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Seasonal Greeting token 2000
No full textObverse: Emblem of the Israel Government Coins and Medal Corporation.
Reverse: Map from the15th century with Jerusalem as a center of the world.Digital imagedigitize
The androgynous vision of a Victorian outsider: The life and work of Simeon Solomon.
No full textIn my dissertation I examine the life and work of the second-generation Pre-Raphaelite artist Simeon Solomon by focusing on his sexuality, his creation of androgynous images, and his growing pessimism. I consider the way that his androgynous figures reflected the fantasies and fears of many late Victorian homosexuals as well as the new conceptions of masculinity which developed during the last quarter of the nineteenth century. My study also looks at the way that Solomon transcended traditional Victorian gender categories by creating male figures who synthesized masculine and feminine physical and psychological characteristics. I examine Solomon's iconographic focus on masculine youthfulness and delicacy and show how his homoerotic reinterpretation of classical and allegorical subjects differed significantly from the feminine androgynes of the other Pre-Raphaelites.This study also focuses on the cultural marginalization that Solomon experienced as both a Jew and a homosexual. After first examining Solomon's promising future during the late '60s and his close friendship with Swinburne, Rossetti, Burne-Jones, Pater, and Oscar Browning, I look at the way that his involvement in homosexual scandal in 1873 led to him becoming blacklisted by both his friends and mainstream artistic society. I pay special attention to Solomon's works of the '80s and '90s and look at how he developed an artistic discourse that was instantly recognized by other homosexuals. After conducting a thorough sub-textual analysis of Solomon's androgynes (and examining the way that homosexual men may have viewed Solomon's work), I explore some of the ways that Solomon's homoerotic images both reflected and influenced the Victorian homosexual subculture.Thesis (Ph.D.)--Drew University, 2000.School code: 0064
מומע בלומע די מכשפה
No full textA funny tale about aunt Bluma the Witch, who fired her house and escaped, dissapearing through a chimney
Leo Baeck Institute, New York - 73 Street, old building.
No full textThe detailed drawing depicts the office building on East 73 Street in New York City that LBI occupied from the 60s until 2000. Drawing also includes the buildings on either side.Barbara BellinBarbara Bellin is an artist best known for her "house portraits". She studied art at Vassar College and then attended graduate school at Rhode Island School of Design. She taught at the Rhode Island Museum School and gave numerous lectures at the Whitney Museum. She has completed over 750 works depicted various properties in both the United States and Europe, inlcuding private homes, museums, landmarks, and embassies.Updated recordDigital imag
Temple Adath Yeshurun, Syracuse, NY (Flat file, Folder 3)
No full textTikDigital ImageDigital finding aid
