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「地方公務員のキャリア形成・能力開発と働き方に関する調査2022年新規採用者調査（愛知県・茨城県・東京都・福井県）」の基礎分析および基礎集計 (2)
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Financing Quality Infrastructure Investment in Asia: Japan’s developmental state finance and the politicization of public infrastructure in Bangladesh
Get PDFDonor-funded infrastructure projects in developing countries increasingly attract criticism as some donors aggressively mobilize private finance through public-private partnerships (PPPs). Critics argue that this will allow financial logic and instruments to erode broader development objectives to ensure social justice and equity, leading to the financialization of development. They suggest that the risk of financialization should be forestalled by a social authority with a ‘developmental mindset’ that can regulate private capital in socially desirable directions. This paper examines this assumption by investigating Japan’s public development finance for quality infrastructure projects in Asia. Taking Bangladesh’s Dhaka Metro Rail project as a case study, the paper explores to what extent Japan’s developmentalist aid policies have, in fact, influenced the Bangladeshi government’s developmental mindset and what consequences that this has led to. The paper argues that the quality infrastructure projects financed by Japan’s developmental state should be more responsive to the risk of politicising public infrastructure projects by a social authority whose legitimacy and developmental mindset are on shaky ground.departmental bulletin pape
清末の中国における日本の唱歌遊戯作品の受容 : 『唱歌遊戯』(1906)を例に
Get PDFIn late Qing China, there was a time when the school system, textbooks, teacher training, teaching methods, etc. were modeled on Japan after the Meiji Restoration. A new method of music education which combined songs and games was also introduced to China through Qing students studying in Japan during this period. However, Chinese play songs have not received much attention in previous research. This paper addresses this research gap by focusing on the Chinese play song textbook ChangGe YouXi (Play Songs, edited and translated by WANG Jiliang and HU Junfu, 1906), that has been reprinted many times for kindergarten and primary school students. By clarifying the relationship between the editors of ChangGe YouXi and Japan, and by comparing the textbook with Japanese game textbooks and play song textbooks, the paper explores the reception of play songs in late Qing China. In doing so, it aims to elucidate an overlooked aspect of the relationship between Chinese and Japanese educational culture. As a result, I found that one of the editors of ChangGe YouXi, WANG Jiliang, had studied at a school run by the Japan Athletic Association. Additionally, 13 of the 20 play songs included in ChangGe YouXi were referenced from contemporary Japanese game or play song textbooks. Furthermore, by comparing the melody, lyrics, and play methods in the 13 play songs with the originals, I identified the following patterns of reception: 1. Those that are not very different from the originals, where the melody of the Japanese play songs remains the same and the play method is simply translated from Japanese to Chinese, but the lyrics have changed a lot; 2. Those that use only the Japanese play method and feature new melodies and Chinese lyrics.departmental bulletin pape
中国モダンダンスの政治イデオロギーから逸脱する試み : 舒巧の『玉卿嫂』、『胭脂扣』を中心に
Get PDFModern dance was devised in response to the stagnation of classical ballet in Western Europe and the new theories of the body that were linked to various lifestyle reform movements in rapidly industrializing societies. The acceptance and development of modern dance in China is closely linked to the political background and the progress of the times, and since the early 20th century, through the Second Sino-Japanese War, the founding of New China, the Cultural Revolution, and the Reform and Opening Up , it has generally gone through periods of acceptance, silence, and revival. Furthermore, during the War of Resistance against Japanese aggression, pioneers of modern dance in China carried out modern dance education activities and played an important role in training the next generation of dancers. Since the 1980s, with the advent of Reform and Opening Up, a policy of literary innovation was put forward, and modern dance has experienced a revival. On the other hand, many modern dance dramas adapted from literary works were created, and this phenomenon can be seen as an encouragement of the uniqueness of modern dance development in China as well as a part of the development of nationalization. Against this background, modern dance works expressing women's inner consciousness by the next generation of female choreographers, such as Shu Qiao, have appeared. This paper discusses two of Shu Qiao 's works, “Madam Yu Ching”(1985) and “Rouge”(1990), in which the female lead character expresses her inner thoughts. It considers how the creation of these two works, which were new attempts different from the Chinese traditional dances created by government organizations up to that point, deviated from political ideology, and ties it to the state of feminist research in China at the time to clarify whether Shu Qiao's cultural practice through the body of dance can be positioned as part of Chinese feminism.departmental bulletin pape
中国人ファンの目に映る宝塚歌劇団 : 男役のジェンダー・パフォーマンスを中心に
Get PDFThis study examines the Takarazuka Revue from the perspective of Chinese fans, focusing on the gender performance of otokoyaku. Established in 1914, the Takarazuka Revue has grown over the past century to achieve international recognition. The unique appeal of the troupe lies in its male-role performers (otokoyaku), who embody an “idealized masculinity” that captivates audiences both on and off stage. These performers strive to maintain an otokoyaku image in their daily lives, influenced significantly by their fans, who play a crucial role in shaping and sustaining this gender performance. In recent decades, Takarazuka has expanded its reach to China. And consequently, there has been a notable increase in Chinese fans, who engage primarily through social media platforms rather than in-person fan club activities, typical in Japan. This study explores how Chinese fans perceive and interpret the otokoyaku's performances and how these perceptions influence their own gender perspectives and daily lives. Utilizing semi-structured interviews with 12 Chinese fans, who are mostly active in SNS and fan clubs, this research delves into their motivations, experiences of fan activities, and interpretations of Takarazuka's gender dynamics. The findings reveal a complex interplay between cultural fascination and personal identity, highlighting the significant impact of Takarazuka's gender performance on its Chinese fans. This study contributes to a deeper understanding of the transnational appeal of Takarazuka and the role of fan culture in the global context.departmental bulletin pape
先住民族の権利をめぐる国際法と日本 : 文化享有権を超えて
Get PDFSince the right of indigenous peoples to self-determination was recognized in the Indigenous Peoples Declaration in 2007 at the United Nations, the trend in the international community has changed significantly. In Japan, the National Diet recognized the Ainu people as an indigenous people, but their indigenous rights are not recognized in the Act on the Promotion of Ainu Culture, and Dissemination and Enlightenment of Knowledge about Ainu Tradition, etc., and only national encouragement of cultural promotion is pursued as a Japanese policy. In this context, the Ainu people have increasingly filed lawsuits seeking the realization of their rights. This paper examines the Nibutani Dam case and the recent Rapolo Ainu Nation case which related to the rights of the Ainu people, and argues that not only the right to cultural enjoyment as stated in the Japanese Constitution should be respected, but also the Ainu people’s right to self-determination should be recognized at first and foremost.departmental bulletin pape
単独経済制裁と国際投資協定にかかるいくつかの考察
Get PDFWe witness a dramatic increase of unilateral economic sanctions, including the so-called ‘smart’ sanctions targeting private persons. Unilateral economic sanctions interfere with property rights of the targeted persons and may therefore conflict with international obligations concerning the protection of foreign investors. This short note discusses this tension to argue that unilateral economic sanctions should be designed carefully so as not to be regarded as a cover for the pursuit of protectionism.departmental bulletin pape
