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Rytterdistriktskortene fra 1768-72:Et detaljeret indblik i dansk landbrugsstruktur før udskiftningen
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KNV01525 Naurbjergvej 2
Get PDFBeretning for forundersøgelse af et 41.913 m2 stort markareal i den østlige udkant af Ll. Skensved. Undersøgelsen blev udført forud for anlægsarbejde på stedet. Der blev ikke påtruffet fortidsminder, der giver anledning til egentlig udgravning af arealet. Undersøgelsen blev udført af Kristina E. Nielsen og Francesco Denaro for Museum Sydøstdanmark i marts 2025
LEDER - Helhedsorienteret arealplanlægning under Den Grønne Trepart
No full textI sommeren 2024 indgik Danmark en grøn trepartsaftale med det formål at reducere landbrugets CO2-udledning og landbrugets pres på miljøet, samt at genoprette naturen. Aftalen lægger op til den største reform af det danske landskab siden Landboreformerne for 200 år siden.Geografiske data og analyseværktøjer er nøgleredskaber i den konkrete udmøntning af reformen. Dette afspejles også i Geoforums strategi, hvor geodata som en grundsten for en bæredygtig fremtid er en af tre fagpolitiske nøgleprioriteringer. Samtidig er der også internationalt et øget fokus på økosystembaseret miljøforvaltning.Denne udgave af Geoforum Perspektiv har fokus på, hvordan geodata og geografiske analyser kan understøtte implementeringen af reformen og styrke bæredygtig arealplanlægning med en tværfaglig, helhedsorienteret, økosystembaseret tilgang
The Golden Altars: Their Historical and Architectural Background
No full textThe golden images testify to familiarity with the pan-European ecclesiastical art and its forms and symbols. They also reflect the social structure and economicsurplus of society, which enabled its elite to invest in such magnificent and high-quality furnishings. This chapter provides an introduction to the historical background and architectural context of the golden images, the Christianisation process and the extensive church building, which created new spaces for Christian worship and a need for new decorations and furnishings. It ends with a short section on the history of the research that has been undertaken priorto the publication of this work.The golden altars are amongst the finest examples of North European ecclesiastical art of the Early Middle Ages. The evocative term, which was used in 1926 by Poul Norlund (1888-1951), the author of the pioneering monograph on the subject, refers to a small group of altar decorations made of oak frames decorated with fire-gilded copper plates and semiprecious stones from the period c. 1100-1250. The altars are associated with contemporary, metal-covered crucifixes and figures, most of which, either from the beginning or later on, were integrated into the golden altar decorations. The golden images testify to familiarity with pan-European ecclesiastical art and its forms and symbols, and they also reflect the social structure and economic surplus of society, which enabled its elite to invest in such magnificent and high-quality furnishings. This chapter provides an introduction to the historical background and architectural context of the golden images, the Christianisation process and the extensive church building, which created new spaces for Christian worship and a need for new decorations and furnishings
