Smart Moves Journal IJELLH (International Journal of English language, literature in humanities)
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    2837 research outputs found

    Le Morte d’Arthur as Literary Remediation Process to RPG Game

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    This article presents a proposal for the elaboration of an RPG game with board support based on the remediation of literary narratives and which is thought both for use in the classroom, as a didactic tool, but understood essentially as a playful activity. For that, we first start an observation about the act of playing and what it means in society and in linguistic terms. Subsequently, we are concerned with defining what a game is so that we can effectively present the proposal. To better exemplify it, we present as an example the remediation of Arthurian legends from Le Morte d’Arthur, by Thomas Malory, a project that we have previously tested. The discussion about the behaviour of games then runs through authors such as Johan Huizinga (1980) and Jesper Juul (2005)

    Subverting Gender in Laxmi Raj Sharma’s ‘Intriguing Women’

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    This paper close reads the short story collection Intriguing Women by Laxmi Raj Sharma to explicate upon the theme of ideological subversion within it. Sharma deploys his female characters as agents of destabilisation that assert their own identity and thus question the dominant social constructs. In doing this, these characters raise questions about the ruling ideology and its established norms of behavior, selfhood and performance. While Sharma’s usage of motifs and structural forms makes the stories works of art, the actions of his characters make them didactic and pushes the readers towards questioning some of their fundamental assumptions

    Which Cinderella You Want Your Daughter To Be?

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    Modern age has provided great opportunities in all domains of people\u27s lives, but it has also generated unexpected obstacles; one of which is a negative change in the concept of beauty in society. The new emerging tendency of people to appear like a supermodel in social media and to draw the interest of others by adding beauty filters not only sends an ambiguous message about beauty, but also produces a false claim of appearance where teenagers like to \u27fake it.\u27 Beauty has always been the contentious subject in most fictional works and specially in fairy tales. Classic fairy tales portray their heroine as a beautiful being, a picture-perfect substance. They are celebrated not for their confidence or bravery, but for their outward appearance, clothing and jewels. Thus, every girl child has a fantasy of finding a Fairy God Mother who can turn her into a stunning, attractive princess and only then, they can meet their prince charming and happily ever after. But things are not the same, they don’t have God Mother or they don’t want to remain as a beautiful angel, rather, they want to be ordinary with full of courage and confidence to fight back to any evil. They don’t need any prince charming to fight for her rather they want to fight for their own. This paper will study the contrast between the classical and modern story of Cinderella in Children Literature and also explore how the concept of beauty is changing in the modern books and fairy tales

    Eco-Catastrophe in The Wind From Nowhere

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    Ecocriticism constitutes the fictional treatment of environmental problems. Climate Change is one of the biggest threats the world is facing today. There are alarming debates signaling constant fear of the grave consequences that can be triggered by the global warming. Newspapers are literally filled with articles on the topic of climate change. Sea levels are rising like anything and oceans are becoming warmer. The Wind From Nowhere is one of the insightful novels in the contemporary age where Ballard prophesizes the vision of an eco-catastrophe triggered by human induced global warming leaving earth totally unfit for human survival which can turn into reality anytime. The aim of this paper is to explore how Ballard portrays that vision of eco-catastrophe using the metaphor of cyclonic winds which create havoc all over the world.  It also illustrates the creepy imageries and undertones of the catastrophic setting presented in the novel, in which people are reduced to beastly mode of survival. Particular emphasis is given on the psychological effects of the altered environment on the characters in the novel. Ballard portrays his characters to be trapped between an old dead world and a terrifying incomprehensible new one

    Representation of Marginalization in the Life Writing of African American Women Writers

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    The process of imperialism and colonialism was established on the covert idea of economic and political exploitation of the underdeveloped eastern cultures by the dominant west. With the process of decolonization, the marginalized and the poor have been given a centre space alongwith the reversal of the order where those who were the object for centuries, suddenly refuse to be subjected to misrepresentation and domination, and begin to constitute their own discourses. Literature serves as a medium of honest self expression and platform to express the true self for women. American society has triply disempowered and disenfranchised African American women on the basis of race, gender and class. Many African American women writers attempt to break down traditional structures and dislocate narrative strategies in order to re-examine subject identity and to demonstrate the complexity of female experience. By writing about their lives the marginalized are valorized and their oppression turns into empowerment. Life writing helps females to explore subjectivity and to assume authorship of their own life. The account of the life of African American women writers chronicles their frequent encounters with racism, sexism and classism as they describe the people, events and personal qualities that helped them to survive the devastating effects of their environment

