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Detail, Lower Inscription from Right Lancet of The Albert and Julia Moffitt Memorial Window
Inscription: In Prison / ALBERT & JULIA MOFFITT. Location: Chapel, South Wall, East Window. Lead Investigator and Photgraph: C. Cody Barteet ([email protected]).https://ir.lib.uwo.ca/y_williams_stainedglass_on_toronto_stolaves/1042/thumbnail.jp
Detail, Inscription from Right Lancet of The James and Mary Brydson Memorial Window
Inscription: AND WIDOWS / JAMES & MARY BRYDSON. Location: Chapel, South Wall, West Window. Lead Investigator and Photgraph: C. Cody Barteet ([email protected]).https://ir.lib.uwo.ca/y_williams_stainedglass_on_toronto_stolaves/1052/thumbnail.jp
Angel with Harp
Lead Investigator: C. Cody Barteet ([email protected]). Photograph: Shawn Cassadohttps://ir.lib.uwo.ca/y_williams_stainedglass_on_toronto_necropolis/1000/thumbnail.jp
Kakashi Black
Each drawing encapsulates where my head was at during a certain point in time. I have no formal art training, so I typically just draw what I feel, what I am enjoying at a particular time, what consumes my thoughts, or something I would just like to reimagine through my own interpretation. I hope looking at these inspires some positive reactions
I See 1
My oil painting I see 1 is a physical representation that Black people, specifically Black men, are non-monolithic. In this piece, I have created four different personas (the average Black man, the thug, the assimilator, and a character representing Trayvon Martin). Although I have created these four very different Black men, the idea is to show that in the eyes of a white society all these men look exactly the same. The idea of these men and how they connect is like a convoluted circle. The assimilator tries to remove himself from blackness and aligns himself with whiteness, making white people think that he is what Blackness is, only furthering them from really understanding who the other men in the piece are. The average Black man and the thug are interchangeable; in the eyes of the law, the average Black man looks like the thug and the thug looks like a monster. The hooded boy was every single one of these men at one point in their younger years. To me, my piece has many different meanings because I also see it as the same Black man molded by the different decisions that could be made in his life
Dose Digital
Each drawing encapsulates where my head was at during a certain point in time. I have no formal art training, so I typically just draw what I feel, what I am enjoying at a particular time, what consumes my thoughts, or something I would just like to reimagine through my own interpretation. I hope looking at these inspires some positive reactions
Sophia Top
The Sophia Top, a baby pink crop top, is a halter corset back top. This top is another original pattern and is a great top for the summertime
I See 1
My oil painting I see 1 is a physical representation that Black people, specifically Black men, are non-monolithic. In this piece, I have created four different personas (the average Black man, the thug, the assimilator, and a character representing Trayvon Martin). Although I have created these four very different Black men, the idea is to show that in the eyes of a white society all these men look exactly the same. The idea of these men and how they connect is like a convoluted circle. The assimilator tries to remove himself from Blackness and aligns himself with whiteness, making white people think that he is what Blackness is, only furthering them from really understanding who the other men in the piece are. The average black man and the thug are interchangeable; in the eyes of the law the average black man looks like the thug and the thug looks like a monster. The hooded boy was every single one of these men at one point in their younger years. To me my piece has many different meanings because I also see it as the same black man molded by the different decisions that could be made in his life.https://ir.lib.uwo.ca/upliftingblackness_images/1025/thumbnail.jp