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13 Musica Ficta in the 16th Century
No full textMusica Ficta in the 16th Century – Composers rarely notated sharps and flats in madrigals, chansons, and motets, as they expected singers to apply signa chromatica during performance. Discussion of the principles surrounding the extempore addition of sharps and flats, as well as practical examples.https://ir.lib.uwo.ca/bel_canto_videos/1001/thumbnail.jp
St. Peter\u27s Ohsweken, Brantford 1.0
No full texthttps://ir.lib.uwo.ca/anglican_exteriors/1058/thumbnail.jp
St. Paul\u27s Kanyengeh, Sour Springs, Brantford 1.1
No full texthttps://ir.lib.uwo.ca/anglican_exteriors/1065/thumbnail.jp
St. Williams, Memorial COE, Brantford 1.0
No full texthttps://ir.lib.uwo.ca/anglican_exteriors/1157/thumbnail.jp
St. Williams, Memorial COE, Brantford 1.2
No full texthttps://ir.lib.uwo.ca/anglican_exteriors/1159/thumbnail.jp
St. Paul\u27s, Middleport, Caledonia, Brantford 1.5
No full texthttps://ir.lib.uwo.ca/anglican_exteriors/1198/thumbnail.jp
Interior 1, Christ Church, Meadford
No full texthttps://ir.lib.uwo.ca/anglican_interiors/1258/thumbnail.jp
Chapel, Christ Church, Meadford
No full texthttps://ir.lib.uwo.ca/anglican_interiors/1260/thumbnail.jp
Interior 1, St. Georges, Owen Sound
No full texthttps://ir.lib.uwo.ca/anglican_interiors/1277/thumbnail.jp
Interior 3, St. Luke\u27s, Point Clark
No full texthttps://ir.lib.uwo.ca/anglican_interiors/1291/thumbnail.jp