Smart Moves Journal IJELLH (International Journal of English language, literature in humanities)
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Rushdie and the Problem of Exile
Exile in the words of Wallace Stevens, is “a mind of winter” in which the pathos of summer and autumn as much as the potential of spring are nearby but unobtainable. Exile originated in the age-old practice of banishment. Once banished, the exile lives an anomalous and miserable life, with the stigma of being an outsider. Although it is true that anyone prevented from returning home is an exile, some distinctions can be made among exiles, refugees, expatriates and émigrés. Edward Said, in his work, Reflections on Exile, writes, “Refugees…are a creation of the twentieth-century state.” The word “refugee” has become a political one, suggesting large herds of innocent and bewildered people requiring urgent international assistance, whereas “exile” carries with it, I think, a touch of solitude and spirituality. Expatriates voluntarily live in an alien country; usually for personal or social reasons…An émigré is anyone who emigrates to a new country. (181) In this paper, I will take up Salman Rushdie and his experience of exile and try to analyse and differentiate the two kinds of exiles he underwent in his career.
 
Diasporic Dilemma in Amit Chaudhuri’s Afternoon Raag
Identity is one of the important themes of the diasporic writing. Identity plays an important role in an immigrant\u27s life because they feel rootless and nostalgic when they try to become members of a new group. There are different aspects of identities like political, social, cultural, economic and individual and so on. These are playing an important role in an immigrant\u27s life. The concept of home always gives a sweet feel for immigrants. A sense of belongingness plays an important role in immigrant life. Immigrants never accept the host country as their country
Istanbul as Palimpsest: The Black Book as a Postmodernist Representation of Turkish History and Culture
Orhan Pamuk’s novel, The Black Book is a postmodern chronicle of Turkey in which the author uses the structure of a detective novel to delineate the themes of identity, culture and hybridity. The paper aims to depict how Pamuk foregrounds that identities are never determinate but are forever eluding by presenting a love triangle which disappears underneath a mystical quest for one’s true self. Galip’s assuming the persona of his alter-ego, Celal; Prince Osman’s pursuit of true knowledge through reading diverse books and ultimately rejecting them; and Bedii Usta’s disillusion with the State for disapproving the mannequins, all represent the interlacing of cultures and interdependence of identities in contemporary Turkey. Moreover, in the novel, the rich Ottoman tradition and Islamic literature are also revisited in a postmodern light so as to present the allegorical and political connotations inherent in them. The paper also examines how the novel portrays the forced westernization and erasure of history and memories through the use of film ekphrasis to highlight how the Turkish citizens were lured by the Western cinema and indoctrinated about the superiority of the West so as to generate in them a sense of anxiety about their identities
The “Coming” Epic of Freedom: Reading Sri Aurobindo’s Savitri as a Mythopoesis in Opposition to Sovereign Control
There is a general trend among Western critics, and scholars influenced by the West, to stereotype Third World Literatures, particularly those from India, either as the voice of national consolidation or as providing the emancipated West with the required dose of mysticism and spiritualism. Sri Aurobindo’s works have fallen within either of these two categories. As a result, much of the aesthetic autonomy of his writings have been ignored. This article focuses on the unique quality of Sri Aurobindo’s works, with particular reference to his epic poem Savitri, and shows how he recreates indigenous and classical Indian legends, myths and symbols to subvert sovereign control initiated by the West. Savitri emerges as the representative epic for a new nation that has much more to offer to the future generations apart from the intangible ideas of mysticism and spiritualism. By reinforcing the concept of Shakti and the Mother as the primal Universal Consciousness the mythopoesis in Savitri stands in opposition to the anthropocentric and the anthropogenic machines of sovereignty, both ancient and modern. It establishes the fact that in the human resides the divine and that divinity is a kind of life that can be lived on this earth
The Aesthetics of Rupture: Deconstructing Rasa
Semantic fixity is a transcendental signified. One of the touted aims of literary theory was to topple it. The Indian semantic concept of Vyañjana attempted to do this millennia before. But canonical theories of Rasa established Rasananda as an attainment of absolute coherence and harmony. What this paper calls trans-epistemic praxis is a viable methodology to reclaim the long-lost rupturality (if structurality is resisted, rupturality must be embraced, at least as a neologism) inherent to aesthetics. This is done in a Post-theory context. “Bhanga” (rupturing) leads to “bhangi”, aesthetic charm. It is an aporetic textual disruption that leads to the most fertile indeterminacy of meaning. Modern literary theory set out on a debunking and destabilizing mission of liberal humanist tenets, but got hardened into “doxa”, crystallized structures and hierarchies. This necessitated a theorizing of theory itself. The chronotope of Post-theory gets foregrounded. A crossing of spatio-temporal boundaries gives us the freedom to site Rasa Theory and Indian Poetics as Post-theoretical. Inter-spaces and inter-times are engendered. Deconstruction and Rasa become heterodoxic knowledges to each other, subverting each other honouring the alterity of the other. This exercise liberates Theory from becoming sclerotic. Orthodoxics and monologisms get flouted. Theory is a story. Story is built on the figurality of language. The tropology of language is built on a never-ending desire for signification. This desire never meets with satiation. The concept of “Rati” can be seen as this interminable desire of language. Post-theory is a call to wake up from amnesia, the terrible oblivion regarding the fact that Deconstruction and Rasa are ceaseless streams of reading processes and not rigid and straitjacketed end products. This ruptural aesthetics leads to the rapture of poeisis, the indeterminate significatory process
Bhakti Tradition and Poetics of Introspection
The bhakti movement is among the most forceful instruments of change in the Indian history.The movement signaled the end of a worn out epoch and did much to subvert hierarchies by substituting the concept of redemption through devotion in place of ritualistic orthodoxy. It carried sublime philosophy, to the common masses, of the so-called lower classes, in vernacular languages and open doors for women poets. The movement continues to inspire our generation and enjoys prominence in terms of its reach, magnitude, popularity and spacio-temporal significance. The poetic tradition of this school is marked by a distinctive proclivity for introspection; out of the two schools:nirguna and saguna; the nirguna school of bhakti poetry shows a greater tendency towards introspection. The nirguna group of poets led by Kabir, promote the technique of introspective reflectionas the key to self-realisation and godrealisation. This approach is significant as it breaks away from the convention of ritualistic orthodoxy, which exhibited a strong propensity for outward modes of realisation. Further, a key element of the movement was the popularisation of the percept of a ‘personal God’, which our mythological-fiction retains till date.
