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A report on the activity of an architecture lecture using the 1/10 models for elementary school students
Get PDFapplication/pdfOver the past decade, junior high school students have been offered courses that use the 1/10 assembly model to learn the structure of the house, experience how to make it, and check the indoor environment. This year, the target was expanded to elementary school students.departmental bulletin pape
Producing sculptures 2019
Get PDFapplication/pdfThe creation of sculptures by mixed media has been my lifework for many years.
As materials, various materials such as cardboard boxes, newspapers, air caps and vinyl ropes are used in combination.
The concept of production is to express a contemporary world bound like a mesh.
My irony is included in titles like word play.
What is in the box?departmental bulletin pape
A Way of Knowing Promoted by Image Atlas in Creative Practice: The Layers of Space and Time
Get PDFapplication/pdfThis paper considers about a way of knowing peculiar to the creation of visual arts. Inspired by the ‘Mnemosyne atlas’ of German art historian Aby Moritz Warburg, we pay attention to the image atlas, capable of generating new meanings out of the arrangement of different images. Firstly, we discuss the trend of art and research in relation to the image atlas. Especially we are interested in Arts-Based Research （ABR） which identifies creative practice with research. Secondly, the second author who is at the same time artist, researcher, and teacher, scrutinizes autoethnographically her art work of an image atlas, created as an outcome of ABR. Lastly, we examine theoretically the possibilities of the making of image atlas as a practice of ABR. The disposition and layers of images enfolding multiple judgements, and their interruption, enable us to access to an alternative way of knowing.departmental bulletin pape
Long-term network and contemporary resonance of Niigata contemporary artists’ collective GUN in Niigata Prefecture
Get PDF長岡造形大学博士（造形）2019doctoral thesi
The birth and background of design thinking -From「 Make it new : The history of Silicon Valley design」-
Get PDFapplication/pdfIn this article, I focused on the reason why design thinking was borned and expanded, mainly on episodes written in "Make it new - The history of Silicon Valley design -Design thinking was created by west coast designers gathered in Silicon Valley, being hit by new industries. The reason
① Expanding their knowledge and skills in order to be involved from the upstream of products more than.
② They tried various processes and prototyping to develop completely new tools.
③ They were asked to give results in a short time to correspond to the venture.In the background
④ The designers who work on the West Coast had a strong opposition against the famous east coast designers.
⑤ With the era of innovation, an adaptive approach was accepted widely, including the world of management strategydepartmental bulletin pape
Study on the installation of solar panels in a snow country
Get PDFapplication/pdfIt is fifth report on an installation of solar panels. I provided five panels vertically in each directions, north, south, east and west and one at an angle of 30°. The lower three panels have reflectors. The purpose of this study is to verify the effect of the reflectors.departmental bulletin pape
A Consideration on the theme of decorative arts in the National Library of Paris : wisdom of the humanities expressed on médaillons in the Great Reading Room
Get PDFapplication/pdfIn the National Library of Paris, designed by Henri Labroust in the 19th century, a series of médallions in the upper part of pillars in the Great Reading Room is one of the rare representational decorative artworks. In this article, I surveyed the profile of the persons engraved on these médallions , and through the analysis of their characteristics, clarified his conception of the National Library.departmental bulletin pape
Survey report on the current state of outdoor sculptures
Get PDFapplication/pdfThe main causes of damages of sculptures placed outdoors include the deterioration caused by pollutants such as acid rain or automobile emissions, the wind and water damage caused by the change of temperature in the snowy regions, recent abnormal weather conditions, and the falling of thunderbolts. They were also damaged by the repeated major earthquakes. The sculptures placed in public space should coexist with their environment and be resilient to the environmental changes around them. Moreover, they should avoid doing any harm due to the damage because they are
placed where many people pass by. I surveyed the present conditions of my own works from this viewpoint.departmental bulletin pape
A Study on the Research Methodology in the Graduate School of NID
Get PDFapplication/pdfdepartmental bulletin pape
KYOKO KUMAI II : Works of Japan Craft Exhibition 1975~2019
Get PDFapplication/pdfIn 1968 I came across a beautiful piece of cloth. The mysterious construction of threads drew me into the world of weaving.
From 1975 I have been using metallic materials to make cloths with curved surface.
These 50 years I have been making things by the techniques of weaving, sewing,knitting,twisting and others. They are drawings of myriads of Gods that I had felt in Japanese nature,"YAOYOROZU-NO-KAMI". I have been celebrating them.
From 1975 I have been exhibiting my works at Japan Craft Exhibition. They are opened at MATSUYA-GINZA till 2003, MARUNOUCHI BUILDING HALL till 2013, From 2014 MIDTOWN DISIGN HUB Roppongi Tokyo.departmental bulletin pape