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    Writing techniques and methods in digital marketing

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    Rad analizira digitalni marketing kao moderan alat za oglašavanje i poziciju pisaca u industriji digitalnog marketinga. Nadalje, rad definira tehnike, metode i strategije koje se koriste u pisanju u digitalnom marketingu i objašnjava ih na praktičnim primjerima te objašnjava koje se vrste sadržaja koriste u digitalnom marketingu i koje su razlike između tih vrsta. Na kraju rada, analizira se karijera u digitalnom marketingu kao profesionalna opcija za pisce, navode se očekivanja takve karijere te promjena shvaćanja karijere s obzirom na razvoj umjetne inteligencije. U istraživanju su se koristili relevantni radovi stručnjaka za digitalni marketing i praktični primjeri (neke od kojih je osigurao autor rada), kao i profesionalno iskustvo autora koji (u trenutku pisanja) više od tri godine radi kao pisac u digitalnom marketingu. Rezultat istraživanja je zaključak da je digitalni marketing tehnologija budućnosti koja će sadržavati većinu marketinga u bliskoj budućnosti, a pisanje je prvi korak većine projekata u digitalnom marketingu i čini velik dio digitalnog marketinga. Bez obzira na to, pisci moraju biti na oprezu i spremni za prilagodbu na neizbježne promjene koje donosi umjetna inteligencija.This thesis analyses digital marketing as a modern marketing tool and the position of writers in the digital marketing industry. Furthermore, the thesis defines the techniques, methods, and strategies used in digital marketing writing, and it explains them on practical examples, also explaining which types of content are used in digital marketing and what are the differences between the varying types. A career in digital marketing as a professional option for writers is analysed at the end of the thesis, as well as its changing understanding, given the development of artificial intelligence. Relevant works and papers written by digital marketing experts and practical examples (some of which were obtained by the author of the thesis), as well as professional experience of the author who (at the time of writing) had been working as a writer in the digital marketing industry for more than three years, were used in the research. The results of the research lead to the conclusion that digital marketing is the technology of the future which will make up the majority of marketing in the near future, with writing being the first step for most digital marketing projects and making up a large part of digital marketing. Nevertheless, writers need to be vigilant and ready for the inevitable changes brought forth by artificial intelligence

    The impact of video games on social skills and everyday life of youth

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    Ovaj se rad bavi istraživanjem utjecaja videoigara na društvene vještine i svakodnevicu mladih. Utjecaj videoigara aktualna je tema rasprave među znanstvenicima. Trenutne spoznaje navode kako postoje negativni i pozitivni utjecaji videoigara na mlađu populaciju. Svrha je rada istražiti kako videoigre djeluju na mlade i što se smatra zdravom konzumacijom videoigara. U radu je prikazana povijest razvoja videoigara, žanrovi videoigara, nastanak subkulture gamera te igrifikacija kao moderan oblik izvođenja nastave. Prikazane su i dosadašnje spoznaje i teorije o utjecaju videoigara na komunikaciju, regulaciju emocija, kognitivne vještine i rješavanje problema. Cilj je ovog rada otkriti na koji način videoigre utječu na društvene vještine mladih i njihovu percepciju vremena i obaveza. Istraživanje je provedeno u dvjema skupinama ispitanika koji igraju videoigre. Jedna skupina igra videoigre do dva sata dnevno, dok druga skupina igra videoigre dva sata ili više dnevno. Komparativnom analizom podataka dobivenih iz dubinskog intervjua bit će istražene dvije hipoteze. Prva hipoteza temelji se na pretpostavci da odgovorno igranje videoigara može imati veći pozitivni utjecaj na mlade, u odnosu na neodgovorno igranje. Drugom hipotezom pretpostavlja se da igranje videoigara više od dva sata dnevno ima više negativnog utjecaja nego pozitivnog.This paper focuses on researching the impact of video games on the social skills and daily lives of young individuals. The influence of video games is a current topic of debate among scientists, with current findings indicating both negative and positive effects on the younger population. The purpose of this paper is to explore how video games affect young people and what can be considered a healthy consumption of video games. The paper will present the history of video game development, video game genres, the emergence of gamer subculture, and gamification as a modern form of teaching. It also presents existing knowledge and theories regarding the impact of video games on communication, emotion regulation, cognitive skills, and problem- solving. The objective of this paper is to uncover how video games influence the social skills of young individuals and their perception of time and responsibilities. The research sample consists of two groups of participants who play video games. One group plays video games for up to two hours daily, while the other group plays video games for two hours or more daily. Through a comparative analysis of data obtained from in-depth interviews, two hypotheses will be investigated. The first hypothesis is based on the assumption that responsible video game playing can have a more significant positive impact on young people compared to irresponsible playing. The second hypothesis posits that playing video games for more than two hours daily has a greater negative impact than positive

