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    From Flowers to Plants:Plant-Thinking in Nineteenth-Century Danish Flower Painting

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    In the nineteenth century, flower painters in Denmark shifted from depicting arranged, cut flowers to showing plants within their ecosystems. This article explores this shift by examining four paintings by the artists Christine Løvmand and Anthonore Christensen. According to Michael Marder and Emanuele Coccia, important philosophers in critical plant studies, plants have been overlooked as world creators. Coccia highlights the nineteenth century as a particularly low point, in this regard, but seeks exceptions and points to significant nineteenth-century articulations of how plants move in, sense, and create their environment. An investigation of Danish art and botany reveals similar articulations, as several significant artists made growing rather than cut plants the theme of some of their paintings and botanists explored the wild flora and the agency of plants. This nineteenth-century shift in focus from flowers to plants disseminates notions of plants that can inspire and help us reorient our relationship with the natural world.In the nineteenth century, flower painters in Denmark shifted from depicting arranged, cut flowers to showing plants within their ecosystems. This article explores this shift by examining four paintings by the artists Christine Løvmand and Anthonore Christensen. According to Michael Marder and Emanuele Coccia, important philosophers in critical plant studies, plants have been overlooked as world creators. Coccia highlights the nineteenth century as a particularly low point, in this regard, but seeks exceptions and points to significant nineteenth-century articulations of how plants move in, sense, and create their environment. An investigation of Danish art and botany reveals similar articulations, as several significant artists made growing rather than cut plants the theme of some of their paintings and botanists explored the wild flora and the agency of plants. This nineteenth-century shift in focus from flowers to plants disseminates notions of plants that can inspire and help us reorient our relationship with the natural world

    Værkfortællinger:12 udvalgte værker fra udstillingen

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    Place, Encounter, and the Making of Communities:The Lower Sirwan/Upper Diyala River Valley from Prehistory to the Iron Age

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    This book sketches the first archaeological history of the lower Sirwan/upper Diyala river valley of north-east Iraq and adjacent landscapes over a period of c. 12,000 years, from the earliest signs of human presence until the mid-first millennium BCE, based on data gathered between 2013 and 2023 by the Sirwan Regional Project (SRP).The central research objective of the SRP is to move beyond traditional historical topoi and their predominantly external and state-centric perspectives that have dominated narratives of the region thus far. Instead, we develop an in-depth, archaeological understanding of the nature of the region’s past communities, their cultural and economic practices, the modes of socio-political organisation they developed, adopted, and rejected, and their long-term developments.In order to reconstruct past Sirwan lifeways, the book interweaves regional-scale datasets with the results of ongoing and completed excavations at the Late Chalcolithic site of Shakhi Kora and the Late Bronze to Early Iron Age site of Kani Masi, as well as the results of a wide range of archaeological, Assyriological, art historical, and archaeometric analyses

    Danish Built Heritage

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    Dendrokronologisk undersøgelse af støylsbu fra Skeie, Bygland kommune, Agder fylke, Norge

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    The Common Thread. Collected Essays in Honour of Eva Andersson Strand.

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    The Ancient Egyptians used it for both the living and the dead, the Greeks and Romans used it to signal their status, and it aided the Vikings in reaching the far shores of Europe and Eurasia. Textiles have surrounded us, literally and figuratively for millennia, but this common thread has long been ignored in scholarly research. With the inception of the Centre for Textile Research at the University of Copenhagen in 2005, however, this approach changed fundamentally, and today, every type of research discipline comes together to begin unravelling the stories told by textiles.How do we understand textiles and how do we talk about them? Who produced textiles, where, and for what purposes? How do we conduct research into the origins of materials? How did cultivating flax or raising sheep change the ancient landscape? How have we researched textiles so far? What can we learn from textiles about society, gender, and production? This volume engages with these questions and explores how the fabric of society has changed through researching textiles in all its facets, from archaeology and history to natural sciences. Taking as its starting point the research interests and career of its honorand, Eva Andersson Strand, this meticulously researched volume consists of three parts, covering the tools and techniques that form the basis of all research explores; how craftspeople made use of tools and techniques; and how textiles have been used over millennia to signify identity and status

    Enhancing access to Danish radio and television archives through advanced speech-to-text technologies

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    This project aims to leverage the implementation of advanced Automatic Speech Recognition (ASR) systems to enable text-based searches within the Danish Royal Library’s extensive radio and television archives. Based on the Whisper ASR model, this research demonstrates how fine-tuning the model to Danish-language content can make these vast archives significantly more accessible and searchable for research

    Vedanatomisk analyse af trækul fra Frøysnes, Bygland kommune, Agder fylkeskommune, Norge

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