5115 research outputs found
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Alex’s Blues; An exploration of the confluence of IDM and Jazz, given current sociopolitics
No full textThis body of research examines the artistic development of its author through the research of various facets of the music creation process. The main goal of this research is to create the music of an album fusing electronic music with jazz improvisation in unique and innovative ways, while simultaneously speaking on the issues that arise from the current late-stage capitalism that affects the working class. To accomplish this goal, capitalism and current American politics are examined, niche sound design softwares are explored, techniques for recording and mixing are discussed, and strategies for building a dedicated fan base are investigated. This final point will allow the artist to use the material created to effectively distribute their music and their ideas, spreading class-consciousness and pushing the boundaries of musical genres.https://remix.berklee.edu/graduate-studies-contemporary-performance/1326/thumbnail.jp
Travel Alone
No full text“Travel Alone” perfectly summarizes my present attitude of living. The mental state of freedom and peace is so precious in this busy world nowadays. I did not realize the importance of accepting your true identity and belief until recently. “Travel Alone” is trying to present a sonic world of a vibrant future with hope and a spontaneous change of self-reconciliation. New-age influenced immersive retro synth sounds mix with modern hip-hop beats and sound montages.The landscape won’t be different when you’re traveling alone but your soul will be.https://remix.berklee.edu/graduate-studies-cmat/1176/thumbnail.jp
Garden of the Asylum
No full textGarden of the Asylum is a multi-disciplinary live music performance that merges music and visual storytelling. More than a tribute to Van Gogh’s art, it is an exploration of art, emotion, and the human psyche. As co-producers, we draw inspiration from Van Gogh’s emotional world, using music to retell his passion for artistic expression and the strong emotions that shaped his artworks and continue to resonate today. In an era of rapid change, more people experience similar psychological states. Through this performance, we seek to build a bridge where audiences do not merely observe art but engage with it on a personal level—seeing their own emotions reflected and experiencing how art becomes a medium for emotional connection and self-exploration. Using a garden as a metaphor, we envision Van Gogh’s emotions blooming like flowers in his mental landscape, taking form through music, visuals, and lighting. The performance unfolds in three interconnected movements—Solitude, Self-Doubt, and Paranoia—each led by a musician (JOSEPH, Jilly!, and Kéquetz) whose original compositions not only interpret Van Gogh’s emotions but also reflect their own artistic and personal experiences. Each section begins with a visual or soundscape piece, serving as a transition that immerses the audience in the upcoming emotional state. The stage design integrates scrim projection, multi-layer lighting, and immersive soundscape, enhancing the emotional depth of the performance.https://remix.berklee.edu/graduate-studies-cmat/1181/thumbnail.jp
[RE]:STRCUT
No full textThis is a multidisciplinary, multichannel concert that explores the journey of a mysterious presence trying to take a physical shape through extracting elements from earth.Through immersive visuals, lighting, and multichannel audio, the audience will have a cinematic experience of reform, reshape, and [RE]:STRUCT... The purpose underneath the journey is an exploration of this observer’s existential crisis and self-identity.https://remix.berklee.edu/graduate-studies-cmat/1182/thumbnail.jp
Stronger Feelings
No full textSelf-described as “goofy slut-rock,” Jilly both pulls at the heartstrings and keeps a conversational, high-energy vibe. With female and queer storytelling at the forefront, Jilly strives to merge the bright, energetic drive of punk-rock with the general digestibility, lyrical sensibility, and catchy melodies of pop. Consisting of two heart-wrenching breakup ballads, one cheeky hookup banger, one adrenaline-fueled introspection, and a half-breakup/half-hookup single, Stronger Feelings explores Jilly’s favorite emotions. From heartbreak and novelty to wild stories and self-indulgences, this EP takes the listener on a rollercoaster of ups, downs, and loop-de-loops via interpersonal and intrapersonal relationships.https://remix.berklee.edu/graduate-studies-cmat/1155/thumbnail.jp
The Savor Project