    Challenges in Teaching Music to Generation Alpha

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    Diplomski rad naslova „Izazovi glazbenog obrazovanja generacije Alfa“ istražuje ključne izazove i zahtjeve s kojima se susreću nastavnici i učenici u području glazbenog obrazovanja, s naglaskom na generaciju Alfa. U teorijskom dijelu rada analiziraju se različiti pristupi i koncepti formalnog i neformalnog glazbenog obrazovanja, posebno usmjereni na situaciju u Hrvatskoj. Također se razmatraju nastavničke kompetencije, uloga slobodnog vremena u glazbenom obrazovanju te digitalne tehnologije i njihov povijesni razvoj. Posebna pažnja posvećena je generaciji Alfa. Empirijski dio rada proizlazi iz provedenog istraživanja koje uključuje intervjuiranje nastavnika glazbe. Ovim su istraživanjem prikupljeni relevantni podaci koji pružaju uvid u stvarne izazove i potrebe s kojima se susreću učenici i nastavnici glazbenog obrazovanja. Cilj je ovog diplomskog rada pružiti bolje razumijevanje dinamike glazbenog obrazovanja u digitalnom dobu i predložiti smjernice za prilagodbu pedagoških pristupa kako bi se bolje zadovoljile potrebe generacije Alfa.The title of the master's thesis, "Challenges of Music Education for Generation Alpha", explores the key challenges and requirements faced by teachers and students in the field of music education, with a focus on Generation Alpha. In the theoretical part of the thesis, various approaches and concepts of formal and informal music education are analyzed, with a specific focus on the situation in Croatia. Teacher competencies, the role of leisure time in music education, and the historical development of digital technologies are also discussed. Special attention is given to Generation Alpha. The empirical part of the thesis is based on conducted research, which includes interviews with music teachers. Through this research, relevant data have been collected to provide insights into the real challenges and needs encountered by students and music education teachers. The aim of this master's thesis is to provide a better understanding of the dynamics of music education in the digital age and to propose guidelines for adapting pedagogical approaches to better meet the needs of Generation Alpha

    Vocal Exercises- Challenges Regarding the Choir Form

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    Tema je ovog rada vokalno-tehničko oblikovanje zbora, odnosno vježbe i metode koje doprinose razvoju i poboljšanju vokalnih tehnika. Fokus je stavljen na ključnu ulogu vokalne tehnike, koja doprinosi uspješnom izvođenju zborskog djela. Zahvaljujući dobro osmišljenim vježbama i metodama upjevavanja, poboljšava se vokalna tehnika i tehnička preciznost svakog pojedinca, člana zbora. Također, poboljšavaju se intonacija, dikcija i kontrola daha. U radu su promatrane sljedeće vrste zborova: dječji, ženski, muški i mješoviti zbor. Svakoj se vrsti zbora kod rada na vokalnoj tehnici pristupa drugačije, a ponajviše dječjem zboru, čijim je članovima to tek početak razvijanja vokalnih sposobnosti. Vježbe i metode vokalne tehnike čine neizostavan dio pripreme zbora za izvedbu. Pjevanje u zboru pruža zadovoljstvo kroz postizanje osjećaja zajedništva među pjevačima, a njihovo zajedničko muziciranje omogućuje dijeljenje emocija i između članova ansambla, ali i s publikom.The topic of this paper is vocal-technical development within a choir, examining exercises and methods that contribute to the growth and enhancement of vocal techniques. The focus is placed on the pivotal role of vocal technique in successful choral performance. Well-designed exercises and vocal warm-up methods improve vocal technique and technical precision of each choir member. Additionally, intonation, diction, and breath control are enhanced. Each type of choir is approached differently, especially when it comes to children's choirs, whose members are just beginning to develop their vocal abilities. Vocal technique exercises and methods constitute an integral part of choir performance preparation, and singing in a choir provides satisfaction through collective singing, musicality, and the sharing of emotions with the audience. Keywords: vocal technique, artistic singing, vocal warm-up, exercises, voice, singers, choir