    A Breezy Call of Envied Kiss In Thomas Gray’s Country Churchyard

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    A  great poem that  touches  the  core  heart  of  the  readers  executing  the  rustic  forefathers’  lives  and  emotions  is  nothing  but  Gray’s  Country  Churchyard  which  uplands  the lawn  with  kindred  spirit.  Gray  harnesses  the  poem  with  the  breezy  calls  that  enviously kiss  us  in  the  destiny  of  ‘’homely  joys’’.  The  humble  buried  beds  are  not  only  twittering  ears  of  Gray  but  also  they  are  the  signification  of  clarion  call  that  figure  out  solemn  background  of  the  rude  forefathers  who  unlike  the  citizen  of  city  swelled  their  ‘’paths  of  glory’’  against  the  ‘’inevitable  hour’’.  As  an  advocate  of  the  down-trodden,  Gray  tries  to  persuade  that  the  rich  should  not  look  down  upon  the  poor.  The  poor  are  also  respectable  being  though  they  do  not  get  an  opportunity  to  elevate  their  lives  as  do  the  rich.  Furthermore,  though  they  were  not  able  to  cremate  their  dead  bodies  in  the  boundary  of  the  churchyard,  it  was  not  their  faults.  Despite  the  wealthy  and  the  proud  people  though  get  place  to  be  cremated  in  the  churchyards  singing  the  hymns  in  honor  of  dead,  they  suffer  huge  setbacks  in  this  worldly  affairs.  Because  time  is  the  grand  mower  whose  sickle  never  leaves  anybody  whether  rich  or  poor  but  mows  down  all  forever

    Nation and Narrative: A Study of Nuruddin Farah’s Maps

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    The article entitled "Nation and Narrative: A Study of Nuruddin Farah\u27s Maps" attempts a postcolonial reading of the text trying to froground the assertion of a national self. The manner in which literature offers itself as a powerful platform to assert national identity and the novel adroitly doing the same would serve as the main thrust areas. Elaborate study on the concept of nation as expounded by critics like Homi Bhaba , Benedict Anderson and the like would serve as the background of the analysis. The notion of national identity and the construction of an image of Somalia as attempted by the author stand as testimony to the same. The author trying to reiterate his lost national self and how he skillfully uses literature as its medium, as part of the postcolonial agenda, is the focus point of the article

    The Image of New Woman as Portrayed in Jhumpa Lahiri’s Novel The Lowland

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    The last decade of the Victorian era witnessed a major shift in the social attitude of the woman. It was a break away from the patriarchal system, and women emerging as independent being and moving towards achieving gender equality. The ‘New Woman’ is considered as a precursor to the feminist movement and thus the legacy of New Woman lives on to this day. Jhumpa Lahiri, the significant writer of the Indian diaspora has emerged on the global literary scene with her remarkable writings. The novel has a compelling plot of family relations. It delineates the tender fraternal bond between Subhash and Udayan and how it gets affected by the various paths they chose in their lives. This intensely emotional tale unfolds diverse dimensions of the woman caught in the predicament of conservative cultural practices at home, political unrest in society and the life of an exile in the immigrant land. It also explores Gauri’s expression of identity, her struggle with love, Bela’s choice for individuality and pragmatism in life has turned the novel into a unique narrative. In her second novel, ‘The Lowland’ Jhumpa portrays her women characters devaluing the patriarchal setup. They break the myths of womanhood and motherhood. Prominence is given to assert their position in society by restoring self-identity than nurturing deeper family relations. They fight with courage and confront various challenges in their marital relationship

    Representation of Women in Popular Indian Movies : An Analysis of English Vinglish and Heroine

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    Male supremacy and patriarchy has become two clichéd words, but it is a fact that these two words define almost all societies in the world. Indian society is no different from this, in fact this is where these two words fit in smoothly. This is reflected in our literature, art and movies too. My enquiry here is about how do the preconceived notions about feminity find their way into popular movies. The article analyzes two popular Hindi movies: English Vinglish and Heroine. These two movies portray two women who are very different from each other ; a house wife and an actress. But many a times these two women are one and the same in terms of the attitude of the society towards them. Therefore the paper intends to reveal the double standards and hypocrisy of Indian society

    Rape as an Element of Power Dominance in Nampally Road by Meena Alexander and Homegoing by Yaa Gyasi

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    In the subaltern countries such as India and Africa, the form of government adapted or infused was that of the Colonial or European form of governance. For instance, during the colonial invasions in India and Africa the governance was changed or forced from the feudal system to the constitutional form of government. While the colonial form of governance has many positive aspects, the inhumane practice of rape was prominent to exhibit political dominance. In order to prove this practice of inhumane act two novels have been chosen for this research. One is Nampally Road by Meena Alexander that talks about the societal imbalance caused during the period of “Emergency act” and the other is Homegoing by Yaa Gyasi that deals with a period of three centuries starting from the “Slave Fugitive act” to post independence, where the plots depict the prominence of rape to exhibit power and control the natives

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    Smart Moves Journal IJELLH (International Journal of English language, literature in humanities)
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