Gondang: Jurnal Seni dan Budaya
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    Abschlussbericht

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    Schlussbericht AVL SFR

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    Schlussbericht zum Vorhaben

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    Dieses Projekt war Gegenstand der Fördermaßnahme im Rahmen Technologietransfer-Programms Leichtbau (TTP LB) durch das Bundesministerium für Wirtschaft und Energie. Übergeordnetes Ziel des Forschungsprojektes war die systematische Untersuchung des gesamten Fertigungsprozesses vom Entwurf über die Herstellung und Qualitätssicherung bis zur Verzinkung von mit DED-Arc hergestellten Leichtbauteilen für den Stahlbau unter Berücksichtigung der Bionik. Es wurden Ansätze und Konzepte entwickelt, die es ermöglichen, niedriglegierte Schweißzusatzwerkstoffe unter Berücksichtigung der Abkühlzeit t8/5 zur additiven Fertigung von Knotenstruktur anzuwenden. Zur Verbesserung der Vorhersage des Tragverhaltens können Vorinformationen der Strukturen, z. B. geometrische Abmessung, Eigenspannungen, Homogenität der mechanischen Eigenschaften berücksichtigt werden. Durch experimentelle und numerische Analysen wurde das Verständnis zwischen Herstellungsparameter und Struktureigenschaften, z. B. Eigenspannungen, Härteverteilung, verbessert. Es war erstmalig möglich, quantitative Aussagen für eine Knotenstruktur zu ermitteln. Die geplanten 10 Arbeitspaketen im Projekt konnten durch die Kooperation mit den Partnern inhaltlich erfolgreich bearbeitet werden. Durch die Anwendung der experimentellen und numerische Analysemethode im Bereich der additiven Fertigung wird eine Erweiterung der bisherigen Aktivitäten bei allen Projektpartnern von der Planung, Entwurf über Herstellung und Einsatz additiver Komponenten ermöglicht und führt gleichzeitig zu einer effektiven Nutzung von Rohstoffen und Energie. Die Verwertung der Ergebnisse, die an der TU Ilmenau erzielt worden, erfolgt in erster Linie über die Veröffentlichungen und Präsentatione

    Trust-based Data Ecosystems - Seeding Data Value Creation

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    Data is increasingly recognized as a valuable asset for organizations, with its volume growing rapidly every year. Data presents numerous opportunities to enhance business processes and develop innovative business models, thereby increasing competitiveness and improving overall business operations. However, data must be actively shared, used, and analyzed to unlock its full potential, in contrast to the traditional view of data as the new oil. Unlike oil, data does not have value when it is at rest; it needs to be put in motion and used. Trust for risk mitigation is a key aspect of data sharing, being essential for creating value-driven data ecosystems. Trust protocols and governance structures enable secure and efficient data sharing across industries. With that, trust reduces risks and enhances the willingness to share sensitive data, accelerating innovation and collaboration. At present, the first data ecosystems are already operational. At the same time, many more are being developed and designed by alliances of various industries and sizes. These developments are accompanied by new technological advances, standardization efforts, and even regulatory measures. They offer the opportunity to create a valuable nurturing ground but need time to grow organically. Our vision for the future of data ecosystems involves embracing self-organization, autonomy, and trust as enablers of innovation. Instead of enforcing strict control, policymakers should create conditions that allow innovation to develop organically in constructive chaos. Constructive chaos builds on a targeted initial impulse and is then allowed to emerge freely. This development requires a balance between structured design and fostering self-organization and decentralized growth. For data spaces, we propose achieving this balance by establishing comprehensive communication and trust protocols, as well as political measures, to allow for the evolution of yet unforeseen applications and data usage patterns. Datei-Upload durch TI

    Artistic Research in the Process of Documentary Filmmaking Semua Pasti Bertuan

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    Documentary filmmaking serves as a potent medium for both social advocacy and artistic expression, particularly when highlighting environmental urgencies. This study investigates the implementation of artistic research in the creation process of the documentary film Semua Pasti Bertuan, which addresses the critical issue of plastic waste management. Artistic research provides a systematic framework ensuring that every cinematic element is constructed based on deep findings and critical reflections conducted throughout the production process. This comprehensive approach effectively bridges the gap between conceptual theory and practical execution across all production phases. In the pre-production phase, ideas were developed through rigorous direct observation of the environment and by scouting subjects suitable for the theme to ensure strong narrative relevance. The production phase executed a participatory documentary approach, significantly employing the Informal Conversational Interview Method using Direct Recording Techniques on Subjects Engaged in Activities, alongside planned camera movement techniques to maintain visual authenticity. This specific interview technique was essential for capturing spontaneous, genuine responses without disrupting the subjects\u27 daily routines. Furthermore, in the post-production phase, background music selection, Lower Third Placement Strategy, and the utilization of project documentation served as strategic narrative tools to strengthen the film\u27s message delivery and emotional impact. The results indicate that artistic research plays a pivotal role in enriching the filmmaker\u27s understanding before making creative decisions. Ultimately, this study concludes that integrating a structured artistic research methodology enables a more profound exploration of complex subject matter, resulting in a documentary that is both aesthetically compelling and socially resonant