    Handwritten cookbooks in LAM institutions in Croatia

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    Ovaj završni rad tematizira rukopisne zbirke recepata u AKM (arhivima, knjižnicama i muzejima) institucijama u Hrvatskoj. Kroz provedena dva anketna istraživanja, prikupljene su informacije o rukopisnim zbirkama recepata u AKM institucijama u Hrvatskoj, a isto tako je izvršena usporedba s globalnim stanjem rukopisnih zbirki recepata u AKM institucijama diljem svijeta. Kuharice predstavljaju knjige i publikacije koje sadrže recepte i upute za pripremu hrane. One mogu biti općenite i obuhvaćati različite kuhinje i jela ili specijalizirane, fokusirajući se na jednu specifičnu kuhinju. Kuharice u sebi sadrže pojedinačne recepte, koje se sastoje od detaljnih uputa za pripremu jela, uključujući popis potrebnih namirnica. Praksa zapisivanja recepata ima dugu povijest, a povjesničari vjeruju da su prvi recepti bili zapisani na klinastim pločama koje su pronađene u Mezopotamiji. Najstarija poznata kuharica je Mitekova kuharica, napisana u 5. stoljeću prije Krista, čime je Mitek postao prvi poznati autor kuharice. Do 16. stoljeća, rukopisne kuharice su imale veliku važnost u društvu i značajno su obilježavale povijest. No, u 16. i 17. stoljeću, rukopisne kuharice prestaju biti isključivo autorska djela i postaju sastavni dio svakodnevnog života. Domaćice i posluga često su bile te koje su pripremale hranu i postale su česti autori rukopisnih kuharica. Bez obzira na to je li kuharica djelo poznatog autora ili obične žene, u njima se često zapisivali i drugi detalji koji pružaju uvid u život autora. Velike AKM institucije diljem svijeta često u svojoj ponudi imaju rukopisne zbirke recepata i kuharice. Neki od njih posjeduju zbirke specifične za određene narode, dok druge institucije kroz rukopisne kuharice žele prikazati život žena u određenim vremenskim i kulturnim okolnostima. Međutim, situacija u Hrvatskoj nešto je drugačija i često je izazovno pronaći rukopisne zbirke recepata i kuharica. Iako postoji interes za ovim vrijednim kulturnim naslijeđem, takve zbirke često ostaju u obiteljskim arhivima i domovima. Rukopisne zbirke recepata, iako od iznimne važnosti za kulturnu baštinu, rijetko postaju dio stalne ponude AKM institucija.This final thesis addresses the topic of handwritten recipe collections in LAMs (Libraries, Archives, and Museums) institutions in Croatia. Through two survey studies, information has been gathered about handwritten recipe collections in LAMs in Croatia, and a comparison has been made with the global status of handwritten recipe collections in LAMs worldwide. Cookbooks represent books and publications containing recipes and instructions for preparing food. They can be general and encompass various cuisines and dishes or specialized, focusing on a specific cuisine. Cookbooks contain individual recipes, which consist of detailed instructions for preparing a dish, including a list of necessary ingredients. The practice of recording recipes has a long history, with historians believing that the first recipes were written on cuneiform tablets found in Mesopotamia. The oldest known cookbook is Mitek's cookbook, written in the 5th century BC, making Mitek the first known author of a cookbook. Until the 16th century, handwritten cookbooks held great significance in society and significantly shaped history. However, in the 16th and 17th centuries, handwritten cookbooks ceased to be exclusively authored works and became an integral part of everyday life. Housewives and household staff often prepared food and became frequent authors of handwritten cookbooks. Whether a cookbook is the work of a famous author or an ordinary woman, they often recorded other details that provide insights into the author's life. Prominent LAMs worldwide often include handwritten recipe collections and cookbooks in their offerings. Some of them possess collections specific to certain cultures, while others aim to showcase the lives of women in specific time periods and cultural contexts through handwritten cookbooks. However, the situation in Croatia is somewhat different, and it is often challenging to locate handwritten recipe collections and cookbooks. Although there is an interest in preserving this valuable cultural heritage, such collections often remain in family archives and homes. Handwritten recipe collections, despite their immense cultural importance, rarely become a permanent part of LAM institutions' offerings

