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    Audit report Volunteer state For the Years Ended June 30, 2024, and June 30, 2023

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    The U of Memphis For the Year Ended June 30, 2024

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    Tennessee Investment in Student Achievement: First-year implementation

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    https://digitalcommons.memphis.edu/govpubs-tn-comptroller-office-research-education-accountability/1164/thumbnail.jp

    An Overview of Caseload Studies and Case Filings in Tennessee: 2025 Update

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    https://digitalcommons.memphis.edu/govpubs-tn-comptroller-office-research-education-accountability/1167/thumbnail.jp

    LP Memphis, LLC DBA Signature Health Care of Memphis

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    Document, donation deed, Rosa Lee, Memphis, TN, 1930 January 9

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    Document, a copy of a donation deed, dated January 9, 1930. It details how a woman named Rosa Lee, daughter of James Lee, donated a parcel of land to the Memphis Art Association. This is notable because it refers to the former Memphis Academy of Art and how it was located at the James Lee house in Victorian Village, Memphis, TN, at the corner of Adams Avenue and Orleans Street. The Academy originated as a memorial to James Lee. The donation deed was signed by several individuals, including the mayor of Memphis, TN, at the time – Watkins Overton.https://digitalcommons.memphis.edu/speccoll-mss-waldaueradpapers1/1000/thumbnail.jp

    A HORSE NAMED HELLSTORM

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    A HORSE NAMED HELLSTORM follows the speaker’s journey through experiencing life as a queer nonbinary young adult. This manuscript explores the questions of what it means to be nonbinary and what it means to fall in love with other queer people. By utilizing various forms and a lens of surrealism, the speaker answers these questions. This manuscript strives to honestly explore both the beautiful and the negative sides of the speakers’ queer sexuality and gender experiences through a world filled with primarily Southern nature as the speaker seeks solace from body dysphoria and queerphobia. The readers are taken through an arc of seeking transformation from one body to another to painful relationships with lovers to a lack of self-love until, finally, the speaker lands among peace-filled poems full of love for their friends, their mother, their lovers and themself. The speaker recognizes that despite the struggles of being queer in the South, the speaker still and will always belong there, in nature, loved and at home in heart and body

    The Love Story of Our Mother and Other Stories

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    This collection reimagines Nigerian, African, and African diasporic histories through characters navigating loss, trauma, climate crisis, and authoritarianism. In the title story, a Nigerian AI law student in the U.S. begins a tense dialogue with their mother—an iron-willed matriarch—after news of her self-renaming and the unresolved death of their father resurface old wounds. In “Shadowless,” a peacekeeping captain adrift at sea reckons with grief and metaphysical dislocation after his orderly’s suicide. “Importunity” features Rhoda, a blind corn seller, who refuses viral charity, critiquing the spectacle of aid. In “The Abyssinian Ground Hornbill,” a son uncovers the truth behind his father’s failed ambitions and vanishes during a protest modeled on Nigeria’s EndSARS movement. Blending magical realism, metafiction, and political critique, these stories echo the work of Soyinka, Habila, and Adichie, while questioning the authority of narrative itself: how do we speak the unspeakable

    Correspondence, to Risden D. DeFord from Abe D. Waldauer, 1937 March 15

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    Correspondence, (copy) to Honorable Risden D. DeFord, Attorney-at-Law, Savannah, TN, from Abe D. Waldauer, President, State Election Commission, Memphis, TN, 1937 March 15. Waldauer states, We shall hold open hearings on May 10th, and will welcome not only letters from each county in the state, but also the personal appearance of any delegations who care to come before us with recommendations as to those who should be appointed to conduct elections in each county... I observe you have sent copy of your letter to Governor Browning; and, to the end that he may be advised, I am sending him copy of this reply... I appreciate the kind personal references to me. Waldauer signs the letter, Abe D. Waldauer, Alias \u27Honest Abe\u27.https://digitalcommons.memphis.edu/speccoll-mss-waldaueradpapers1/1007/thumbnail.jp

    The Daisy Theater 3

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    The Daisy Theater in downtown Memphis.https://digitalcommons.memphis.edu/item-of-the-month-2025-07/1002/thumbnail.jp

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