No full textThe Savor Project is an immersive culinary experience inspired by the original children’s book What is American Food? This multi-sensory event explores the richness of cultural identity and diversity in America through the universal language of food. Blending storytelling with interactive design, the experience features motion-reactive projection mapping to bring narrative and flavor to life. Guests participate in a live cooking demonstration designed to expand their exposure to global ingredients and foster curiosity and openness around unfamiliar foods. The evening culminates in a thoughtfully curated multi-course meal that celebrates a spectrum of cultural influences, using ingredients, spices, and techniques from around the world. At its core, The Savor Project invites guests of all ages to reflect on how food can create connection, promote cultural appreciation, and spark meaningful conversations across generations.https://remix.berklee.edu/graduate-studies-cmat/1186/thumbnail.jp
INOCON 2025
No full textINOCON 2025 was a free music and technology event produced by four GEMB students in collaboration with Berklee Valencia and hosted at the Centro del Carmen de Cultura Contemporánea (CCCC). Focused on showcasing the work of the MPTI program, this edition emphasized creativity, accessibility, and interdisciplinary collaboration. With over 500 attendees, a multimedia installation, workshops, performances, and a silent disco, INOCON became a unique space for innovation, inclusion, and community engagement.https://remix.berklee.edu/graduate-studies-global-entertainment-business/1414/thumbnail.jp
Disrupción Records - Head of Distribution, Production, and New Business
No full textAs Head of Distribution, Production, and New Business for Disrupción Records, I held cross-functional responsibilities spanning digital song uploads, live and virtual event programming, and day-to-day business operations. I worked closely with The Orchard to distribute our music catalog and establish strategic release timelines. I also led outreach to identify new business opportunities and successfully programmed eight unique showcases and industry events throughout the academic year. Highlights included a Women’s History Month interview with legendary publicist Yvette Noel Schure and our End-of-Year Showcase. In this role, I collaborated with seven peers across different departments to manage label operations. This experience greatly strengthened my leadership, organization, and industry networking skills, ultimately helping me secure an internship at Audiomack.https://remix.berklee.edu/graduate-studies-global-entertainment-business/1423/thumbnail.jp
Electroental
No full textThis project blended traditional Middle Eastern instruments and tuning systems with electronic music to create a cross-cultural sonic experience. Instruments such as the ney and the Armenian duduk were recorded live and integrated into electronic compositions using microtonal synthesis and contemporary production techniques. The project addressed the underrepresentation of modal and microtonal scales in electronic music, specifically Saba, Rast, and Bayati. Electronic elements were tailored to accommodate the expressive capacity of Middle Eastern melodic frameworks, particularly maqamat. Synthesizers were customized to replicate traditional scales, while acoustic recordings contributed timbral richness and authenticity. This project presented an alternative to Orientalist tropes by embedding traditional musical systems within modern electronic structures. It proposed a respectful and innovative reflection of Middle Eastern culture through a sound design approach.https://remix.berklee.edu/graduate-studies-production-technology/1410/thumbnail.jp
Amatxo Maitia
No full textFor my last project at this master, I decided to pay tribute to my mother’s family–her parents, her brother and, of course, her – and compose a piece that would honor their memory based on some old video recordings of them. When thinking about the people you hold dearest to your heart, memory is a double-edged sword, for it can bring both joy and sorrow. Therefore, I wanted to try and navigate all those feelings in this piece; trying to not only feel nostalgic for the past but also cherish it and celebrate the people they were and the lives they lived. In order to do this project, I wanted to prepare myself as much as possible and write something that would match the period the videos were based on. Therefore, I did a lot of research for references and music scores of music from that time. Thanks to this final project, as I had to work on it during most of the academic year, I learned a lot about my composing tools – both academic and digital techniques – and the importance of having a solid pre-production stage before writing music.https://remix.berklee.edu/graduate-studies-scoring/1306/thumbnail.jp