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ANALISIS PACING DALAM MEMBENTUK SUSPENSE PADA FILM JOKER KARYA TODD PHILLIPS
The Joker movie shows the journey of Arthur Fleck as he slowly turns into the Joker. The researched aspect of this movie is the editing aspect with a focus on pacing techniques in shaping one of the dramatic elements, suspense. This research uses a qualitative method that is presented descriptively based on theories that contain pacing and dramatics.The results of this research prove that pacing has an important role in shaping the dramatic elements of suspense, by withholding information through cutting with three methods, which are: rate of cutting, rate of change or movement within a shot, and rate of overall change. The dramatic pattern of suspense in the Joker movie has three stages, which are before, during, and after, which are related to each other in shaping the dramatic elements of suspense
ANALISIS TEKNIK SCREENLIFE/SCREEN RECORD: SEBUAH STUDI KASUS TENTANG PENGARUHNYA PADA PENCERITAAN FILM
creenlife/screen record, a filmmaking technique that utilizes screen recordings of electronic devices, has garnered significant attention from filmmakers and audiences in recent years. This research employs a qualitative approach with a case study method to analyze screenlife/screen record, focusing on its advantages and disadvantages, its influence on film storytelling, and the challenges faced by filmmakers. The research findings indicate that screenlife/screen record offers realism, audience immersion, and low production costs. However, this technique also presents limitations in story scope, the potential for audience boredom, and the requirement for specialized technical skills. Screenlife/screen record enables filmmakers to explore contemporary themes, deliver immersive and personal narratives, and introduce new perspectives in film storytelling. This research holds implications for filmmakers, academics, and the film industry as a whole. Filmmakers can utilize the research findings to understand the pros and cons of screenlife/screen record and to address the challenges encountered in filmmaking using this technique. Academics can contribute to the development of knowledge about screenlife/screen record and its role in film storytelling. The film industry can recognize screenlife/screen record as a potential genre to capture audience interest and drive innovation in filmmaking
REPRESENTASI FEMINISME DALAM FILM PENYALIN CAHAYA
This research focuses on the representation of feminism in the film Copyist Cahaya. This film is an interesting study to study because the content in the film contains survivors of sexual violence described by Suryani as a real manifestation of women's struggle for justice and gender equality that she is able to provide evidence of the abuse she experienced. The formulation of the problem in this research is how to represent feminism in the film Pengalin Cahya. This study aims to describe the value of feminism in the Syriac character in the film Pengalin Cahaya. This research uses descriptive qualitative research methods, with a Semiotics analysis approach. The data collection technique used purposive sampling, namely three pieces of the film scene of Copying Cahaya as the primary data. This data analysis technique uses Roland Barthes' semiotics technique which divides semiotics into two stages, namely denotation and connotation. The results of the research in the film Pengalin Cahaya, there is liberal feminism because Suryani is told as a woman who seeks justice starting from herself. The figure of a woman who has strength, a woman who has a leadership spirit, and a brave woma
Penulisan Naskah Dalam Pembuatan Film Pendek “Elegi Melodi”
Penulisan naskah merupakan elemen penting dalam proses pembuatan film. Naskah film pendek “Elegi Melodi” yang bergenre komedi pahit dan memiliki alur campuran ini memerlukan struktur yang mendalam agar pesan yang ingin disampaikan dapat diterima dengan baik. Oleh karena itu, peneliti tertarik untuk menganalisis naskah film pendek “Elegi Melodi”. Penelitian ini bertujuan untuk mengetahui penerapan teori struktur tiga babak Aristoteles dalam penulisan naskah film pendek “Elegi Melodi”. Teori yang digunakan dalam penelitian ini adalah teori struktur tiga babak yang terdiri dari Babak I, Babak II, dan Babak III. Metode penelitian yang digunakan adalah kualitatif dengan teknik studi dokumenter untuk mengumpulkan final draft naskah film pendek “Elegi Melodi”. Hasil penelitian menunjukkan bahwa penerapan struktur tiga babak pada naskah “Elegi Melodi” memberikan panduan yang jelas dalam membantu menyusun alur cerita. Pada babak I digunakan untuk pengenalan tokoh, babak II berhasil memunculkan konflik, dan babak III menyajikan penyelesaian yang memberikan dampak emosional pada penonton
