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    بررسی روایت ھای منثور و منظوم داستانِ سیف الملوک و بدیع الجمال

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    پاكستانی پنجابی افسانے میں جنسیت كی روایت

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    The concept of sexuality has been present since ever in all literatures. No literature or art in the world is devoid of sexuality. In literature, the psychological and emotional aspects of sex are particularly focused. The models of sexuality can be vividly seen in English, Arabic, Persian, and Urdu literatures. There are many examples of sexual content in Punjabi literature. In Punjabi short stories, sexuality is particularly discussed in its emotional, psychological, romantic, and Marxist perspectives. In the research paper, all elements of sexuality in Punjabi short stories are discussed and important aspects of sexism are elaborated

    احمد ندیم قاسمی کے معاشی تصورات اور سماجی انصاف

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      Society came in to existence when human being learnt to live together in developed communities. As the human awareness and conscious developed expertise in the modes of expression, the earliest specimen literature emerged. Literature is of special values for masses. The river of life flower on arnid time and circumstances. Many social and economic ebbs and flows affect the current of life. The life of Ahmad Nadeem Qasmi, an iconoclast, was mosaic of struggles, troubles and problems. His poetry reflects an acute awareness of social and economic miseries of life.    

    اردومنظوم سفر نامے کی روایت اور نئے امکانات

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      Poetry in Urdu literature begins with Musnawi. Masnawi refers to a continuous poem in which both stanzas rhyme in each verse.All kinds of topics can be adapted in Masnavi. In the past, ethical, religious, and historical themes were made part of Masnavis, in which natural scenes, society, customs, human emotions, and feelings were described. The Masnavis of Nizami Ganjavi and Amir Khusro strengthened the poetic tradition of Urdu literature.In this regard, the Masnavi writer sometimes made an imaginary and sometimes a real journey a part of the Masnavi, so the elements of the travelogue are found in the ancient Masnavis, which later led to the organized travelogue. Where modern technology has had its profound effects on other literary genres, the travelogue could only be left with being affected. With the help of digital cameras, foreign scenes are introduced in the form of pictures along with words. Different channels of Television Center have shown Pakistan.

    مثنوی معنوی کے ابتدائی اشعار میں اختلاف متن کا جائزہ

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      Masnavi Manavi is one of the most influential books of world. It has been popular among educated people in every region of the world. About 700 manuscripts of this fantastic book are preserved in libraries all over the world especially in sub-continent. Due to this multiplicity of manuscripts, there has been considerable variation in the text of Masnavi that starts from the very first verse. In this article, the variation in text of the beginning verses of the Masnavi has been reviewed with reference to eighteen manuscripts dating from 677AH to 1248AH.    

    میر قمر الدین منت: تحقیقی و تنقیدی مطالعہ

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    Mīr Qamar-ud-Dīn Manat was a famous classical poet of his era. He belongs to lakhnavī school of thought. He was a true legend because he brought up in the family of Shah walī ul Allah Dehlavī and in sufiism got sanad-e-Khilafat from Molvī Fakhr-ud-Dīn. He gained poetic training first from Mīr Naveed and then Muhammad Qayam in Urdū. After that he became the disciple of Mīr Shams-ud-Dīn Faqīr in Persian. He write a lot in Persian and also had a Dīwān. He got title of Malak-us- Shoara from Governor General Bengal lord Warren Hastings. He wrote penegarics, Quatrians, masnvī and other generes of poetry.  His Shakristan is in the format of Gulistan-e-S‘adī written in prose. His masnavī Chamnistan also very famous. He wrote ten masnavyat and a lot of panegyrics. His poetry is very delicate, stylish and artistic.

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    گمشدہ گلاب از ڈاکٹر درمش بلگر

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      Turkish scholar Dr. Durmush Bulgar has obtained a doctorate degree in Urdu language and literature. So far nine books have been published regarding his Urdu language and literature. He wrote a Turkish novel Kayip Gul written by famous Turkish writer Sardar Özkan; Translated into Urdu as Gumshuda Ghulab.  This famous Turkish novel has been translated into 44 languages ​​of 67 countries of the world so far. This novel has been translated into English as The Missing Rose. This novel is one of the most translated novels in world literature.

    Heritage or Hurdle? Understanding the Decline of Urdu Among Pakistani Immigrants

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    Capturing the essence of a language as inherently poetic as Urdu presents a unique challenge, yet the work of poet Manish Shukla aims to convey its beauty, providing a window into Urdu’s profound cultural and expressive importance. The gradual decline of the Urdu language is a significant cultural and linguistic concern, particularly among Pakistani immigrants and their descendants. This decline represents not only the loss of a language but also the fading of rich literary, poetic, and philosophical traditions that Urdu embodies. As proficiency in reading and writing Urdu diminishes, particularly among the younger generations, there is a risk that future generations will lose access to a vast heritage of classical poetry, literature, and historical narratives that form a crucial part of the Urdu language. This paper investigates the decline of Urdu exploring the hurdles in its continuation as a heritage vehicle for the immigrants of Pakistani ethnicity based around the globe. Employing a descriptive-qualitative research methodology, this study collects data through an in-depth review of academic literature, poetic records, books, and online resources concerning the decline of the Urdu language. Additionally, the paper incorporates the author’s personal experiences as an immigrant of Pakistani origin, traveling globally and encountering a younger generation that increasingly drifts away from the Urdu language. Using Fishman's (1966) framework, this research examines language use holistically, emphasizing the need to consider reading, writing, and cultural engagement beyond just verbal communication. The findings reveal that, despite the social and economic progress of Pakistani immigrants, there is a gradual decline in the relevance and use of the Urdu language. This research seeks to answer whether Urdu serves as a heritage asset or a hindrance for Pakistani immigrants as they adapt to new cultural and geographic environments. Ultimately, the paper argues for a critical re-examination of Urdu’s role in cultural heritage, emphasizing the urgent need to preserve it as an intangible heritage

    اشفاق احمد كا تصورِعورت: ڈرامہ سیریل ”شاہلاكوٹ“ كے تناظر میں

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    In this article, a literary analysis of Ashfaq Ahmed's play "Shahlakot" was presented. Except Islam, no religion or society has given women their basic rights. It has always been considered to be contemptible, weak-minded and responsible for the ruin of men. It is known that when a Sufi and intellectual presents female characters in his dramas, he shows them according to the correct Islamic concept or shows local influences and traditionalism. But a feminist study of the drama Shahlakot reveals a specific concept of women. In the drama we are introduced to ideal landlords. But here, the entire village of Shahlakot has been destroyed due to the seduction of Nazia, the main female character. Ashfaq Ahmed has explained this disaster from a scientific and Christian point of view that if human beings are cloned like animals and crops, then such a person will be born who will be deprived of spiritual qualities and will feel guilty after committing a sin. It won't happen. From the Christian point of view, Mother Eve was created from the rib of Adam. That is why Ashfaq Ahmed calls woman a form of cloning. Therefore, we see that in Ashfaq Ahmed's conception of woman, she is a seditionist and a cause of destruction

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