Scholarship@Western

Don Wright Faculty of Music

Western
Music
Don Wright Faculty of Music
FACULTY CONCERT SERIES 
DUELLING DUETS
Sunday, October 4, 2020 
3 p.m., via live stream from von Kuster Hall 
Aaron Hodgson, trumpet 
Shawn Spicer, trumpet 
Jana Starling, clarinet 
Alexandre von Wartburg, bassoon 
Stephen Tam , flute 
Allison Wiebe, piano 
Yolanda Tapia, piano
Program  subject to change w ithout notice. Changes w ill be announced from  the stage i f  required.
Fanfare fo r a New Theatre Igor Stravinsky 
(1882-1971)
Four Duets
I. Allegro
II. Pastoral
III. Toccata
IV. Fanfare
Aaron Hodgson & Shawn Spicer, trumpet
Anthony Plog 
(b. 1947)
Bagatelles
Foriana
Prelude
Jana Starling, clarinet & Allison Wiebe, piano
Gerald Finzi 
(1901-1956)
Petite Suite pour flûte et basson Pierre Max Dubois
I. Prélude: Andante (1930-1995)
II. Intermède: Allegro
III. Cadence: Recitativo Lentement
IV. Burlesque: Allegretto
V. Mouvement Perpétuel: Allegro
Stephen Tam, flûte & Alexandre von Wartburg, bassoon
Steam Man on the Prairies
for Clarinet, Piano and Electronics
Steven Snowden 
(b. 1981)
Jana Starling, ciarinet&  Allison Wiebe, piano
Trumpet Songs Jennifer Higdon 
(b. 1962)I. Morning Opens
II. To Home
III. In Our Quiet
IV. Hop & Toe Dance
V. Threaded
VI. Breaking
Aaron Hodgson, trumpet & Yolanda Tapia, piano
(1911-1979)
Alexandre von Wartburg, bassoon & Allison Wiebe, piano
Artist biographies 
music.uwo.ca/faculty
Upcoming livestream events
music.uwo.ca/events/livestream
The 2020-2021 Faculty Concert Series is sponsored by Western University's 
Office of the Provost and the Don Wright Faculty of Music's Dean's Office.
Music changes lives. So do our donors.
Charitable g ifts from music lovers, like you, provide critical support fo r the Don Wright Faculty o f Music's 
performances and educational programming. To help us to continue to enrich our community through the 
power o f music, donations can be made by phone a t (519) 661-2111x85695online at  music.uwo.ca. or
by mail c/o Karmen Ferraro, Alumni and Development Officer, Talbot College, 
Western University, London, Ontario N6A 3K7.
Song Without Words Sofia Gubaidulina 
(b. 1931)
Toccata Nino Rota


English

Faculty Concert Series:  Duelling Duets

Boerner, Caroline

Digout, Paul

Western
Music
Don Wright Faculty of Music
STUDENT RECITAL
April 3, 2020 
12:30, MB 242 
Caroline Boerner, voice 
Paul Digout, piano
Quel sguardo sdegnosetto Claudio Monteverdi (1567-1643)Zeffiretti lusinghieri 
Idomeneo K. 366S'il est un charmant gazon Comment disaient-ils Oh quand je dorsFrühlingsmorgen Phantasie Erinnerung Hans und Grethe
Cycle-ÉluardSur la maison du rireLes muets sont des mentuers
Wolfgang Amadeus Mozart (1756-1791)Franz Liszt (1811-1886)
Gustav Mahler (1860-1911)
Clermont Pépin (1926-2006)
Three Songs by Tom Moore David L. McIntyreMy Little Moonlight Maid (b. 1952)Songs
Paul Baek, violinistLost David L. McIntyre(b. 1952)
This recital is presented in partial fulfillment of the requirements for the Bachelor of Music
(Performance) degree.


Student Recital

Pinhorn, Hannah

STUDENT RECITALWestern
Music
Don Wright Faculty of Music
Despite and Still 
A Last Song 
My Lizard 
Solitary Hotel 
Despite and Still
Nymphs and Shepherds Since from my Dear O, Lead MeVorrei spiegarvi, Oh Dio!
-Intermission-Die tote NachtigallKlinge leise, mein LeidO lieb', so lang du lieben kannst7 Stevie Smith Songs 
Some are Born 
November 
Progression 
Coeur simple 
From the GreekSerenade florentine SoupirRomance de Mignon
April 2, 2020 
4:00pm, Von Kuster Hall 
Hannah Pinhorn, soprano 
Paul Digout, piano
Samuel Barber (1910 -  1981)
Henry Purcell (1659 - 1695)
Wolfgang Amadeus Mozart (1756 -  1791)
Franz Liszt (1811 -  1886)
Clifford Crawley (1929 -  2016)
Henri Duparc (1848 -  1933)
This recital is presented in partial fulfillment of the requirements for the 
Master of Music Performance (Literature & Performance) degree.


