Noor e Tahqeeq
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اقبالِ کامل کا تجزیاتی مطالعہ
No full textThis article attempts to analyze Iqbal-e-Kaamil, the creation of Maulana Abdus Salam Nadwi, published in 1948. The book deals with the life history, philosophy, ideology, poetry, prose and almost each and every aspect of the universal poet, Iqbal. It is not only a biography of Iqbal but a portrayal of him as an artist. The writer has discussed Urdu and Persian poetry of Iqbal and given a critique of some of the best of his couplets. Apart from it, certain topics of his poetry like Ego/the Self, loss of the Self, nation, politics and fine arts have been reviewed. This book holds a great significance to understand the creative work of Iqbal. It is a compact study of the personality and writings of Iqbal. To sum up, this article establishes that this book is a comprehensive work on Iqbal
قاضی عبدالودود بطورمرتِّب و مدوِّن
No full textTadveen of Urdu texts during the 20th century has been carried out simultaneously, and often con-currently, at various centers of learning in different cities and provinces /states in India and Pakistan. These include Deccan, Lahore, Karachi, Delhi, Lucnow, Raam Pur and Patna etc, where it was carried out and these centres/Cities determine its characteristics and tendencies. Any study of the tradition of Tadveen e Matn in Urdu has to take into account these centres as a whole describing their history as well as characteristics and evolution. These centres can be described as "Dabsitaan" in the tradition of Tadveen e Matn. Among these centres the Patna Dabistan has its own characteristics. Qazi Abdul Wadood is the main Mudavin of this center. In this article Dr. MUhammad Khan Ashraf and Dr. Azmt Rubab narrate and analyse the charactersitics and methods of Qazi Abdul Wadood's editing and Works
غالب کے اردو قطعات۔ عنوانات کا مسئلہ غالب کے اردو قطعات۔ عنوانات کا مسئلہ
No full textGhalib belongs to the classical period of Urdu poetry. This was a period when the appreciation and enjoyment of poetry was a cultural phenomenan of the Sub-continent. The poets read their creations and informed the audience verbally about them. There was no fashion to give composition a title. The Cult of reading poetry was introduced later by the advent of printing press and Journals when the Titles became necessary. In this research paper Dr. Samina Nadeem has studied this aspect of Ghalib's "Urdu Qataat" and presented her findings
اردو زبان کے ارتقاء میں میوات کا حصہ
No full textMewati is one of the four languages spoken in Dehli and around its boundries. It has a distinct identity in Urdu Language. The region of Mewat consists on state Alwar, Bhart-pur and district Gorgaon which is spread over the area of 100 miles long and 75 miles wide. This language was spoken in South Western parts of Delhi. This language exists in between the lines of Urdu and can be observed in the writings of renowned poets and writers
شبلی اور عربی تنقید
No full textHistorian, biographer and poet, Shiblee holds an indispensible position in the tradition of Urdu criticism. Shiblee has great share in Urdu Literature. He has made his centre of attention at a time, history, religion, literature and excelled in every position. But as a critic he seems to be top of all. The growth of crtitical consciousness of Shiblee is directrly flourished under the oriental critical back drop. Arabic critical tradition seems more prominent in his critical ideology. Under discussion article seems more under the Arabic cricitical tradition in terms of change in the critical ideology
واصف علی واصفؔ کی ’’شب راز‘‘ کی بات
No full textA Great Sufi Poet Wasif Ali Wasif was not only a poetic essence but also a great philosopher of his time. He delivered spiritual lectures to the students in his college "Lahore English College". His poetry is full of spiritual power and advises. His concept of God is full of love and active in every particle and place. He wanted to strengthen the relation between God and His finest creature. In his poetry, Allah's will is the most important aspect of human life
اقبال کی تمثیل نگاری :جزوی مطالعہ
No full textAllegory is basically a Dramatic Term which, means to give an example,to similarize and to do accordingly.The use of Allegory in Fine Arts has a universal value except Drama.We can say that this technical action is because of Allegory in more aspects.Because of this, a poet discovers the common relations of Universe as well as create new totallities by organizing them initially.Although anciant Greek theory of Art based at this rule yet in modern poetry,it became a movement.It is a type of poetic imagination which finds and prolongs the similarites between things
اردو اور پنجابی کا لسانی و ادبی اشتراک
No full textThere are many theories about beginning of Urdu language. The vital theories are; Naseer O Din Hashmi`s theory "The Bignning of Urdu From Dukkan", Syyad Sulman Nadvi`s theory "The First Appearance of Urdu in Sindh" and the most important theory is Hafiz Mehmood Shirani`s theory i.e "The Beginning of Urdu in Punjab". Beside this there are many other linguistics, the follower of above personalities. In this article, above theories are discussed. In mutual discussion with regards to Punjabi and Urdu combination, the sport is to the theory of Hafiz Shirani. Both languages, Punjabi and Urdu, have great combination. In this article, it is tried to prove with examples of linguistically, grammatically and with litrature that the Urdu and the Punjabi have great combinatio
بلوچستان کی دو افسانہ نگار ۔رفعت زیبا اور امرت مراد کی تحریروں کا تقابلی جائزہ
No full textIn Blochistan less prose work is done rather than poem writing. Before the creation of Pakistan up to date, none of the female name is found. After the creation of Pakistan till the exise period a lot of short stories have been written. Two women, Riffat Zeba and Amrat Morad are slected here from these writers in the area from the era 1980-2016
مجید امجد کی شاعری کا فکری و فنّی جائزہ
No full textMajeed Amjad was basically a poem writer . He filled his thoughts in all aspects of life general and enlived it forever. He is an architect of loneliness and dessertness. His whole poetry is reflectant of innumerable natural phenomena. His poetry seems to settle in inner-self. Though he manifested less in Ghazal yet this low profile enlighten the arch of evolutionary thoughts and with this the kingdom of Urdu Poetry will always remained glorify