452 research outputs found
Sort by
Architectural Record 1942-1967: Chapters from the history of an architectural magazine
The Architectural Record during its midcentury years of 1942 to 1967, was a riveting centre of architectural journalism following and participating in the changing development of the architectural profession. Through the Second World War and the Korean War that brought functionalist modernism to the foreword and through the emerging consumer market of the 1950s, the magazine’s editors’ mission was one of “helping this new-born architectural infant to learn to walk, talk, and attain his full power.” Through archival research, this study deals with the particular history of the Record editors, publishers and contributors along the course of US midcentury modernism and the developing “image of the architect”
Nothing Gained by Overcrowding: Sir Raymond Unwin
In his 1912 pamphlet for the Garden Cities and Town Planning Association Nothing Gained by Overcrowding, Raymond Unwin set out in detail the lessons learnt from his formidable practical experience in the design and layout o f housing: at New Earswick from 1902, Letchworth gard en c ity from 1905, and most significantly at Hampstead garden Suburb, where the ‘artisans’ quarter’ 1907–9 was probably his masterwork o f spatial design. His interest in minimising the length o f paved road to number o f houses served, and ‘greening’ the ubiquitous mechanistic bye-law suburb o f the late 19th century provided motivation for defining a general theory o f design, which underpinned Garden City principles. Nothing Gained by Overcrowding emerged as a principle which was to have a revolutionary impact on housing and urban form over the next 50 years.
Unwin’s theory had developed with his work, but the origins can be found in two earlier and less well known publications. ‘On the building o f houses in the Garden City’ was written for the first international conference o f the Garden City Association, held in September 1901. The following year he published the Fabian Society Tract Cottage Plans and Common Sense, in which he took first principles, ‘shelter, comfort, privacy’, and drew out general criteria and specific standards. Housing had to be freed from the bye-law straitjacket. This would sweep away ‘back yards, back alleys and abominations ... too long screened by that wretched prefix back’.
Republished here for the first time together, with an introductory essay by Dr Mervyn Miller, these three papers make clear the development o f Raymond Unwin’s theories o f planning and housing, theories which were among the most influential o f the 20th Century
FOUNDRIES OF THE FUTURE: A Guide for 21st Century Cities of Making
Since the 1970s, cities world-wide have been witness to radical de-industrialisation. Manufacturing was considered incompatible with urban life and was actively pushed out. As economies have grown, public officials and developers have instinctively shifted their priorities to short-term, high-yielding land uses such as offices, retail space and housing. Inner-city growth from New York to London and even Seoul have generally come at the expense of land uses such as manufacturing or logistics.
Despite the odds, manufacturing is not in terminal decay in western cities. On the contrary, it is at the opening of a new chapter. Urban manufacturing can help cities to be more innovative, circular, inclusive and resilient. Recently, with increasing interest in the circular economy, with cleaner and more compact technology, with more progressive building codes for mixed use, with increasing awareness of the impacts of social inequality and with a clearer understanding of the value chains between the trade of material and immaterial goods, cities across the world are realising that manufacturing has an important place in the 21st century urban economy.
While both enthusiasm for making is increasing and the value of manufacturing is becoming increasingly evident in cities, the topic remains extremely complex and challenging to manage. This book attempts to shed light on the ways manufacturing can address urban challenges, it exposes constraints for the manufacturing sector and provides fifty patterns for working with urban manufacturing. This book has been written as a manual to help politicians, public authorities, planners, designers and community organisations to be able to plan, discuss and collaborate by developing more productive urban manufacturing. The book is split into two parts.
We first cover an abridged history of the late nineteenth and early twentieth centuries, noting how European cities evolved rapidly by harnessing manufacturing, and then how the late twentieth century led to a radical shift in how cities work and think. We’re now at a crossroads between actors that do not see the need for manufacturing in cities and those that consider it vital for a prosperous urban future. Part of the tension comes from the fact that manufacturing is considered a ‘weak land use’ compared to activities such as real-estate development, which has been considered more financially attractive by many actors in the private and public sector. This real estate-oriented development narrative is increasingly regarded as short-sighted, but will not change without an alternative vision. We have therefore elaborated a narrative on how urban manufacturing responds to four specific challenges facing cities and how in turn manufacturing needs cities. In practice, planning and design for a topic like this is highly challenging.
