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Digital Embodiment, Transforming Reduction into Tessellating Multi-Block Relief Prints
Get PDFNavn på arrangementet: Guess Who's Coming to Dinner
Sted: Antwerp
Dato fra: 10. mai 2022
Dato til: 10. mai 2022
Arrangør:
Arrangørnavn: Royal Academy Antwerp
Youtube: https://www.youtube.com/watch?v=0dKL7KILdlwVictoria Browne is Associate Professor of Printmaking and Publishing, Art & Craft at KHiO.Her artistic practice is informed by post-industrial craft heritage and is situated at the intersection of tacit knowledge, machine tools and digital technology. Iterations of her artistic research have recently been exhibited as an artist’s book in Berlin, a wallcovering in Krakow, a billboard in Antwerp, a video in Hong Kong and a peer-reviewed article in IMPACT Journal IV
Material Empathy in the Manufacturing of a Multi-block Printed Wallcovering
No full textKunstutstilling
Navn på arrangementet: IMPACT 12
Sted: Bristol
Dato fra: 21. september 2022
Dato til: 25. september 2022
Arrangørnavn: University of the West of Englan
Between the pen and the line - Digital drawing and the feeling of alienation and distance
No full textNavn på arrangementet: Impact 12
Sted: Bristol, UK og online
Dato: 24. september 2022
Arrangørnavn: Impact og University of West of England, BristolAs an artist I today work mainly with digital drawing tools, but I also have this feeling of alienation towards digital drawing: As an artist educated around the 80s/90s, the classic analog drawing is the basis for my understanding of both analogue and digital drawing, and my experience with the digital drawing tools is filtered through this early training.
I have in my research been testing various digital hardware and software to see how they work, and what kind of results they make. In this presentation I look at the different quality of lines various hardware and software makes, show some of my line tests from different digital technology, reflect on my own drawing process and experience when working with digital tools, and the experience I get from the finished works. The presentation is illustrated with my own digital drawings made specially as a part of my research.
Drawing is an act traditionally done with a drawing tool held in the hand to make a line on a surface. Basically the physical action - the gesture itself - is the same, whether I draw analog or digital: I hold the pen in the same way, move my hand and arm in the same way.
But what exists between the hands gesture, the tip of the pen and the resulting line, is different in analog and digital drawing, and the line itself is also different. The digital drawing tools add their own qualities to the lines and the drawings.
I look at some of the differences I experience between digital and analog drawing: I see digital drawing both as a sort of drawing among many others, and at the same time as something completely different, it adds something other than traditional drawing tools
The hearing voices cafe paper: To hear oneself speak is maybe the minimal definition of consciousness
No full textAs part of Colomboscope interdisciplinary arts festival. Hosted by Lak Cafe, Viharamahadevi Park, Colombo 7. From January 21st to January 30th 2022. All info on Colomboscope interdisciplinary arts festival: http://www.colomboscope.l
Part-submission in the course Theory 2—Theory development
Get PDFCourse: DE 545 Theory Development
Place: KHiO
Date: 17th June, 2022
Time: 4-5 pm
Address: Fossveien 24, 0551 Oslo
Refreshments: tank-water was served
A lineup was hosted at KHiO (Oslo national academy of the arts) to search sustainability, advertisement and business: The Greenwashers of the Year. The display springs from a collaboration between the Consumer Council and KHiO, based on an idea from the Consumer Council.
The display took place at KHiO, place: the “Cathedral”, Friday 17th June, at 4pm. The display was conceived as a lineup of student works, in a narrative itinerary across 4 thematic clusters. The guests are invited to look at the work, and discuss with the students.
The Greenwashers of the year, is conceived as an experimental first phase in which we emphasise visualisation: visualisation in advertisement and visualisation in a critical response to it. The contributions are from students in the first year of their MA at KHiO.
The objective is to ponder on how the visual approach to the use of sustainability arguments in advertisement, will influence how we think about the topic and discuss it. How can visualisation contribute to critical thinking, and not only to advertisement? See for yourself…
The guests were welcomed on the way home from work to vacations, or the last party before the summer break. After the lineup a fashion show took place with the collections from the students of fashion and clothing who passed their exam this year,
In a phase 2 of the Consumer Council’s focus on greenwashing, the reflections and experimental outcomes from the present phase 1 will be included. The award will be selected from the nominees—including some of the students work in a wider range of pitches—and announced at a conference hosted by the Council September 28th 2022.