    Trapunto Quilting Innovation on Sasirangan Fabric and Community Response in South Kalimantan

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    The Akara Jukun Sasirangan fashion collection is inspired by the unique destination of Pasar Terapung. “Akara” comes from the Sanskrit language meaning form, while ‘Jukun Sasirangan’ comes from the Banjar language, meaning boat and Sasirangan fabric. This concept depicts the activities of people who conduct buying and selling transactions on a boat floating on the river. This urban style fashion design was developed based on Sasirangan fabric by applying trapunto quilting technique, adjusted to the character of modern, dynamic, and functional urban style. The design process began with an exploration of the latest fashion trends to determine silhouettes and design details that suit the tastes of women aged 17-35 years in South Kalimantan. This research uses a qualitative descriptive method that includes the stages of exploration, design, realization, and data collection of community responses. The results of the data indicators show that this fashion design innovation can be well received by the community, especially in the Pelaihari City area, especially in the aspects of comfort and visual appeal. This positive response indicates a great opportunity to develop traditional fabrics into the realm of modern fashion without losing cultural values, but still paying attention to market segmentation and consumer tastes

    The Gayo Kerawang Motifs at the Keni Gayo Statue in Central Aceh Regency

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    This study aims to systematically describe the names, patterns, and motifs of kerawang Gayo applied to the keni Gayo Statue in Central Aceh Regency, as well as to explain the contribution of this statue to cultural preservation and the strengthening of Gayo community identity. This study uses a qualitative descriptive method, data sources were obtained through observation, documentation and interviews with seventeen informants, in addition, data were also obtained through libraries, theories and other literature. The data obtained were summarized, described between categories and concluded. There are six main motifs applied to the Gayo keni statue, such as emun berangkat, saraq opat, tali mestike, pucuk rebung, bunge lawang, and emun beriring. Each motif is applied in a structured manner, adhering to the aesthetic principles and cultural values of the Gayo people.The research findings reveal that the keni Gayo statue serves not only as an aesthetic element in public space but also as an effective medium for cultural communication. The statue fosters a sense of identity, strengthens social solidarity, and nurtures collective pride among the community. Through its presence in open spaces, the statue plays a significant role in introducing cultural values to younger generations and reinforcing local cultural narratives amid globalization. A model like the keni Gayo statue can serve as an inspiration for efforts to reinforce national cultural identity through contemporary visual media rooted in local traditions

    Study of Logo Teaching Methods in Design Colleges

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    Design colleges play a key role in shaping competent future designers, especially in the context of logo designing, which is an important element in a brand or organization\u27s identity. The teaching of logo designing in design colleges varies and faces challenges, so there is a need for in-depth research on its teaching methods. Teaching methods are strategies used to convey knowledge and skills to students, involving steps such as concept explanation, demonstration, practical exercises, feedback, iteration, and collaboration. The design teaching method is a specialized approach to design learning, focusing on developing aesthetic understanding, design concepts and technical skills. The design teaching process includes steps such as concept explanation, demonstration, practical exercises, feedback, iteration, and collaboration. This research aims to analyze logo design teaching methods in design colleges, evaluating their effectiveness in developing students\u27 understanding, skills, creativity, and problem-solving. The research will also explore the potential utilization of technology in teaching logo design. The research results are expected to provide recommendations and guidelines for design colleges to improve the quality of logo design teaching, prepare students for the competitive design industry, and innovate teaching methods in an era of rapid design development

    Fostering Musical Creativity with Digital Audio Workstations: An Action Research

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    The development of digital technology, especially artificial intelligence (AI), has had a significant impact on education, including music learning. Digital Audio Workstations (DAWs) equipped with AI features offer opportunities to create more interactive and innovative learning. This study aims to explore the role of AI features in DAW as a creative learning medium in the extracurricular music of SMAN 8 Bandung, as well as provide new information on its impact on enhancing students\u27 creativity. This study used a qualitative approach based on action research involving students participating in extracurricular music as research subjects. Data were collected through participatory observation, semi-structured interviews, and document analysis in the form of students\u27 musical works. The data were analyzed using triangulation techniques to ensure the validity and reliability of the findings. The results showed that the use of AI features, such as automatic composition, sound processing, and harmony analysis, made it easier for students to understand musical concepts and encouraged them to create innovative works. In addition, the AI features helped students overcome technical obstacles, allowing them to focus more on the creative process. This results in increased student motivation and engagement in music learning. This study concludes that the integration of AI in DAW provides a great opportunity for educators to develop creative and relevant technology-based learning methods. As a recommendation, the implementation of this technology needs to be expanded and integrated with the curriculum to support learning in the digital era

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    Gondang: Jurnal Seni dan Budaya
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