Studia Universitatis Babeș-Bolyai - Dramatica
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L’Archive Dionysos : une approche méthodologique à l’iconographie théâtrale
Full text linkThe Dionysos Archive: a Methodological Approach to Theatre Iconography. The article illustrates the Dionysos Digital Archive of TheatricalIconography, created by the research team of the University of Florence directed by Renzo Guardenti. The Dionysos Archive collects more than 22,000 images accompanied by cataloguing files, relating to the history of Performing Arts from Greek theatre to the first decades of the 20th century. The cataloguing of the images contained in the archive is based on criteria aimed at highlighting their theatrical specificity and responds to a historiographic perspective that privileges the visual dimension of the Performing Arts, of which iconographic documentation constitutes a source of primary importance.The Dionysos Archive: a Methodological Approach to Theatre Iconography. The article illustrates the Dionysos Digital Archive of TheatricalIconography, created by the research team of the University of Florence directed by Renzo Guardenti. The Dionysos Archive collects more than 22,000 images accompanied by cataloguing files, relating to the history of Performing Arts from Greek theatre to the first decades of the 20th century. The cataloguing of the images contained in the archive is based on criteria aimed at highlighting their theatrical specificity and responds to a historiographic perspective that privileges the visual dimension of the Performing Arts, of which iconographic documentation constitutes a source of primary importance
Infracriticism and Interartistic Dialogue: Book review: Laura Pavel, Personaje Ale Teoriei, Ființe Ale Ficțiunii. Eseuri / Characters of Theory, Beings of Fiction. Essays. (Iași: Institutul European, 2021)
Full text linkBringing the Romanian Theatre to American Universities: The Plays of Mona Chirilă at Arizona State University
Full text linkWhen talking about Romanian theatre staged abroad, in the United States and especially in Phoenix, Arizona, it is impossible not to mention the extremely talented director Mona Marian (Chirilă). She started her theatrical journey at Arizona State University in the Romanian Studies program at the Department of Languages, due to her encounter with prof. Ileana Orlich, after a performance at the National Theatre in Cluj-Napoca in 2000, where a beautiful friendship started. An important number of poetical and most creative performances toured to the United States, where the Romanian diaspora audience and the American student audience could participate to these unforgettable shows