    Oblikovanje nastave početničkoga solfeggia

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    Početnički solfeggio namijenjen je predškolskoj djeci, ali je kao program inkorporiran u školski obrazovni sustav. Oblikovanje nastave u ovom programu sastoji se od niza glazbenih aktivnosti koje osim stručne kompetentnosti zahtijevaju pedagoška i metodička znanja i sposobnosti, kao i izražen pedagoški takt. Aktivnosti koje se provode prilagođene su dječjem uzrastu te ciljevima ovog programna. Ciljevi početničkoga solfeggia u školama su razvoj glazbenih sposobnosti, glazbene estetike, kreativnosti, ali i ljubavi prema glazbi. Takav nastavni proces pun je izazova za učenike i nastavnike, ali pozitivnom nastavnom klimom i kreativnošću svih uključenih u taj proces djeca mogu steći mnoge kvalitete za daljnje obrazovanje i život uopće.Beginner solfeggio is intended for preschool children, but as a program it is incorporated into the school education system. Teaching in this program consists of a series of musical activities that require pedagogical and methodical expertise. The mentioned activities are adapted to the children's age and the goals of this program. The goals of beginner solfeggio in schools are the development of musical aesthetics, creativity and love for music. This teaching process is full of challenges for students and teachers, but through the positive teaching climate and creativity of everyone involved in this process, children from this program can acquire many qualities for further education and life in general

    Musical Preferences and Cultural Identity

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    U ovom se radu proučava pojam preferencija, ponajviše onih glazbenih, kulturni identitet mladih te odnos glazbenih preferencija i identiteta pojedinca. Prikazano je više klasifikacija na temu glazbenih preferencija, a to su STOMP klasifikacija, četverofaktorska klasifikacija autora Rentfrowa i Goslinga koja je proširena s još glazbenih stilova i podstilova i nazvana MUSIC klasifikacija te klasifikacija autora Miella pod nazivom model uzajamnih povratnih informacija. Većina istraživanja o glazbenim preferencijama koja su navedena u radu došla su do sličnog rezultata, a to je da mladi više preferiraju pop i rock glazbu, a manje turbofolk te da jednako preferiraju kompleksni (heavy metal, alternativna i klasična glazba) i konvencionalni (folk, soul, rock i religijska glazba) glazbeni stil. U radu se također raspravlja o kulturi, njezinim obilježjima, utjecaju na društvo i pojedinca kao i o razvitku kulturnog identiteta, pogotovo kod mladih. Naposljetku, proučava se veza između glazbenih preferencija i kulturnog identiteta kao i njihov međusobni utjecaj. Rad nastoji prikazati važnost glazbe u našem svakodnevnom životu i njezin utjecaj na kulturni identitet čovjeka.This work studies the concept of preferences, mostly musical ones, the cultural identity of young people, and the relationship between musical preferences and the identity of an individual. Several classifications on the subject of musical preferences are presented, namely the STOMP classification; the four-factor classification by Rentfrow and Gosling, which was expanded with more musical styles and substyles and called the MUSIC classification; and the classification by Miell called the model of mutual feedback. Most of the research on music preferences that is mentioned in the paper came to a similar result, namely that young people prefer pop and rock music more and turbofolk less, and equally prefer complex (heavy metal, alternative, and classical music) and conventional (folk, soul, rock, and religious music) musical styles. The work also discusses culture, its characteristics, its influence on society and the individual, as well as the development of cultural identity, especially among young people. Finally, the connection between musical preferences and cultural identity, as well as their mutual influence, is studied. The work tries to show the importance of music in our everyday lives and its influence on the cultural identity of people

