Walt Whitman Quarterly Review
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Elbert Hubbard's Manuscript Muddle: Restoring Whitman's "Sunday Evening Lectures" on Metaphysics
No full textReviews Gary Wihl's edition of Whitman's "Sunday Evening Lectures," examines Elbert Hubbard's bound volume containing the manuscripts, and offers a revised and more coherent arrangement of the manuscript fragments
Front Matter, Walt Whitman Quarterly Review, vol. 21, no. 2
No full textFront Matter, Walt Whitman Quarterly Review, vol. 21, no. 2
Front Matter, Walt Whitman Quarterly Review, vol. 21, no. 1
No full textFront Matter, Walt Whitman Quarterly Review, vol. 21, no. 1
Walt Whitman: A Current Bibliography, Winter/Spring 2003
No full textWalt Whitman: A Current Bibliography, Winter/Spring 2003
Jesse Whitman in 1861: A New Letter
No full textPrints a facsimile and transcription of a draft fragment of a Whitman letter to Samuel Livingston Breese concerning the firing of the poet's brother Jesse from the Brooklyn shipyard
Front Matter, Walt Whitman Quarterly Review, vol. 20, no. 3
No full textFront Matter, Walt Whitman Quarterly Review, vol. 20, no. 3
Leaves in Class: Recent Text Editions of Whitman's Work
No full textReviews Whitman, Leaves of Grass and Other Writings, ed. Michael Moon (Norton Critical Edition, 2002); Whitman, Selected Poems, ed. Harold Bloom (American Poets Project, 2003); and Whitman, Poetry and Prose, ed. Shira Wolosky (2003)
Love of Comrades: The Urbanization of Community in Walt Whitman's Poetry and Pragmatist Philosophy
Get PDFArgues that "the social crisis produced by urbanization shaped Whitman's poetry and pragmatist thought in similar ways," and examines Whitman's struggles with skepticism and relativism in light of his straddling of rural and urban experience, finding that Whitman's "untamed flow of sympathy" in his urban poems of 1855 and 1856 gives way to an increasing "urbane doubt" and "withdrawal from the city" in his 1860 "Calamus" poems
Hair, Feet, Body, and Connectedness in "Song of Myself"
Get PDFExamines "how Whitman's positioning of the human body on horizontal and vertical axes" in "Song of Myself" illuminates his "central paradox" (that he simultaneously champions "individuality and democracy"); tracks how "horizontal orientation . . . carries democratic significance," while verticality signals individuality, with hair the image of "connectedness.