Quasar Saxophone Quartet

 
QUASAR SAXOPHONE QUARTET  
Wednesday, January 29, 2020 
8:00 p.m., von Kuster Hall 
Marie-Chantal Leclair, soprano saxophone 
Mathieu Leclair, alto saxophone 
André Leroux, tenor saxophone 
Jean-Marc Bouchard, baritone saxophone 
Guillaume Barrette, electronics 
 
 
Territoires Sonores 
 
Quasar is enthusiastically presenting its “Territoires sonores” project, for which remarkable 
composers were selected from among 115 applicants from across the country. A true sonic portrait 
of Canadian new music, this project has enabled the creation of inspiring works that reflect the world 
in which we live. A current and vibrant anthology of the diversity, creativity and richness of artists 
from across the country. More than a series of commissions, this project is a gathering, sharing and 
exchange space for the music community and for the public. 
 
This project was made possible by the New Chapter program of the Canada Council for the Arts. 
 
 
 
 
Program 
 
Faux Pas de Deux Aaron Lee 
   (b. 1991) 
saxophone quartet 
 
Music for Saxophone Quartet Jim O’Leary 
    (b. 1971) 
saxophone quartet 
 
Bestiaire   Émilie Girard-Charest 
   (b. 1987) 
saxophone quartet 
 
God keep our land glorious and rich   Alec Hall 
   (b. 1985) 
saxophone quartet and electronic devices 
 
Lux Operon   Ana Dall’Ara-Majek  
   (b. 1980) 
saxophone quartet, lights and live electronic devices  
QUASAR SAXOPHONE QUARTET 
 
Fascinated by the music of our times, the Quasar saxophone quartet is dedicated to the creation and 
promotion of contemporary music. The group’s ventures include instrumental music, improvisation, 
and electronics. Alone or accompanied by a symphony orchestra, acoustic or plugged, Quasar offers 
its audience a unique and deeply original programming. The ensemble has won six OPUS prizes 
awarded by the Conseil québécois de la musique, including the “Artist of the Year” prize. Quasar is also 
the winner of the 2019 Friends of Canadian Music Award presented by the Canadian League of 
Composers and the Canadian Music Centre for its exceptional commitment, on a national scale, to 
Canadian composers and their music. 
Quasar presents a series of concerts in Montreal and performs regularly in Canada and abroad. Since 
its founding in 1994, Quasar has premiered over 150 works, spanning multiple areas of musical 
creation. A real driving force of creative music, the quartet works closely with composers favouring 
research, experimentation and the emergence of new ideas. Quasar thus contributes in an exceptional 
way to the development of Canada’s music while also being credited several premieres of works by 
foreign composers. 
Member of Le Vivier, Quasar is supported by the Conseil des arts et des lettres du Québec, the Canada 
Council for the Arts, the Conseil des arts de Montréal, the SOCAN Foundation and Vandoren. 
 
COMPOSER BIOGRAPHIES AND PROGRAM NOTES 
 
Aaron Lee | Ontario | b.1991 
Faux Pas de Deux 
For saxophone quartet 
 
Aaron Lee is a composer interested in reinterpreting familiar sound-worlds and who seeks to find new 
ground along the well-trodden paths. His music encompasses both acoustic and electro-acoustic 
mediums, with instrumentations varying in scope and scale from orchestra and wind ensemble down to 
a solo metronome. Allusion, quotation, and pastiche are techniques of particular interest to Aaron and 
are often blended with minimalist and post-minimalist orchestrational techniques to cast old musical 
material in a new light. Rhythmic and metric dissonance often created through the use of polymeter or 
metric modulation is a recurring motif in Aaron’s music. His music attempts to create layers of 
rhythmic complexity while maintaining consistent forward motion. 
All of these goals, however, are offset by Aaron’s desire to incorporate humour into contemporary 
music. Music holds such potential for comedy and humour, and Aaron attempts to use the techniques 
described above to incorporate comedy into compelling concert music. 
Aaron Lee is a doctoral candidate in music composition at The University of Western Ontario, and as a 
performer, he has sung with Primus: Amabile Men’s Choir since 2010. 
 
