprehensive regulation in this regard appears to exist in codified international law. Based on State practice, it would seem that no customary law either fully permits or entirely prohibits States asserting absolute universal jurisdiction. Applying the Lotus paradigm, it could arguably be concluded that the lack of a prohibition under international law results in States being allowed to assert universal jurisdiction in absentia when prosecuting certain international crimes.
Having established its legality, this article will consequently approach absolute universal jurisdiction from a normative point of view, i.e. whether States should assert it. Although a tool in ending impunity of perpetrators of international crimes, it will be concluded that it is undesirable for States to assert absolute universal jurisdiction. Its use is likely to compromise fundamental rights of the accused and has a destabilizing effect on international relations while only suboptimally serving the goals of criminal prosecution
Music, Multipartyism and the “Guinean Family”
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JSTOR link to article (restricted access) - https://www.jstor.org/stable/4484194
Serrano de Corazón (Highlander at Heart). Produced by Alex E.Chávez and Daniel E.Sheehy (2016)
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JSTOR link to article (restricted access) https://www.jstor.org/stable/4484198
Bahçeye Han?meli. (Honeysuckle in the Garden). Produced by Ay?enur Kolivar and the Helesa Project (2012)
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JSTOR link to article (restricted access) https://www.jstor.org/stable/4484198
Mark J.Butler, Playing with Something That Runs: Technology, Improvisation, and Composition in DJ and Laptop Performance (2014)
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JSTOR link to article (restricted access) - https://www.jstor.org/stable/4484195
Introduction: Sounding and Silencing Ethnicity in the 21st Century
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JSTOR link to article (restricted access) - https://www.jstor.org/stable/4484194
Playing ’Til Your Soul Comes Out: Music of Macedonia. Produced by Martin Koenig, recorded by David Jones.Smithsonian Folkways Recordings (2015)
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JSTOR link to article (restricted access) - https://www.jstor.org/stable/4484196