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Group of students in Administration Building quadrangle
No full textGroup of Swinburne Technical College students including Geoff Simpson (with hands folded) in Administration Building quadrangle, circa 1947
The Open Door November 1928
No full textThe Open Door November 1928 - The Magazine of the Swinburne Technical College
The Open Door May 1929
No full textThe Open Door May 1929 - The Magazine of the Swinburne Technical College
The Open Door November 1929
No full textThe Open Door November 1929 - The Magazine of the Swinburne Technical College
The Open Door May 1930
No full textThe Open Door May 1930 - The Magazine of the Swinburne Technical College
AMDC windows, looking up
No full textFebruary 2014 - AMDC windows, looking up. Part of a 2014 exhibition of photographic works featuring the construction of Swinburne's Advanced Technologies Centre (ATC) and Advanced Manufacturing and Design Centre (AMDC), by Peter Garnick
Graeme Rose
No full textGraeme Rose helps a student participant at the Swinburne Travelling Science Show at the Croydon High School 1976
The Open Door November 1941
No full textThe Open Door November 1941 - The Magazine of the Swinburne Technical College
Australia Felix: Immersive visions of the Great Southern Land, 2014
No full textThis photo received first place in the 2014 Research student photography and image competition held to celebrate National Science Week (Aug 16-24). Blurb: Supernumerary Rainbow, St Helens, Tasmania, April 2013 An infrequent phenomenon, this supernumerary rainbow seemed to burst through the clouds and into my view as I was shooting a sunset coastal panorama in northeast Tasmania. Unlike any I had seen before, the rainbow appeared to repeat into itself in ever-smaller arcs of colour ad infinitum, producing a strikingly vivid and fleeting counterpoint to the moody autumnal southern skies. The lens flare artefacts that seem to emit from the sun in this image echo the natural occurrence of white light being split into its constituent spectral elements in the rainbow, and draw a parallel in beauty between the precision of human technology and the incomprehensible physics of the natural world. This image encapsulates for me the intersection of nature and technology, a conceptual space that I explore in my own practice-led research investigating immersive photographic representations of landscapes in digital media. My work seeks to reprioritise the aesthetics of traditional landscape photography within emerging platforms offered by digital technology, and in so doing contribute creatively to scholarly understandings of Virtual Tourism, Ecocriticism and Technobiophilia