PROGRAM NOTE 
“Faux Pas de Deux”, or “The Two-Step with a Misstep”, is an elaborate re-composition and re-
orchestration of the second prelude from the second book of J. S. Bach’s “Well-Tempered Clavier”. It is 
a complex dance where the dancers are not all sure of the steps. The music, however, dances along 
with a confidence unshaken by the hiccups and stumbles in its footing. While individual dancers may 
occasionally falter, the troupe as a whole never fails to pull things back together. 
The source material is, at certain times, quite apparent and yet is thickly veiled at others. It is always, 
however, rigorously faithful to its 18th century source. Book two, prelude two provides this quirky two-
step dance with the entirety of its harmonic material. 
 
  
Jim O’Leary | PEI | b.1971 
Music for Saxophone Quartet 
 
Jim O’Leary is a composer from Windsor, Newfoundland. After completing undergraduate studies in 
percussion performance, Jim turned his focus to composition; studying in Sweden with composer Jan 
Sandström. After several years working in Stockholm, he returned to academia, obtaining an MPhil at 
Cambridge, followed by a Ph. D from Queens University, Belfast. 
Jim was Composer-in-Residence with the PEI Symphony Orchestra 2011–2013. His current artistic 
project concerns the Beothuk, the extinct indigenous people of Newfoundland. Jim lives in 
Charlottetown, PEI. 
 
PROGRAM NOTE  
1. Sorbet #1 
2. Variation 
3. Chorale 
4. Scherzo 
5. Sorbet #2 
6. Senza Misura 
 
Émilie Girard-Charest | Québec | b. 1987 
Bestiaire 
For saxophone quartet 
 
Émilie Girard-Charest is a cellist, composer and improviser. 
She has numerous recordings to her credit, including Émilie préfère le chant (2016, Ambiances 
Magnétiques), Race with time (duo with Mart Soo, 2016, Improtest Records), avec (2016, Kohlenstoff 
Records), Musica in camera (Quatuor d’occasion, 2014, &records) and Bruit court-circuit (Ensemble 
SuperMusique, 2012, Ambiances Magnétiques). 
 
Émilie has taken part in festivals in Canada, the United States (Avant-Music Festival), Belgium (Ars 
Musica), Austria (Klangspuren Schwaz and Impuls), Germany (Darmstadt Ferienkurse for Neue Musik 
and Donaueschingen Musiktage), Chili (Encuentro Internacional de Compositores), Argentina (Sonido 
Presente), Estonia (Autumn Festival), Finland (MuTe Fest), Spain (Mixtur) as well as Macedonia 
(Journées de la Musique Macédonienne). She has also given concerts in France, Russia and Uruguay. 
Emilie regularly collaborates with theater, dance and performance productions. Her stage appearances 
include, notably, performances in Couloir et Chambres by Philippe Minyana and La fête à Jean by 
Pierre-Luc Lasalle (théâtre l’Instant, Director : André-Marie Coudou), ADN by Dennis Kelly (Director: 
Sylvain Bélanger), The Sticks (Andrew Tay) as well as Le frottement du monde (Sarah Bronsard). 
Émilie is a graduate of the Conservatoire de musique de Montréal in cello (under Denis Brott) and in 
composition (under Michel Gonneville). She also holds a Master CoPeCo (Contemporary Performance 
and Composition) degree from the Hochschule für Musik und Theater Hamburg and is currently 
pursuing studies under the direction of Philippe Hurel and Laurent Pottier at Conservatoire national 
supérieur musique et danse de Lyon, where she began doctoral studies in September 2016 on the 
development of an ergonomic notation of microtonality for the cello. 
She was the recipient of the Career Development Award from the Fondation du Conservatoire de 
musique de Montréal in 2014 and in 2015, she was awarded the Prix d’Europe de Composition Fernand-
Lindsay. 
  