The second part of the book is intended as a handbook. By synthesising our research and fieldwork conducted in a number of cities, we have encountered many similarities in terms of problems, challenges and solutions for urban manufacturing. Inspired by the seminal 1977 book, ‘A Pattern Language’ we have translated our findings into fifty patterns which help render the diversity of issues concerning manufacturing more tangible. As both teamwork and negotiation are necessary, exercises and methods are provided to use the patterns. Finally, we have set out twelve key action areas as possible starting points for supporting urban manufacturing
Individually controlled noise reducing devices to improve IEQ in classrooms of primary schools
It is well-known that the indoor environmental quality (IEQ) at schools affects the health, comfort and performance of school children. Considering the need for a more effective way to improve both the IEQ in primary school classrooms and children’s satisfaction, along with the positive potential of individual control, this thesis aimed to propose a new way - individual control - to improve the IEQ in classrooms of primary schools and to increase children’s satisfaction in the Netherlands.
First the main IEQ problem in classrooms as well as IEQ perceptions and preferences of the school children were identified through literature and field studies. The outcome showed that noise was the main IEQ problem in classrooms of Dutch primary schools, children could be clustered in according to their IEQ perceptions and preferences, and the reported IEQ-improving actions of the teachers could not effectively improve the IEQ for each child.
As a follow-up, lab studies were performed in the SenseLab to explore the effect of background sound on children’s sound perception and performance Together with the outcome of the field studies, results suggested that individual control is a better way to improve IEQ in classrooms.
Therefore, to address the main problem — noise - in classrooms, an individually controlled noisereducing device was designed, prototyped and tested with school children in the SenseLab. The results obtained from the simulations, measurements, and children’s feedback on the prototype of the device, demonstrated the feasibility of such devices in classrooms at primary schools
Charles Prosper Wolff Schoemaker & Vincent Van Romondt: Modernism and national characteristics
In this booklet, the architectural theorist and Professor at York University Abidin Kusno discusses two lectures given by two influential professors in the former Dutch colony of Indonesia. The first one, ‘The aesthetics of architecture and the art of the moderns’, was given by C. Wolff Schoemaker in 1930. The second, entitled ‘Towards an Indonesian Architecture’, was delivered by Vincent Van Romondt in 1954. Schoemaker and Van Romondt held different views on the challenges of architecture in the world as well as in Indonesia. They nevertheless both sought to bring the notion of modernism and tradition into the context of their time. The lectures are published here for the first time in English
The Future of Structuralism
Structuralism represents an architecture that can interact, grow and adapt. The buildings can be recognised by their vivid open structures, composition of small units, and a spatial organisation like a city. As a reaction to CIAM functionalism, the avant-garde members of Team 10 proposed inclusive and social space and a more human form of urbanism and architecture. Starting in 1959, Dutch Structuralism became a very influential movement in the development of architecture in The Netherlands.
Structuralism has been the focus of the 2017- 2018 educational programme of the Section Heritage & Architecture at the Delft Faculty of Architecture. It has been a resounding success and is has been a pleasure to see so many young designers being inspired by the works and concepts of what is one of the most influential movements in post-war architecture in the Netherlands.
In various Master studios, 64 students have surveyed and analysed four icons of Structuralism before embarking on a redesign project for their adaptive re-use: the Centraal Beheer office building, designed by Herman Hertzberger, the Faculty of Arts building and the Willibrordus Church, both designed by Joop van Stigt, and Aldo van Eyck’s Pastor van Ars Church in The Hague.
This project ‘The Future of Structuralism’ shows our search for what Structuralism is and our assessment of some of its opportunities and shortcomings. But most importantly, it focusses on potential strategies for reuse. The structure of this booklet is thematic. By focusing on several themes that were important in Structuralism, we aim to link ideology, current examples from practice of transformed Structuralist buildings and design strategies. Through an exhibition, a debate and this publication, we hope to bring the work from within the chair to a wider audience and add new perspectives to the debate on the movement and its future values
Countercurrent Heat Exchange Building Envelope Using Ceramic Components
Research and development in building envelope design have promoted the convergence of two system types, Thermo-Active Building Systems and Adaptive Building Envelopes, that re- conceptualize the envelope as a distributed energy transfer function that captures, transforms, stores, and even re-distributes energy resources.
