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#14/1—Lineup
No full textPanel 1-to-1 with 5 elements in 1:50. 3 passive enablers. Three modular texts (permutable). Paper, canvas, fabric.Contribution to ARW 2022 (Artistic Research Week at KHiO).
Exhibit #14/1 is a lineup: a forensic panel with elements in different materials that serve to document findings and drive a query. The panel documents the reading of 6 books, situated and positioned by the events of a journey in the summer of 2021.
The panel search and queries possible connections between the confinement of Aby Warburg in the Bellevue asylum (related in Ludwig Binswanger’s sick journal [1921]), and the confinement during the pandemic (as discussed by Bruno Latour in After Lockdown [2021]).
The project does not answer the questions it asks, but drives the query to the point where the “material speak”: and can reveal things that overthinking will blur. Which is the point of a lineup, whether taken in a forensic, design or forensic design sense.
The lineup #14/1 is a map for uncharted territories with no rescue, where the point of the map is to monitor change rather than retracing ones’ steps. And where the virtue a map is that it is passive. And at this a lucid counterpoint to agitation.
The point of this map is therefore not to act, but to emerge as an enabler of a different kind, which is to be a body—or, a proxy witness—to change, whether it is in our environment, in us, or a compound state of energy. Changes in the electrosphere. A turn to the terrestrial.
Link to #12 MQAR:
https://khioda.khio.no/khio-xmlui/handle/11250/2838483acceptedVersio
RHEME
Get PDFPoster, leaflets and photosLiterally a rheme (project title) defines a clause that gives information about the theme, but does not follow from the theme: e.g. it provides new information.
In this project, we have let a selection of emoticons from Isak Wisløff’s project DOPAMINING (on KHiODA) several such clauses, or rhemes. A total selection of 18 from 1565 paintings commissioned from China in that project.
They were displayed in the Vitrine gallery in KHiO’s reception, 1 for each day of the week. By multiplying the rhemes, in this way, we created a lineup.
A lineup is a concept used both in fashion and in crime investigations. In this project it is a contribution to investigative aesthetics.
RHEME is a project seeking criticality, that is to hatch ways of well founded political action in a situation in which the school becomes part of the precariat.
Definition: « Precariat is a word for a social class formed by people suffering from precarity, which means existing without predictability or security, affecting material or psychological welfare. The term is a portmanteau merging precarious with proletariat.»
In the week of the display (week 44, 2022) the lineup was integrated into a learning theatre: learning in performance and in full public view. The attached leaflets documents the learning theatre.
The first leaflet was circulated during week 44. The last leaflet—with recommendations to the school—was circulated the week after.
The RHEME project is an experimental attempt at implementing what the law of universities and colleges in Norway, is enjoining us to do (our transl.):
« The purpose of universities and colleges is to […] disseminate knowledge about its activities and contribute to the common understanding of the principle of professional freedom and the application of scientific and artistic methods and results, both in the teaching of students, in the school’s activity and otherwise in public administration, the cultural and corporate sectors. »
See Lovdata § 1-1: https://lovdata.no/dokument/NL/lov/2005-04-01-15
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Theodor Barth’s contributions to the collaborative project is from his research at the National Library and his involvement there in the Norwegian Oil Adventure
Researching historical print archives to integrate 'found' knowledge into post-digital printmaking workshops
Get PDFResearching historical print archives to integrate 'found' knowledge into post-digital printmaking workshopspublishedVersio
Det som blir igjen
No full textKunstnerbok trykket i KHiOs publiseringsverksted ved bruk av RISO. Publiseringen finnes kun i 200 signerte ex.Kunstnerbok som følger prosjektet "Det som blir igjen".
Artist book that has been a direct result of the project "What remains"
Digital tegning
Get PDFForelesning under Kunsnerisk forskningsuke, Kunsthøgskolen i Oslo, 25. -27. januar 2022
My brother still whispers to me
No full textLydverket "My Brother Still Whispers To Me", er en gjenskaping av Shwans brors opplevelser i det såkalte «røde sikkerhetsfengselet» i byen Suleimani. Verket balanserer mellom dramatisering og dokumentar, der vissheten om at alt vi hører faktisk har skjedd i virkeligheten gir den hviskende stemmen i mørket et innstendig nærvær. Fortellingen om fengsling og tortur er lydsatt med fluesurr, hosting og pusting fra medfanger, og fjerne skrik som gir oss følelsen av noe av den samme klaustrofobiske desperasjonen og redselen broren må ha kjent i sitt mørke, i en kummerlig fengselscelle, ventende i uvisshet på når døra skal gå opp til neste avhør; neste runde med fysiske og psykiske overgrep
Tegning, form og drama
Get PDFDenne doktorgradsavhandlingen består av:
- Kortfilmen Liker Stilen, produsert hos Oslo Pictures, 2020 Lenke: https://vimeo.com/517046479/description
- Tegneserien "Liker Stilen", gitt ut av No Comprendo Press, 2013
- Samleboka "Tegning, form og farge", gitt ut av No Comprendo press, 2017
- Dokumentet "Redegjørelse for sammenhengen mellom oppmeldte verk"
- Dokumentet "Refleksjon", inkludert intervjuer og Visuell dokumentasjonEn personlig kunstnerisk forskningsreise fra tegning til film