PROGRAM NOTE (French available only) 
« Ce qui est beau dans le monde, c'est qu'il y ait des murs 
et des bêtes. Ailleurs, c'est la guerre, la famine, Internet,  
et ici, et partout, une guêpe, un lézard se glissent entre 
deux pierres, et aussi bien il en jaillit un cheval blanc. » 
 
Pierre Peuchmaurd, Fatigues 
 
Alec Hall | Ontario | b.1985 
God keep our land glorious and rich 
For saxophone quartet and electronic devices 
 
Alec Hall is a Toronto-born composer living in New York City, where he is currently a 2017 Guggenheim 
Fellow. His compositions have been performed by such notable groups as the Ensemble SurPlus, 
Ensemble Intercontemporain, the Orchestre Philharmonique de Radio-France, JACK Quartet, ICE, 
Talea Ensemble, Either/OR, Wet Ink, Continuum, Ensemble Pamplemousse, Ekmeles, the Cecilia String 
Quartet, and soloists Séverine Ballon, Stephane Ginsburgh and David Broome. Upcoming projects 
include commissions for the TAK Ensemble, Ensemble Proton, Ensemble Dal Niente and violinist Marco 
Fusi. Installation work is a major component of his artistic practice, with major exhibitions in New York 
City since 2014, and also at the Darmstadt Summer Courses for New Music, in 2016. 
Hall has won six prizes in the SOCAN competition for young composers, and was a finalist for the Jules 
Leger Prize in 2011. He was a guest composer at the 2015 Beijing Modern Music Festival and the 
Ensemble Contemporain de Montreal toured his violin concerto to nine cities across Canada as part of 
the project Generation 2014. His string quartet 28 Hours was selected to represent the Canadian 
section of the 2016 ISCM World Music Days. His work has been supported by the Canada Council for 
the Arts, the Conseil des Arts et des Lettres du Québec, the New York State Council on the Arts, the 
French-American Cultural Exchange and New Music USA. Hall is a co-founder of Qubit, a New York-
based collective dedicated to producing events that highlight new and experimental works with 
technology, for which he presently serves as co-artistic director. 
Principal teachers include George Lewis, Fred Lerdahl, Tristan Murail and Philippe Manoury. He has 
also worked closely with Chaya Czernowin and Steven Takasugi. Hall was educated at McGill University 
(B. Mus), the University of California, San Diego (M.A.), and at Columbia University, where he earned a 
doctorate of musical arts. 
 
PROGRAM NOTE  
Sampling and field recording play an important role in my works, enabling a blurring of the frame 
between musical intention and noise-based sounds, as well as an anthropological quality that stems 
from the source materials. With the prompt of the New Chapter commission, my mind turned toward 
some of the lesser-told stories in Canada. The Athabasca Oil Sands, outsize a part of the economy as 
they may be, are simultaneously a commonly discussed aspect of Canadian society, yet, due to the 
remote location and the incomprehensible enormity of their physical scale, a totally unknown quantity. 
The particularities of the Oil Sands are cognitively invisible. A Focus Canada study from 2014 led by 
David Suzuki showed that 86% of Canadians express some level of concern about global warming, yet 
Canadians have one of the largest individual carbon footprints in the world.  
I travelled to Fort McMurray and the surrounding area in October of 2017. Despite the difficulties in 
accessing various sites, I recorded the sounds of the environment as much as I could, while making 
notes on a daily basis about my experience. 
Travelling 500 miles in only two days, moving from one oilfield to the next, with very obvious sound 
equipment, I met a variety of people intrigued by my work who were open to talking to me about their 
relationship to the tar sands.  
“The work is a series of successive images that bear witness to the different sites I visited”. 
Alec Hall 
Ana Dall’Ara-Majek | Québec | 1980 
Lux Operon 
For saxophone quartet, lights and live electronic devices 
 
