Institute for Cultural Inquiry

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    1994 research outputs found

    The Politics of Beginnings:Hannah Arendt Today

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    At a moment when many suggest that the end of an era has been reached, and when struggles against climate change, exploitation, neocolonialism, patriarchy, and racism proliferate, what role can Arendt’s account of political beginnings play in the conceptualization of a new time? Arendt has been celebrated as a key theorist of politics, freedom, and judgement. Yet she has also been questioned when it comes to her understanding of the social question, the public-private divide, or the persistence of structures of systemic injustice. Is her work then still timely for understanding how to begin anew? This conference will test the wide influence and perseverance, the attraction but also the criticism, of Arendt’s thought by recentering her approach to political beginnings. Arendt’s attempts to understand political beginnings animate her work. From her doctoral dissertation on Augustine to her posthumous book, The Life of the Mind, beginnings are omnipresent in her oeuvre. Conceiving Arendt’s attempts as an open legacy, digging up the plurality and worldliness, the tragic and agonistic character of beginnings, the conference aims to investigate how and why political beginnings are set off ‘not by the strength of one architect but by the combined power of the many’

    Discussion

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    Art and Madness in Brazil

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    But You Don’t Get Used to Anything:Derrida on the Preciousness of the Singular

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    This chapter argues against the view that Derrida’s emphasis on change makes him complicit in the neoliberal requirement of flexibility that results both in precarity and in the dominance of English. To the contrary, the essay argues that Derrida’s idea of différance includes the view that openness both involves loss and is always partial (since incision involves excision), that the singular is precious, and that deconstruction is justice since it is alert to what is excluded even by efforts at inclusiveness. Examples of the preciousness and loss of the singular are circumcision (where incision is excision), hospitality (in which unconditional hospitality has material limitations and conditions), subjectivity (which is never based on full presence), language (which both is my own and comes from an other), and neighbourhoods (since they continue only by incorporating new people). Deconstruction, the essay concludes, need not be complicit in neoliberal dominance but, properly understood, makes us aware of the power dynamics by which the openness of plurilingualism can lead to the dominance of English

    Performance

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    Great Sand:Grains of Occupation and Representation

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    Nadine Hattom’s text is written as a sequel to the artist’s ‘Shadows’ series (2016), comprised of ten digitally altered photographs made from US Department of Defense public-domain images depicting Operation Iraqi Freedom. As Hattom’s piece explores migration and landscape, it untangles narratives rooted in the colours, textures, ecosystems, and geographies of the Middle East, but also in the political implications of the author’s position in the landscapes of the West

    De/Coding Utopia

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    Utopia has been, and continues to be, an often violent gesture that chooses the future of select groups and certain forms of life at the expense of others. Is utopia, then, still worth keeping in a world that has been so damaged through its violent deployments? Is it possible not to treat utopia merely as a model of abstract futurity based on escapist projections of a harmonious ideal? What happens when utopia is conceived not only as a way of imagining a better future but also as a way of intervening in the present by addressing the past? Can utopia welcome ambivalence, disquietude, paradox, opacity, and uncertainty? This roundtable brings together scholars, artists, and clinicians in order to develop critical approaches to the concept and practice of utopia

    Aesthetic Modeling at the Limit of the Human Montage

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