TEKNIK KAMERA SEBAGAI PENAMBAH UNSUR DRAMATIK DALAM PENYUTRADARAAN DRAMA TELEVISI “REKASA”
The production of this work aims to create a comedy television drama by applying shot size, camera angle and camera movement camera techniques to add dramatic elements of conflict, suspense, Curiousity, and Surprise. the application of this technique is used to build an atmosphere in the story, so that the conveying of emotion and atmosphere in the story can be effective to the audience verbally and nonverbally
fillm realita imaji
In visual arts, particularly in film, the relationship between reality and imagination creates a complex relation. Film, as a medium that amalgamates visual techniques, special effects, and cinematic direction, possesses the power to construct a highly realistic world. This enables the audience to experience emotional engagement with visuals, characters, and the narrative. This research aims to address the question: how does film establish engagement between reality and imagination? The proposed hypothesis is that the cinematic power and its creative elements generate a convincing representation of the world for the audience's perception, blurring the boundaries between reality and fantasy. The research methodology employs a narrative transportation approach and refers to a range of literature to highlight the intricacies of reality in film, where the emotional and cognitive involvement of the audience is crucial for a profound cinematic experience. This study seeks to provide an understanding of how films create complex relationships between images and reality. In conclusion, films not only produce visual images but also shape alternative realities that influence the perception and even behavior of the audience. Therefore, critical discussion of the boundaries between reality and imagination in films is very important)
MISE-EN-SCENE DALAM MEMBANGUN REALISME PADA FILM “NYAI: A WOMAN FROM JAVA”
ABSTRAKFilm Nyai: A Woman From Java merupakan film fiksi berdurasi 90 menit yang disutradarai oleh Garin Nugroho, diproduksi pada tahun 2016. Meninggalkan gaya bertutur film konvensional, film Nyai memadukan unsur teater dengan film. Penggunaan mise-en-scene disajikan serealistis mungkin secara teatrikal sesuai dengan apa yang terjadi di atas panggung. Realisme bertujuan untuk menciptakan ilusi realitas, yang diwujudkan dalam bentuk pemanggungan atau mise-en-scene yang menggambarkan situasi kehidupan manusia secara objektif tanpa distorsi di dalamnya. Unit analisis yang akan diteliti dalam penelitian ini meliputi setting, pencahayaan, kostum dan tata rias, pemain dan pergerakannya. Berdasarkan hasil kajian dapat disimpulkan bahwa pada unsur-unsur mise-en-scene dalam film “Nyai” teridentifikasi tanda-tanda realisme sehingga unsur-unsur mise-en-scene dalam film ini dapat mendukung kerealistisan yang tampak pada setiap adegan film ini.Kata kunci: Film “Nyai”, Mis-en-scene, Realism
POLARISASI DALAM JARINGAN DISKUSI FILM DI SITUS JEJARING SOSIAL TWITTER
Diskusi mengenai film tertentu di media sosial dapat merupakan rutinitas umum yang cenderung menimbulkan pertentangan antar individu. Penelitian ini bertujuan untuk melihat kemungkinan terjadinya polarisasi antar kelompok individu dalam mendiskusikan film tertentu di media sosial Twitter. Menggunakan analisis jaringan sosial atau social network analysis yang di otomasi dengan aplilkasi NodeXL, penelitian ini membandingkan diskusi film yang diproduksi sineas local dan sineas internasional. Hasil penelitian menunjukkan, pertama, diskusi tentang film tertentu di media sosial Twitter cenderung menyebabkan polarisasi. Diskusi mengenai lima dari tujuh film yang di analisis menunjukkan jaringan yang terpolarisasi. Ini menunjukkan kuatnya pengaruh sosial media dalam menyebabkan polarisasi meskipun topik diskusi sama sekali tidak berkaitan dengan isu politis. Temuan kedua dari penelitian ini adalah dominasi dominasi kritikus film dalam diskusi tentang film di sosial media meskipun tidak tertutup kemungkinan media massa yang memiliki akun di Twitter juga dapat mendominasi percakapan. Penelitian ini menambah khasanah pengetahuan tentang dampak yang mungkin terjadi akibat pengguanaan sosial media Twitter dalam membentuk polariasasi antar kelompok masyarakat.Keywords: film, diskusi daring, analisis jaringan sosial, polarisasi