PHOTO CREDIT: André Parmentier  anadallaramakek.jpg 
 
Ana Dall’Ara-Majek is a composer, sound artist and researcher living in Montreal (Quebec). She is 
devoted to the studying of interaction between instrumental, electroacoustic and computing concepts 
in musical composition. In 2016, she obtained a doctorate in composition from the Université de 
Montréal, where she has also taught several courses in the area of digital music. 
Her works have been performed at numerous international festivals, some of which are commissions 
from Musiques & Recherches (Belgium), SeaM (Germany), Taller Sonoro (Spain), Densité 93 (France), 
Musicalta (France), Distractfold (UK), Société des arts technologiques (Quebec) and Quasar (Quebec). 
Her artistic collaborations have been many in number as a composer, a performer and a Director in 
digital music. She plays regularly with the saxophonist Ida Toninato as part of the duo Jane/KIN 
founded in 2015, and has also collaborated in theatre, dance and film projects with the choreographer 
Tedi Tafel (Crying in Public), dancer Jason Shipley-Holmes (Inside_Dream), choreographer François 
Raffinot (Laborintus), Director Patrick Lapierre (Cosmos Will Save the World) and Productions Totem 
contemporain (Hectore Navigatore and les Géants du Saint-Laurent). She has also composed for 
chamber ensembles such as Quasar, Les Percussions de Strasbourg, Sixtrum, Trio Hoboken, Lunatics 
at Large, and TM+, among others. 
Avidly interested in electroacoustic analysis, she has realized numerous graphic scores with the 
Acousmographe and prepared analyses which have been published in the journal eOrema and in the 
François Bayle’s publication Son Vitesse-lumière (Magison, 2016). In 2014, she put out Air, her first 
solo album of mixed works with Kohlenstoff Records and in 2018, she released Nano-Cosmos, her first 
solo album of acousmatic works, with Empreintes DIGITALes. 
 
PROGRAM NOTE 
In the obscurity of the sea’s abysses, bioluminescent creatures shimmer to attract their prey, 
illuminate to guide themselves, adjust their own luminosity to camouflage themselves in the seascape, 
or create prodigious symphonies of colors to attract members of their species. All this is made possible 
through chemical reactions, most notably those created by the subtle combinations of genes in the 
DNA that produce luminescent proteins. 
I was inspired by this idea of combination to write the piece Lux Operon in the form of a game which 
allows the musicians to create their own series of luminous colors, in microscopic as well as 
macroscopic scale. As such, the piece is an “open” environment within which the musicians play to 
gain the opportunity to express their personal colored melodies, or to decide upon the direction of the 
work according to a choice from four “color notations.” 
This piece is also a study of the manner of articulating a language of sound and a language of light as a 
coherent whole. Composing with a luminous system allowed me to create a variety of interactions 
where sound reacts to light and and, inversely, where sound and light evolve in counterpoint, and where 
the playing of each musician on their “luminescent” instrument creates reflections conveying in 
themselves their own motifs. 
Thanks to the Centre for Interdisciplinary Research in Music Media and Technology, the saxophonist 
Alfredo Mendoza from Aurealis project and the photographer André Parmentier for the inspiration and 
for the logistical and human support throughout in the realization of this project. 
 
Join the Quasar Saxophone Quartet tomorrow (Thursday, January 30) as the group works with 
students for a masterclass (10:30 a.m. – 12:30 p.m.) and composition readings (1:30 – 3:30 p.m.)  
in Studio 242, Music Building. 
This visit is generously supported by the Don Wright Faculty of Music Undergraduate Gift Fund. 


Guest Artist Concert:  Territoires Sonores

Nelson, Natalie

Tapia, Yolanda

Western
Music
Don Wright Faculty of Music
STUDENT RECITAL
March 14, 2020 
6 p.m., von Kuster Hall 
Natalie Nelson, soprano 
Yolanda Tapia, piano
Music For A While from Oedipus Tornami a vagheggiar from AlcinaL'Invitation au voyage SoupirChanson triste ExtaseLe manoir de Rosamonde
Henry Purcell (1659-1695) George Frideric Handel (1685-1759)Henri Duparc (1848-1933)
- Intermission -Fantoches Clair de lune MandolineRound and Round
Earlier This Afternoon 
Little Plump Person 
I Contrived a Poem 
Bar the Door 
Little Anne 
Round and RoundDie Georgine Ich schwebe Die Nacht Ständchen
Claude Debussy (1862-1918)
Lori Laitman (b. 1955)
Richard Strauss (1864-1949)
This recital is presented in partial fulfillment of the requirements 
for the Master of Music (Literature and Performance) degree.


