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Kvinder, du bør kende
No full textEn del af serien: Grønlandsk kvindekamp, skrevet af museumsinspektør Ivalo K.B.F. Olsvig fra Nationalmuseet og journalist fra Dagbladet Information Lærke Cramon. Vi fortæller Grønlands historie gennem de kvinder, der formede den. Og vi begynder på bunden af have
Mumiernes tatoveringer er en nøgle til at forstå inuitkvindernes liv
No full textEn del af serien: Grønlandsk kvindekamp, skrevet af museumsinspektør Ivalo K.B.F. Olsvig fra Nationalmuseet og journalist fra Dagbladet Information Lærke Cramon. I 1970’erne fandt jægere seks mumificerede inuitkvinder i en snedækket grav. På deres hud gemte sig en historie om ritualer, overlevelse og kvindernes bånd til åndernes verden
Datering og pollenanalyse af profilsøjlse X177, samt prøve X170 i forbindelse med ÅHM7982 Vodskov/Hammer
No full text
S6. E1. Pigen fra Tybrind-Vig: 14 år og gravid i Jægerstenalderen
No full textHun gisper efter vejret, suger luften ind og skriger af smerte. Lyden blander sig med vinden, der rusker i skindhyttens vægge. Omkring hende sidder stammens ældste kvinder og ser ned på hende. Bålets flammer oplyser hendes nøgne krop med den store mave. Barnet er på vej. I dag tager vi tilbage til den sidste del af jægerstenalderen, også kaldet Ertebølletiden, som strækker sig fra 5400 - 4000 år før vores tidsregning. Her vokser en ung pige op i en hård og barsk tilværelse. Hun er 14 år og har et barn i maven. Hvordan vil det gå hende, når barnet kommer
Inside out - Rembrandt or not Rembrandt:Reflections on a replication project
No full textThis paper recounts the extensive research conducted over twenty-five years into the early painting techniques of the young Rembrandt van Rijn. It highlights the evolution of understanding regarding Rembrandt's techniques, beginning with a pivotal 1998 discovery of an underdrawing in a 1629 portrait. This finding led to a reattribution of the Mauritshuis portrait as a copy and the Nuremberg painting as an original Rembrandt. Subsequent infrared examinations of numerous early Rembrandt works and those of his contemporaries revealed significant technical differences, furthering the distinction between authentic Rembrandt works and others.A recent replication study by Vrije Universiteit Amsterdam, in collaboration with The Mauritshuis, reassessed previous findings with advanced technologies, confirming the reliability of earlier research. The study emphasized the importance of continuous re-evaluation and meticulous documentation in art historical research, demonstrating how modern tools can offer new insights into historical art practices. The findings underscore the evolving nature of understanding Rembrandt's techniques and the collaborative aspects of his workshop.<br/
Around the Lighthouse: A Co-Creative Performance Fostering Innovation Within the Cultural Heritage Itself
No full textThe experimentation with innovative ways to enhance the accessibility, resonance, and meaningfulness of our cultural heritage is a cornerstone to contemporary museums’ development. The article explores this topic through an insight into the first experience carried out within the Open Atelier project, designed to test cutting-edge formats promoting new interactions among the audience, the museum, and its professionals. This experiment was realized through the cooperation among Art Museums of Skagen and Associazione Marchigiana Attività Teatrali. It engaged a group of Italian artists in the development of a cross-disciplinary and co-creative process intended to turn a collection of historical photos into a new experiential heritage, capable of fostering innovative interplays among different places, people, and cultures. The paper offers a thorough illustration of this case-based experience, by systematically describing its objectives and operational framework, the processes that enabled it, and the results that were achieved, and by providing contextual insights aligned with current debates in the field. This initiative has the potential to become a lens through which to explore broader implications for innovative interpretations and uses of heritage, enhancing its accessibility and resonance for contemporary societies. Its critical observation aims to foster the debate, and thus to inform and stimulate broader practice and policy around the topic