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    1244 research outputs found

    Memory, Nostalgia and the Material Heritage of Children’s Television in the Museum

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    ‘The Story of Children’s Television, from 1946 to Now’ was an exhibition co-conceived by the authors and colleagues from the Herbert Art Gallery and Museum in Coventry, UK, running from 2015 to 2017 through a national tour. At the exhibition, objects from children’s television history sat alongside screens showing the programmes to visitors. Our research explores how children’s television culture operates as a site of memory and nostalgia, through which we can investigate forms of (inter)generational cultural memory. This paper explores the reconnections and disconnections that emerge in encounters with the material heritage of children’s television in Britain

    The Rise and Fall of the Analogue Television Set: From Modernity to Media Heritage

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    This article explores the shifting materiality and meanings of television as an exhibited object. To consider the fluctuating discourses involved in the display of analogue TV sets, the article critically examines how the object has been re-presented: aestheticized, interrogated, destabilised and reorganized as science, modernity, art, and media heritage. An interpretive approach drawing on Walter Benjamin and media archaeology is supported by archival sources. The term “analogue rupture” is introduced to critically assess the implications of, and discontinuities involved, in analogue television’s status as art and heritage. Digital media heritage discourses that invite us to regard obsolescence as inevitable progress are questioned

    Preservation Planning, Beacons for a TDR

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    In order to preserve digital objects for the long term repositories need to choose a preservation strategy. For new emerging types of media this is a challenge. This paper describes how various cases occurred at the Netherlands Institute for Sound and Vision. It shows how preservation planning helps management in putting these matters in the right context and taking informed decisions based on knowing what we know now. It concludes with an overview of the content of a Preservation Plan, as has been implemented in practice

    Making Old Television Technology Make Sense

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    How does traditional analogue television work? That’s a question beyond the comfort zone of most media historians who may not be familiar with analogue electronics. Even young engineers know little of thermionics, cathode rays and a myriad of other forgotten technologies. This important facet of television’s history is now only recorded by older engineers and by amateur groups who collect these technologies. In this paper, I will show by using examples how material artefacts can help us understand television’s history more fully

    Culture Under Threat: Minority Hyperlocal Cable Television in Finland

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    Hyperlocal community television is currently under threat and its content documenting local memories and histories is underused and hardly accessible. Newly generated hyperlocal content runs the risk of not being archived, curated and preserved. Can new technologies that encourage hyperlocal media contribute to its demise? This article discusses the history of hyperlocal community television in Finland, considers its current challenges and draws awareness to the need of securing this local heritage for the future. The article debates how the future fate of this form of hyperlocal television is dependent on material resources, such as manpower, access to storage and preservation infrastructures as well as funding

    Images of Dutchness: Popular Visual Culture, Early Cinema and the Emergence of a National Cliché, 1800–1914

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    Book review of: Sarah Dellmann, Images of Dutchness: Popular Visual Culture, Early Cinema and the Emergence of a National Cliché, 1800–1914, Amsterdam University Press, 2019 (Framing Film series), 424 pp., ISBN 97894629 83007

    Developing Radio Histories

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    Editorial

    The Hidden Jewel in Public Service Broadcasting

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    This article tells the story of the value of a part of the DR archives which has not been recognized before. The value of local stories and how a tent filled with local archive materials in interactive installations became a success. The article uses theories about people’s interaction with social media to figure out why visitors in the tent were amazed by the local events, and to understand why all age groups were attracted to the interactive tools. The article also discusses problems of gathering statistics and gives examples of similar projects, which focus on local audiovisual materials

    Radio Wars and Revolution in the Caribbean, 1959

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    For most places in the Caribbean, the term Cold War fails to describe the contentious, noisy, violent politics of the 1950s and ‘60s. In the rapidly changing political contexts of 1957-62, Haiti’s Francois Duvalier and Cuban Fidel Castro rose to power, while in the Dominican Republic Rafael Trujillo’s regime weakened and ended with his assassination in 1961. Actors across the ideological spectrum engaged in transnational ‘Radio Wars’ in their efforts to both undermine and prop up particular regimes. This article will explore those radio wars, understanding them not just as an enactment of the complex politics of the day, but also as the expression of a particular kind of utopian imagining of radio’s potential for political mobilisation. It considers the politics of clandestine broadcasting across ideological, racial and national boundaries in the 1950s and ‘60s Caribbean. Expanding on and engaging a burgeoning literature on radio in Latin America and the Caribbean, attention to ‘Radio Wars’ adds fresh perspectives to histories of the Cold War, decolonisation, and the soundscapes of dictatorship and empire. More precisely, it moves beyond a Soviet-US binary and considers the role of broadcasting and propaganda in the making of an inter-Caribbean war of frequencies

    Wit op zwart

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    Dit document is een beknopt verslag van het onderzoek dat van juli-oktober 2019 is uitgevoerd als gastonderzoeker bij het Nederlands Instituut voor Beeld en Geluid. Het onderzoek richtte zich op de historische context van ‘ras’ op Nederlandse radio en televisie

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