The widespread deployment of Thermo-Active Building Systems as a building envelope will depend on several factors. These factors include the value of the design attributes that impact energy transfer in relation to the performance of the building envelope assembly and the return on investment that these attributes individually or in the aggregate can provide as a reduction in Energy Use Intensity. The research focus is on the design development, testing, and energy reduction potential of a Thermo-Active Building System as an adaptive countercurrent energy exchange envelope system using ceramic components: the Thermal Adaptive Ceramic Envelope
Mediating the Spatiality of Conflicts: International Conference Proceedings
Conflict, when dislodged from its conventional understanding as a process and system of war and destruction exclusively, may be apprehended as an experimental method for analysis and synthesis, as a potent resource for pedagogy, for disruptive design and for the production of theory. In this sense, conflict produces more than the eradication of (the possibility of) life and its supporting structures: conflict produces transitional spaces at different scales, of differentiated material ecologies and site-specific meanings in relation to their global position. Conflicts are both locations and explanations of often ‘seductive’ images of destruction offered by popular (and other) media: ruined architectures, dead (or barely alive) bodies, forced migratory movements, impermanent infrastructures and settlements, as well as the tracing and construction of borders, real-estate driven post-war reconstruction processes, etc.
The emphasis on the mediatic aspect in the concept of conflict, may be seen as a way of triggering trans- and interdisciplinary discussions, conversations and encounters that serve as a negotiation between conditions of violence and new – or alternative – possibilities for everyday life. Artistic mediations could be as effective as violence in resolving conflicts, but operate through other means and through other channels, thus truly producing new power relations and alternative ways of political struggle. This exposing of conflict and violence through the artistic work is an activist act, but more importantly an artistic and technological mediation. The agency of the artistic work in terms of conflict, then, is situated in the capacity of visualising the conflict, creating awareness of its consequences, its side-effects, its collateral damage. And the creating of awareness and the becoming of fertile ground for protest and the creation of alternative realities.
At a three-day conference held at the TU Delft on November 6-8, 2019 researchers, scholars, activists, practitioners and artists presented individual papers that addressed the relationships between spatiality, mediation and conflict from a variety of perspectives. In addition to academic paper contributions, the conference welcomed other proposals in different formats and media: audio-visual material (film, video, photography), digital or physical archives, experimental design proposals, installations, performances, etc.
The thematic core of the conference explored new – or innovative – theoretical and methodological approaches and insights on: (1) Spaces of conflict as transitional spaces of material interactions between violence and everyday life; and (2) Spaces of memory as transformative space of violence)
Dutch connections: Essays on international relationships in architectural history in honour of Herman van Bergeijk
Throughout his career, Herman van Bergeijk built his own unique expertise on the Dutch 19th and early 20th century architectural history. He has become an inspiration for scholars in the Netherlands, Europe and beyond. The extraordinary response of colleagues when asked to contribute a chapter in this Festschrift stands as an example of Herman’s widespread influence. Invitations for keynotes and lectures or courses keep reaching him, and he will continue to teach and write. He has an open invitation to teach in China and still bubbles with ideas for yet another new publication series or journal. Several PhD students continue to rely on his guidance and will keep him engaged at the faculty. Herman thrives on lively discussions, in which he often plays devil’s advocate and tries to be as contrary as possible. I am convinced that we will continue to collaborate and battle on diverse topics, notably the role of history in the design of future architecture. Retirement is just another step in Herman’s career
The Hidden School - EAAE Annual Conference 2019, Zagreb: Book of Abstracts
The EAAE Annual Conference of 2019 is titled ‘The Hidden School’, aiming to discuss an architecture school’s true character, the substance and the quality of architectural education in the broadest sense, and that which is beyond the stated curricula, yet – whether concretely manifested or subliminally perceived – embodies the culture of the school.
The Hidden School can be observed through a range of tacit aspects or conspicuous specificities which make the educational path a unique one. It is the content that can be embedded within the syllabus, learned informally, personified by educators, the attributes and activities of students, or the spaces it takes place in. Bearing this in mind, reading between the curricular lines is crucial in evaluation, but is it possible to develop tools for the assessment of the ‘hidden’? If the hidden school exists in parallel or as a background process, a self-generated search for fundamental answers, and its interpretation, manifestation or legibility has a multitude of facets, how can these aspects be captured?
The conference, hosted in 2019 by the Faculty of Architecture in Zagreb, focuses upon the subliminal quality of architectural education, that which is beyond the stated curricula and is hard to document through quality evaluation procedures. It can be observed through several indicative aspects, often contributing to the identification of what makes the ‘true’ spirit or substantial quality of the school and uniqueness or peculiarity of its educational path. It can also be the tacit meaning situated between the lines of the syllabus or generated by the students that contribute to it and the educators that personify it, the various shapes of informal learning, or the spaces it takes place in