1994 research outputs found
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Self Study:Notes on the Schizoid Condition
Self Study is a genre-bending work of autophilosophy. It opens a rare, rear window into the schizoid position of self-sufficient withdrawal and impassive indifference. This inability to be enriched by outer experiences feeds the relentless suspicion that hell is other people. Laying bare his life and work, Kishik engages with psychoanalysis, philosophy, and cultural inquiry to trace loneliness across the history of thought, leading to today’s shut-in society and the autonomous subject of liberal capitalism.What Is Autophilosophy?Love Made HungryExile from the WorldPleasures and PersonsCancel ThyselfAnte-OedipusTwenty-First-Century Schizoid ManThe Lost ObjectMy Other Other HalfHow to Imagine a Form of LifeThe Child That Never WasBook EndsNotesList of FiguresBibliograph
The Mother Tongue at School
This paper focuses on a key contradiction in nineteenth-century nationalist ideology, namely the opposition between the emphasis on the sacred status of the mother tongue, on the one hand, and the use of universal mandatory schooling as a means of homogenization, on the other. The influential philologist Jacob Grimm insisted that only people whose mother tongue was German counted as members of the German nation; the mother tongue was the key criterion of authentic belonging. Yet Grimm also realized that mandatory schooling imposed a uniform language across a wide territory, wiping out local dialects and effectively giving shape to a more linguistically unified people. He thus witnessed how modern mass instruction forged a more standardized culture at the expense of the more natural-seeming transmission of language within families. In Grimm’s writings on education, the valorization of the mother is continually disturbed by the presence of a surrogate figure, the school teacher
The Mother Tongue of Love and Loss:Albert Cohen’s <i>Le Livre de ma mère</i>
This article reads Albert Cohen’s Le Livre de ma mère, which mourns the death of his mother, as a poetics of love and loss. It is a poetics of otherness that disavows the claim to expression and selfhood. The mother, being the paradigmatic figure of otherness, is a figure for literature, a form of language that is characterized by saying things differently. Literature itself is a motherly space insofar as it others the language of the self. This argument is developed along close readings of both the French original and the English translation of Cohen’s work, following three thematic axes: first, the peculiar kinship of love and death; second, the mother as the other; third, literature as filio-logy: a logic of filiation that does not leave the self unchanged
Wandering Words:Translation against the Myth of Origin in Fritz Mauthner’s Philosophy
In this paper, I will address the issue of translation as a critique of autochthony that emerges in the context of Fritz Mauthner’s linguistic scepticism. Translation, for Mauthner, becomes a privileged prism through which to consider identity and belonging, as well as a way of understanding uprootedness, since language is a continuous product of borrowing, bastardization, stratification, and contingency. According to Mauthner, languages are not possession, but borrowing; not purity, but contagion; not an abstract crystallization, but transit. Therefore, love of the mother tongue — the only way to conceive patriotism — is not a physical connection with the land, roots, or nation, but a refuge, an always precarious Heimat (home)
War-torn Ecologies:Human and More-than-Human Intersections of Ethnography and the Arts
Umut Yıldırım’s introduction combines the genres of literature review and commentary. It re-examines contemporary works on posthuman life to articulate ecological life-and-death politics within the context of colonial, imperial, and genocidal mass violence, and their entangled environmental legacies and actualities. A dissident repertoire of anthropological and artistic research is offered, which examines the ecological impact of war through the perspectives of human and more-than-human actors whose racialized and geographically regimented lives endure and counter ongoing environmental destruction
Mulberry Affects:Ecology, Memory, and Aesthetics on the Shores of the Tigris River in the Wake of Genocide
How can the Armenian genocide be considered in terms of its ecological roots and remnants? Umut Yıldırım explores the more-than-human flora and fauna indigenous to the banks of the Tigris river in Upper Mesopotamia — in particular, centenarian mulberry trees — as resistant roots that register the evidentiary ecologies of the Armenian genocide through the Turkish state’s denialist present and its ongoing war against the Kurds