PENDEKATAN KRONOLOGI PADA NASKAH DOKUMENTER TELEVISI “ WANITA PEMAES”
Paes is the art of decorating the face of traditional brides, especially Javanese brides. The creation of a television documentary script raises the topic of a performer from the side of his profession and life. The method used in the creation of this manuscript is the chronological method which divides each sequence according to the three stages of the chronological method, namely the first sequence as the introduction, the second sequence as the body or description and the third sequence as the closing. By applying this method to the script, the resulting impression will be more easily understood by the audience
PERANAN FILM BERTEMAKAN BUDAYA MINANGKABAU DALAM MEWUJUDKAN NILAI-NILAI KEARIFAN LOKAL
Many local wisdom was adopted from folklore into an audio-visual work in the form of films, both local films and national films. This research was conducted with the aim of finding out how big the role of films with the theme of Minangkabau culture in realizing the values of local wisdom in them as seen from the films adapted from Buya Hamka's novel, namely the film Tenggelamnya Kapal Van Der Wijck and the film Under Protection of the Ka'bah.In this study, the method was carried out qualitatively. With data collection techniques carried out by means of observation. The subject of the research is how the reality that exists in Minangkabau if it is appointed as an audio-visual work of art without eliminating the role of Minangkabau cultural wisdom values in the film. To see the role of Minangkabau cultural local wisdom values in the film, the method that will be used is the first to describe the film, the two languages used in the film, the third the Minangkabau cultural wisdom values in it.The results of this study found that the two films based on Buya Hamka's work have a role in realizing the values of local wisdom of Minangkabau culture. In every film there is local wisdom about, firstly, Rumah Gadang which has always been an icon of Minangkabau, in which there are many philosophies related to women and Minangkabau customs. Second, surau culture related to education and religion. The three kinship systems in Minangkabau are outlined from maternal or matrilineal descent.Keywords: Films, Minangkabau Culture, Local wisdom ABSTRAKKearifan lokal banyak diadopsinya dari cerita rakyat menjadi sebuah karya audio visual yang berbentuk film, baik film lokal maupun film nasional. Penelitian ini dilakukan dengan tujuan untuk mengetahui seberapa besar peranan film yang bertemakan budaya Minangkabau dalam mewujudkan nilai-nilai kearifan lokal di dalamnya yang dilihat dari film yang diangkat dari novelnya Buya Hamka, yaitu film Tenggelamnya Kapal Van Der Wijck dan film Dibawah Lindungan Ka’bah.Pada penelitian ini metode dilakukan secara kualitatif. Dengan teknik pengumpulan data yang dilakukan dengan cara observasi. Subjek penelitian adalah bagaimana realitas yang ada di Minangkabau jika diangkat menjadi sebuah karya seni audio visual dengan tidak menghilangkan peranan dari nilai-nilai keraifan budaya Minangkabau pada film. Untuk melihat peranan nilai-nilai kearifan lokal budaya Minangkabau pada film, maka metode yang akan digunakan adalah yang pertama mendeskripsikan tentang film, kedua bahasa yang digunakan dalam film, ketiga nilai-nilai kerifan budaya Minangkabau di dalamnya.Hasil penelitian ini didapatkan bahwa kedua film yang diangkat dari karya Buya Hamka memiliki peranan dalam mewujudkan nilai-nilai kearifan lokal budaya Minangkabau. Disetiap filmnya ada kearifan lokal tentang, pertama Rumah Gadang yang selalu menjadi ikon Minangkabau, yang di dalamnya terdapat banyak filosofi yang berkaitan dengan perempuan dan adat istiadat Minangkabau. Kedua, budaya surau yang berkaitan dengan pendidikan dan agama. Ketiga sistem kekerabatan di Minangkabau yang digariskan dari keturunan Ibu atau matrilineal.Kata kunci: Film, Budaya Minangkabau, Kearifan Loka