English Society in the 19th Century
Prior to examining an artistic work, it is important to make an examination about the period and society in which the essayist lived just as its people and their method for living, custom and laws so as to comprehend the author\u27s reality view and prepare for a however investigation of his work. At that point in this theme we survey the authentic, social and true to life foundations of the novel under investigation as to look at the ways by which these might have affected the substance and type of the novel .We will manage English society in the nineteenth century concentrating on the public activity, economy and the situation of women in England, additionally, we will audit the essayist\u27s life and works and talk about the hypothesis to be utilized for the examination study which is Feminism. The eighteenth and nineteenth century can be portrayed by the quantities of uprisings which were brought about by a social and political circumstance. These occasions began to decide individuals\u27 emotions, their requirements and needs. Composing style turned out to be progressively enthusiastic and instinctual. It implies that the nineteenth century essayists re-established the Elizabethan\u27s style in writing which was depicted by the ethical shows and love issues. Moreover, their imagination concentrated on the composition guns of medieval occasions. In this research paper, it is all about the English society, how about their social life and the treatment of women. It is from very ancient times that women are not respected and there are many instances for that as well
An Ecofeminist Reading of Han Kang’s The Vegetarian
Ecofeminism depicts the movements and philosophies that establish a close relationship between women and nature. It is also an academic movement that sees a critical connection between the domination of nature and the exploitation of women. The term ‘Ecofeminism’ was coined by the French writer Francoise d’Eaubonne. This term intersects the two critical perspectives- ecology and feminism. Ecofeminist theory asserts that a feminist perspective of ecology does not place women in the dominant position. This theory can be used to explore the connection between women and nature in culture, religion, literature and thus address and bring out the parallels between the oppressions of nature and the oppressions of women. Using gender as an important factor, ecofeminism examines the conditions that cause and perpetuates the subordination of both women and nature. This analysis includes seeing men as the curators of culture and women as the curators of nature, and also how men dominate women and humans dominate nature. This paper titled, ‘An Ecofeminist Reading of Han Kang’s The Vegetarian’ discusses the term ecofeminism and how this theory can be analysed and applied in this book written by Han Kang, a South Korean writer who won the Man Booker International prize for fiction in 2016 for this particular book. The book is about a home-maker whose decision to stop eating meat after a deadly nightmare about human cruelty leads to various problems in her personal life. This paper mainly tries to bring out how women and nature are oppressed by the patriarchy and how both are showing resistance toward this dominance. It investigates how man colonizes nature and as well as women. There are various other books that can be analysed under this feminist theory but this book in a way different as the main protagonist of this book sees vegetarianism as a way of not causing any harm on anything, but asserting her identity and freedom in patriarchal society. Thus this paper brings of the various ecofeminist aspects that can be analysed in this book through the various contexts related to the protagonist
Utilizing Smartphones to Enhance Students ‘Learning of English Language
Technology plays a momentous role in almost all the fields mainly far –reaching in educational field. It provides creative freedom, endless resources and learning materials. In the current scenario, students engage themselves in the recent technological advancements which not only kill their time but also entertain them all the time. So, the Teachers can take up these technological tools in their hands to inculcate English language to the younger generation instead of following the traditional method of teaching. Now-a-days, Smart phones have reached all the hands in the world including the rural people and made everything easier. By using smart phones effectively in Language classrooms, English language teachers can provoke interest among the non –native learners in learning English Language. Smart phone is a tool which presents visually attractive materials to the students that would be very much appealing to the second language learners. Through this, the four basic communication skills (LSRW Skills) of the second language learners can be enriched and refined .Thus, this paper predominantly focuses on the pros and cons of using smart phones in learning English based on the feedback accrued from the undergraduate students
The Edible Woman: A Perspective of Women
In many respects, The Edible Woman was created during a ‘whirlwind change’. Atwood successfully links together ‘ideas of marriage’ and ‘consumerism’ as related to the ideas and the perceptions of the self. In this novel, Atwood produces a world centred around a young woman, Marian MacAlpin, who is thrust into the role of fiancé and the traditional position. The Edible Woman is successful because it pulls us into Marian’s world and makes us a part of it. Things at first appear to be crystal and real. The moments of her daily life are presented in ways that a reader can relate to. Marian’s life seems acceptable and worthwhile. This paper highlights a perspective of women through Marian, the protagonist of Atwood’s The Edible Woman