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Process: a set of thematic flyers were made and shared with the students, to document our progress and where we were with the course plan.
Synoptic flyers were used to pick up on or gravitational towards the class process as such. Documenting process and monitoren progress are two facts of a curriculum, in which the main driver is the students’ development of their MA content and reflective practices.
Four candidates from MA2 (second class MA) came to tell about their theory projects: Erlend Grevskott, Nina Havermans, Sindre Buraas, Araitz Mesanza, Margaret Abeshu and Jennie Steen.
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As a prompt to their final theory course in the autumn—in their second year MA2—the students produced an essay each, that were then gathered and edited in an anthology. Lower files to the left.publishedVersio
Toward a transindividual self: a study in social dramaturgy
No full textA book that examines the process of performing the self, distinctive for the formation of the self in Western neoliberal societies in the 21st century. It approaches the self from a transdisciplinary angle where political and cultural anthropology, performance studies and dramaturgy intersect. Starting from their concern with the crisis of the social, which coincides with the rise of individualism, Cvejić and Vujanović critically untangle individualist modes of performing the self, such as possessive, aesthetic, and autopoietic individualisms. However, their critique does not make for an argument for collectivism as a socially more viable alternative to individualism. Instead, it confronts them with the more fundamental problem of ontogenesis: how is that which distinguishes me as an individual formed in the first place? This question marks a turning point in the study, where it steps back into the process of individuation, prior to, and in excess of, the individual. The process of individuation, however, encompasses biological, social, and technological conditions of becoming whose real potential is transindividual, or more specifically, social transformation. A ‘theater of individuation’ (Gilbert Simondon) captures the dramaturgical stroke by which the authors investigate social relations (like solidarity and de-alienation) in which the self actualizes its transindividual dimension. This epistemic intervention into ontegenesis allows them to expand the horizon of transindividuation in an array of tangible social, aesthetic and political acts and practices. As with every horizon, the transindividual may not be closely at hand; however, it is certainly within reach, and the book encourages the reader to approach it.publishedVersio
Small frames big horizons: grasping the fragments
Get PDFSkriftlig del av masterprosjekt, Kunstakademiet, 2022
Avgang 2022: minus plus minus equals plus
Get PDF“A black hole at the heart of the dwarf galaxy Henize 2-10 is creating stars rather than gobbling them up. The black hole is apparently contributing to the firestorm of new star formation taking place in the galaxy.” — NASA, January 19, 2022. — (Editor, Andrea Gianopoulos).
A new discovery was announced by NASA in January 2022. The galaxy Hezine 2-10 contains a black hole unlike any seen before: Instead of consuming stars, it produces them. While the past couple of years have been something of a black hole for just about everyone, they have also been a time of re-evaluation and rebirth. minus plus minus equals plus – the 2022 degree show for the Medium and Material-based Art, and Art and Public Space pathways of the Art and Craft department of Oslo National Academy of the Arts (KHiO) – considers how challenging circumstances may stimulate surprising new understanding. The culmination of the MA studies of the twenty-nine graduating artists, the exhibition and this catalogue offer a rich mix of creative ideas, materials, concepts, and processes that embody their hopes for what lies ahead, be those political, social, environmental or personal.
Curator: Nicholas John Jones
Graduating students: Alexandra Skog Booker, Amalie Vöge Jensen, Amina Baker Shubar, Anna Weilhartner, Asta Marie Tutavae Iversen, Debangona Paul, Ebbe Arneberg, Hågen Gade, Hanna Halsebakke, Ingrid Aarvik Berge, Jad El Khoury, Jan Wold, Joel Arantes Correia, Julia K. Persson, Kamil Kak, Karen Pettersen, Kari Ibel Kolltveit, Karoline Kvalheim, Lill Yildiz Yalcin, Magnus Hovland Vanebo, Mari Ulland, Nicholas Fox, Renate D. Dahl, Rosanna Vibe, Sarah Svensson, Shitika Agrawal, Sunniva Havstein, Susanne Roti, Xin Liang