Walt Whitman Quarterly Review
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A Newly Discovered Image of Walt Whitman Restored by the Walt Whitman Association and the Mickel Street Review
Get PDFReprints a newly restored image of Whitman apparently related to the series of photographs taken of the poet by Frederick Gutekunst of Philadelphia in 1889
An Unpublished Whitman Manuscript on Emerson
Get PDFReprints a newly found unpublished Whitman manuscript note about Emerson, registering Whitman's "sense of a decline in Emerson's powers as he ages.
An Undocumented Review of the 1860 Leaves of Grass in the Liberator
Get PDFAnalyzes and reprints a review (by "T.V.") of the third edition of Leaves of Grass in William Lloyd Garrison's anti-slavery weekly, the Liberator, on September 7, 1860
Walt Whitman: A Current Bibliography, Summer/Fall 2007
No full textWalt Whitman: A Current Bibliography, Summer/Fall 2007
Walt Whitman: A Current Bibliography, Spring 2007
No full textFolsom, Ed. "Walt Whitman: A Current Bibliography." Walt Whitman Quarterly Review 24 (Spring 2007), 232-238
Sixty-Eight Previously Uncollected Reviews of Walt Whitman
Get PDFLists sixty-eight previously uncollected reviews of Whitman's work published during his lifetime, and reprints thirty-eight of these newly discovered documents; with an introduction (1-7) and notes (70-76)
The Good Gray Poet and the Quaker Oats Man: Speaker as Spokescharacter in Leaves of Grass
Get PDFLooks at how Whitman "invested Leaves of Grass with a human identity" and "offered the act of reading the mass-produced book as a corrective to the social disintegration that mass production itself had helped bring about"; goes on to examine the book in the context of "early modern advertising," arguing that "communing with 'Walt Whitman,' drinking milk with Elsie the cow, and eating bologna that has a first and a last name are acts that spring partly from a common set of cultural circumstances" surrounding the early development of advertising, and proposing that Whitman's "immersion in the rapidly growing advertising industry was a key factor in his learning the importance and some of the methods of making a mass-produced commodity feel like a close friend"; concludes that "Whitman's iconoclastic mix of poetry and advertising epitomizes his struggle to reconcile his visions of proletarian utopia and industrial capitalism.
Front Matter, Walt Whitman Quarterly Review, vol. 24, no. 4
No full textFront Matter, Walt Whitman Quarterly Review, vol. 24, no. 4