    The impact of parasocial relationships on consumer psychology

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    Ovaj rad opisuje parasocijalne veze te kakav one utjecaj imaju u psihologiji potrošača. Počeci koncepta parasocijalnih odnosa datiraju iz rada Donalda Hortona i Richarda Wohla iz 1956. godine naslovljenog "Masovna komunikacija i parasocijalna interakcija: Opservacije o intimnosti na daljinu." U tom su radu Horton i Wohl istraživali ideju da gledatelji televizije razvijaju osjećaj društvene povezanosti i privrženosti medijskim osobnostima, iako stvarni međuljudski odnos ne postoji između gledatelja i medijske ličnosti. Za opis ovog fenomena, osmislili su izraz "parasocijalna interakcija". Parasocijalne veze imaju značajan utjecaj na ponašanje potrošača jer mogu oblikovati povjerenje potrošača prema određenom brendu ili medijskoj osobnosti. Također, ove veze mogu utjecati na namjere potrošača za kupovinu, lojalnost prema brendu, širenje "word-of-mouth" informacija o proizvodima, stvarno ponašanje pri kupovini, konzumaciju medija, emocionalnu povezanost s proizvodima ili medijskim osobnostima, prilagodbu proizvoda, utjecaj na izbor kategorija proizvoda i dugoročnu angažiranost potrošača. Svi ovi učinci proizlaze iz osjećaja bliskosti i veze koju potrošači razvijaju prema medijskim osobnostima ili brendovima s kojima grade parasocijalne veze. Marketinški stručnjaci često prepoznaju snagu ovih veza i koriste ih u svojim strategijama kako bi ostvarili dublju povezanost s potrošačima. Ovaj rad će detaljnije objasniti ulogu parasocijalnih veza u psihologiji potrošača te utjecaj tog odnosa na potrošnju proizvoda ili usluga povezanih s poznatim osobnostima. U svrhu ovog rada provedeno je anketno ispitivanje na 102 osobe.This paper describes parasocial relationships and their impact on consumer psychology. The concept of parasocial relationships dates back to the work of Donald Horton and Richard Wohl in 1956, titled "Mass Communication and Parasocial Interaction: Observations on Intimacy at a Distance." In this study, Horton and Wohl explored the idea that television viewers develop a sense of social connection and attachment to media personalities, despite the absence of a real interpersonal relationship between the viewer and the media figure. They coined the term "parasocial interaction" to describe this phenomenon. Parasocial relationships have a significant impact on consumer behavior as they can shape consumers' trust in a specific brand or media personality. Additionally, these relationships can influence consumers' purchase intentions, brand loyalty, word-of-mouth marketing, actual buying behavior, media consumption, emotional attachment to products or media figures, product personalization, the choice of product categories, and long-term consumer engagement. All these effects stem from the sense of closeness and connection that consumers develop towards media personalities or brands with which they form parasocial bonds. Marketers often recognize the power of these relationships and leverage them in their strategies to establish a deeper connection with consumers. This paper will provide a more detailed explanation of the role of parasocial relationships in consumer psychology and their influence on the consumption of products or services associated with well-known personalities. For the purpose of this study, a survey was conducted with 102 participants

