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Elements of Allusion in Urdu Poetry
No full textTo limit the language to mere a conglomeration of words is notsufficient rather to call it the specific words which sustain culturaland civilizational bond with its society. As Language, through poetry, carries more potentialities to create and infuse lasting impact, that is why, minute attributes of language emerge out more prominently. Poetry cannot be judged by doing away with civilization. The poetic roots of urdu language, which come in the category of Allusion (Talmeehat), are deep-rooted in its history and civilization. The term allusion is a part of human awarenesswhich has its own civilizational symbols. Talmeehat involves time and space like vastness. An innovative world of modern trends in urdu poetry is witnessed at the end of classical phase and at the beginning of the twentieth century. Urdu Poetry remained progressive towards its heights. Accepting historical incidents as key source, novel meanings and possibilities have been sought. That is why, poets have given them the shape of symbols and Talmeeh and very aptly, so made them the part of poetical experiences
Urdu Ghazal: The Imbibition of Arabic & Persian Themes
No full textLiterature is an appropriate mode for expression of thought andvision. Poetry is its most impressive and effective form of communication. It is the most beautiful and sensitive source to expresses the feelings, mood and experiences of the poet. In the literary sense the Ghazal is meant for romance and to project glamour of the feminine. The Ghazal emerged from the "tashbib" of the Arabic qasidah. In the beginning of Islam in Iran, the Islamic Arabic civilization and literature, penetrated Persian poetry. In Persian literature the Ghazal was introduced by a poet "Roodki" in the period of Samani. Roodki was also commended by a renowned poet "Unsri" in the era of Mehmood Ghaznvi. However this was the earlier period of qasidah. The Persian literature had a remarkable influence on Urdu Ghazal. Urdu Ghazal owes its thought, mood of expression, formation, theme, canvas, from Persian literature i.e the Ghazal. That is why the great poet like Mirza Ghalib felt proud of his Persian poetry and preferred it to his Urdu poetry
The noise of Words and Silence of Meaning
No full textoai:ojs2.journals.pu.edu.pk:article/5278The world of sounds which we face sometimes on the basis of concentration and sometimes casually is full of meaningful treasures. Besides it we all pass through several zones of silences. Sensitive poets take their subjects even out of these zones and because of their strangeness they often escape the consciousness of common readers. Iftikhar Jalib the pioneer of New Poetry Movement in Urdu was fond of entering into the zones of new unnoticed silences and noises. When he brought his new subjects in the realm his poetry common Urdu poetry readers faced problem of none communication. Qadeem Banjar is his long poem. In it he depicted his experiences in new formative modes of Urdu poetry. This poem needs thorough critical examination. The scribe of this article has tried to give a meaningful explanation of the method used by the poet in this poem
Some Portuguese Poets of Urdu
No full textThe Western Nations strived very hard to emboss their supremacy onthe subcontinent Indopak in different spans of period. The Purtagese have enjoyed the predominance among the other visitors .In the last decades of 15th Century a Portugese traveler named Wasco de gamma landed the Indian coasts at Kaali Cutt. When he turned his back after spending a luxurious period in rich India, he narrated the dreamy days like that of in Arabian Knights about prosperity of India and the golden chances for business and trade. So their business class turned to India for earning a lot of profit. In this way they availed themselves of learning various languages of India. Likewise the Indian people made best of Portugese Language. So this mutual interaction brought forth the personalities from the Purtagese who got expertise to an extent that they were inclined to experiencing Urdu poetry in accordance with their creative intellect and proved to be a valuable addition to the literary heritage of Urdu Verse. Some of the literary achievements are narrated as under:1)Hakim Don Ellis De Sylva "Fitrat"2) Louis "Da Casta"3) Joseph Manuel " Joseph"4)Hakim Don Augustine De Sylva "Maftoon"5)Hakim Ilyas Pedro De Sylva "Ibrat"Some of the poets are distinctively prominent and their creative works are fully decorated with the qualities and traditions of the native Indian
Urdu Ghazal of Jaun Elia
No full textIn this article, personality of John Elia and his feelings & thoughtsrelated to the concept of life and death, regarding Urdu Ghazal, have been analyzed. Incidents of personal life, stir the thoughts of John Elia, which affected the poet's point of view deeply. In this regard, selected examples have also been given that explain the concepts of poet
Ghazal of Daud Rahbar
No full textDoctor Daud Rahbar unfolds social trends, communal aspirations and culinary tastes in his characteristic poetic wit. Although he performed a considerable drill of lyrical poetry, it could not surpass his excellence in prose. However, in the most modern tradition of Urdu ghazal, his Urdu verse is such an addition which is a source of adherence to his past. In his poetry we find an artist propagating freedom of expression . His poetry is not the traditional poetry but a source of connection with his past, culture and heritage. He is not contented with whatever is there, he is always on the look out for the things out of sight , especially the people who are millions of miles away
Majeed Amjad: Wonderer of Earth
No full textUrdu poetry before Maulana Altaf Hussain Hali's "Muqadma Sher oshairy" traditionally was known by its sterio-type rules. Hali and Azad encouraged the new ideas to expand urdu language and in general and poetry and particular. Accordingly new apporach of criticism recognized Nazir Akber Abadi. Majeed Amjad accepted the new parameters of peotry and painted all creatures and objects of nature in his poetry. Civilizations consist not only of human being but all the lives and material of soil. He gave the importance not only to the drpressed people of society but animals i.e sheep, cow, sparrow etc.This article is an attempt to explore the aspect of Majeed's poetry which potray the caricature of culture and civilization
The Share of Khadija Mastoor in Evolution of Urdu Novel: Zameen
No full textKhadija Mastoor is an eminent novelist of progreesive era. She highlightes economic and social issues in her several short stories. She considerably added in the field of literature by writing novels Angan and Zameen that occupy their own comprehensive status. She presents Zameen. After the partition of sub-continent novel writing was badly effected by the brutality and oppusion of that age. Nearly every author wrote on this great tragedy of bloodshed of the sub continent. It was a sound of agitation and protest which was raised by the writer community. Zameen is an evident example of Khadija Mastoor's loyality with her mother land. Zameen is presentation of such characters who are indulged hankering wealth in a disgraceful manners after forgetting their past.This novel is a good piece of satire on those people who wanted to be so- called respectable mark of society after hoalding money from different means. Khadija Mastoor has critisized the ruler's outdated system.Her novel representes pakistani socio economic system. It is also a proof of the art and technique of Khadija Mastoor prose writing
Majeed Amjad: A Great Poet of Nature
No full textMajeed Amjad possesses a distinguished rank among the modern Urdu poets. He has set new trends for the contemporary Urdu verse. He has unbounding love for the world of Nature---flowers, trees, greenery, brids, crops, cascades and lakes. A bulky portion of his versification deals with the beauties of nature, scattered around us in day to day life. He has observed the minute details of plant, bird and animal life in his suburbs with a profound keenness and penned it down with utter sincerity and affection. He is the Wordsworth of Urdu poetry as ninety-five percent of his works present/unfold the various facets and beauties of Nature. The article in hand seeks to study the love and esteem of Majeed Amjad for the world of Nature in his poetry