Kandiotis, Trinity

Chibotar-Rutkevich, Marianna

Western
Music
Don Wright Faculty of Music
STUDENT RECITAL
March 18, 2020 
12:30, Studio 242 
Trinity Kandiotis, Voice 
Marianna Chibotar-Rutkevich, piano
Vado Ma Dove K.583 W.A Mozart 
(1756-1791)
L’Abbandono V. Bellini 
(1801-1835)
Frühlingsnacht 
Du Bist wie eine Blume
R.Schumann
(1810-1856)
Liebst du um Schönheit 
Die Stille Lotosblume
C. Schumann 
(1819-1896)
Romance
Les Cloches
Voici que le Printemps
C. Debussy 
(1862-1918)
If Music be the Food of Love
An Evening Hymn
Man is for the Woman Made
H.Purcell
(1659-1695)
Toyland
From Babes in Toyland
V. Herbert 
(1859-1924)
This recital is presented in partial fulfillment o f the requirements for the Bachelor o f Music
(Performance) Degree


Bonsi, Alyssa

Fopoussi, Charmaine

Western
Music
Don Wright Faculty of Music
STUDENT RECITAL
March 20th, 2020 
8 p.m., MB 242 
Alyssa Bonsi, soprano 
Charmaine Fopoussi, piano
Komm, liebe Zither W.A. MozartTrennungslied (1756-1791)Abendempfindung GesellenteiseAls Luise die Briefe ihres ungetreuen Liebhabers verbrannte
Love Songs G. Kulesha
My Love for You (b.1954)
Aspects of Winter 
There is a Quiet Time Beside You
Tonadillas al estilo antiguo, H.136 
El Majo Discreto 
La Maja Dolorosa No.3 
El tra la la y  el punteado
E. Granados (1867-1916)
-Intermission-
Enfin il est en ma puissance ... Venez, venez from Armide J. B. Lully (1632-1687)
BerceuseLamento per la morte di Bellini Se a te d'intorno scherzo Non amero che te!
G. Donizetti (1797-1848)
This recital is presented in partial fulfillment of the requirements for the Bachelor of Music (Performance) degree


Luo, Candice

Gouin, Stephanie

STUDENT RECITAL
March 24, 2020 
6:00 p.m. Studio 242 
Candice Luo, soprano 
Stephanie Gouin, piano
Il Bacio Luigi Arditi 
(1822-1903)
V’adoro, pupille George Frideric Handel
from Giulio Cesare (1685-1759)
Và godendo
from Serse
Romance Claude Debussy
Il pleure dans mon coeur (1862-1918)
Mandoline
Hexenlied Felix Mendelssohn
Romanze (1809-1847)
Neue Liebe
Dear Delight 
Love’s Lament
Michael Head 
(1900-1976)
Meadow-Larks Amy Beach
(1867-1944)
Come ti piace imponi Wolfgang Amadeus Mozart
from La Clemenza di Tito (1756-1791)
Vivian Tomlinson, mezzo-soprano
This recital is presented in partial fulfillment of the requirements for the Bachelor of Music
(Performance) degree.


Williams, Sarah

Li, Lina

Western
Music
Don Wright Faculty of Music
STUDENT RECITAL
March 23, 2020 
8:00 pm, von Kuster Hall 
Sarah Williams, flute 
Lina Li, piano
Sonata in G, Op. 9, no. 7 
Andante
Allegro ma non troppo
Aria
GigaOdelette
Winter Spirits, for solo Flute
Jean-Marie Leclair (1697-1764)
Camille Saint-Saëns (1835-1921)Katherine Hoover (1937-2018)
- Intermission -
Sonata “Undine”, Op. 167 for Flute and Piano 
Allegro
Allegretto vivace; Più lento quasi Andante 
Andante tranquillo; Molto vivace 
Allegro molto; Più lento
Carl Reinecke (1824-1910)
This recital is presented in partial fulfillment of the requirements for the Master of Music
(Literature and Performance) degree.


Kennedy, Tracey

Wiebe Benstead, Allison

Western
Music
Don Wright Faculty of Music
STUDENT RECITAL
March 23, 2020 
6 p.m., von Kuster Hall 
Tracey Kennedy, flute 
Allison Wiebe Benstead, piano
Orange Dawn I. Clarke(b. 1964)
Fantasia No. 2 in A minor G. P. TelemannGrave (1681 -  1767)Vivace Adagio Allegro
Sonate for Flute and Piano Allegro giocoso GraveAllegro vivace
J. Feld (1925 -  2007)
-Intermission-
Café 1930 A. Piazzolla (1921- 1992)
Alexis Wright, marimba
Sonatine for Flute and Piano H. Dutilleux (1916 -  2013)
This recital is presented in partial fulfillment of the requirements for the 
Master of Music Performance (Literature & Performance) degree.


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Faculty Concert Series: Duelling Duets

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Guest Artist Concert: Territoires Sonores

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