    Teacher Competencies for Implementing Individual Music Education

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    U radu je prikazano što su to kompetencije, njihova podjela i temeljna obilježja. Kompetencije se općenito, prema jednoj od podjela, dijele na generičke ili opće i područno specifične ili profesionalne. Središnji je dio rada posvećen pedagoškim kompetencijama, i to u realizaciji individualne glazbene nastave, kao i njihova važnost i obilježja. Za uspješan rad učitelja potrebna je pedagoška kompetencija u sljedećim područjima: područje metodologije izgradnje kurikuluma nastave, područje organizacije i vođenja odgojno-obrazovnog procesa, područje oblikovanja razrednoga ozračja, područje utvrđivanja učenikova postignuća u školi i područje izgradnje modela odgojnoga partnerstva s roditeljima. Osim navedenog, u radu je riječ i o socijalnim oblicima nastave, s naglaskom na individualnu nastavu instrumenta. Na primjeru plana i programa nastave instrumenta, konkretno tambure, koja se realizira individualno tijekom šest godina osnovne glazbene škole, naglasak je stavljen na važnost pedagoških kompetencija koje treba imati svaki učitelj koji izvodi takvu nastavu (individualna glazbena nastava, u ovom slučaju instrumenta).This work shows what competencies are, their divison and basic features. According to one of its divisions, competencies are generally devided into generic or universal and area-specific or professional. The middle part of this work is devoted to pedagogical competencies in the implementation of individual music lessons, as well as their importance and characteristics. For teacher's successful work, pedagogical competence is required in the following fields: the field of teaching curriculum construction methodology, the field of organization and managment of the educational process, the field of shaping the classroom atmosphere, the field of determining student achievements in school, and the field of building a model of educational partnership with parents. Additionally, the work also deals with social forms of teaching, with an emphasis on individual teaching of an instrument. On the example of the plan and program of teaching an instrument, specifically tambura, which is carried out individually during six years of elementary music school, the emphasis is placed on the importance of pedagogical competencies that every teacher who conducts lessons like these should have (in this case individual music teaching of an instrument

    The effect of mobile marketing on consumer satisfaction

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    U diplomskom radu "Učinak mobilnog marketinga na zadovoljstvo potrošača" detaljno se istražuje povijest marketinga, problematika masovnog društva, promjene u komunikacijskoj paradigmi i uloga istraživanja tržišta u marketinškoj strategiji. Nadalje, analiziraju se novi mediji i dolazak digitalnog doba te ulazak mobilnog marketinga na scenu. Proučava se uloga mobilnih platformi, ciljano oglašavanje, društvene mreže i aplikacije u mobilnom marketingu. Također, istražuje se analiza i mjerenje podataka, ključni pokazatelji uspješnosti mobilnih marketinških kampanja te korisničko ponašanje na mobilnim uređajima. Poseban se fokus stavlja na budućnost mobilnog marketinga i nove tehnologije poput Web 3.0, proširene stvarnosti, virtualne stvarnosti , umjetne inteligencije i strojnog učenja te njihov utjecaj na zadovoljstvo potrošača. Kroz metodološki dio, primjenjuju se istraživačke metode poput intervjua i ankete kako bi se ispitali učinci mobilnog marketinga na zadovoljstvo potrošača. Na temelju rezultata istraživanja, analiziraju se prednosti i mane novih tehnologija te se provjeravaju postavljene hipoteze. Ovaj rad ima za cilj pružiti dublje razumijevanje važnosti mobilnog marketinga za postizanje visokog zadovoljstva potrošača i pružiti smjernice za daljnji razvoj i primjenu mobilnog marketinga u suvremenom poslovnom svijetu.The master's thesis "The Impact of Mobile Marketing on Consumer Satisfaction" extensively explores the history of marketing, the challenges of mass society, changes in communication paradigms, and the role of market research in marketing strategy. Furthermore, it analyses new media and the advent of the digital age, as well as the emergence of mobile marketing. The study examines the role of mobile platforms, targeted advertising, social media, and applications in mobile marketing. It also investigates data analysis and measurement, key performance indicators of mobile marketing campaigns, and user behaviour on mobile devices. Special focus is placed on the future of mobile marketing and new technologies such as Web 3.0, augmented reality, virtual reality, artificial intelligence, and machine learning, and their impact on consumer satisfaction. The research methodology employs techniques such as interviews and surveys to examine the effects of mobile marketing on consumer satisfaction. Based on the research findings, the advantages and disadvantages of new technologies are analysed, and the validity of the hypotheses is tested. This thesis aims to provide a deeper understanding of the significance of mobile marketing in achieving high consumer satisfaction and offer guidelines for further development and implementation of mobile marketing in the contemporary business world

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