Bunyad: A Journal of Urdu Studies
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وضاحت
No full text This piece of writing by Rashed’s daughter, Yasmin Rashed was sent by her to be read at the event marking Rashed’s Centenary Celebrations at LUMS. She believes that Rashed’s cremation was not willed by the poet himself but was a decision taken by his (second) wife instead
جدید ترین شاعری یا نئی شاعری کے بارے میں ن م راشد کے خیالات
No full textDr. Saadat Saeed states that Rashed, along with introducing the free verse in Urdu poetry, contributed verse of exceptional quality in his genre. However, the Movement of New Linguistic Constructions, initiated in the early 1960s, recommended a shift in the use of language as well, from the highly persianized expression, to the simpler, everyday idiom. This article explores Rashed’s ideas on this newer development and inclination of writers who supported the movement
پاکستان کا ایک شوریدہ سر شاعر، ن م راشد – کچھ معروضات
No full textThis is a translation of an interview of Rashed by an Irani journalist, Shahrukh Irshad, published in 1968 in Tehran. Dr. Tahseen Firaqi has furnished his translations with his own notes as well. Persian translations of two of Rashed’s poems by the interviewer are also included. These are one of the earlier of modern Urdu poetry in Pakistan
راشد کا نیا آدمی
No full textNasir Abbas Nayyar discusses the evolution of ‘man’, the human figure equipped with thought and emotion as a member of the larger community of mankind in Rashed’s poetry. He traces the aspirations of the modern man as portrayed by Rashed, influenced and hounded by the universe within and outside his self
راشد کی شاعری: بغاوت یا نمائندگی
No full text A piece of poetry is often misrepresented as personal or autobiographical when written in first person. Khurram Aleem in this essay tries to analyze whether Rashed’s poetry is an expression of rebellion, or a collective representation of the ethos of his age and time
ن م راشد اور عہد جدید کا انسان
No full textMubeen Mirza elaborates his own view of Rashed’s portrayal of the modern man, who is not influenced by Western standards but is purely directed by Eastern values. His protagonist is the new man of the East clashing with his own past, in not just the material, but also the intellectual and spiritual context
راشد کا مذہبی شعور
No full textRashed’s views on religion and existence of a just God propelled some degree of controversy in his lifetime and were further sparked by his cremation after his death. Zia-ul-Hasan analyzes this aspect of the poet’s belief through his poetry and tries to objectively understand and reveal his ideas about religion as they shaped and influenced his life. In conclusion, he has tried to diffuse the criticim hurled at the poet on his account