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Godišnja nagrada UAS „Aleksej Brkić“, oblast arhitekture, 2021 - Poslovni objekat, kampus multinacionalne kompanije NCR na Novom Beogradu [nagrada - realizovano delo]
No full textGodišnja nagrada "Aleksej Brkić" za najuspešnije izvedeno delo iz oblasti arhitekture u 2021. godin
Good Urban Life Actions : The space you are interacting with [BINA 2022]
No full textThe Good Urban Life (2020–present) explores the core elements of contemporary urban living, with a focus on creating vibrant, healthy, and dynamic environments. It advocates for a multidisciplinary approach to urban spaces, emphasizing the balance between people, nature, and the built environment to enhance quality of life.
Each year, architectural and urban practices that foster good urban living are analyzed and distilled into essential elements. A key aim is to identify ways to nurture harmony within the human-nature-built environment triangle, using insights from urban design, social life, mobility, sustainability, well-being, and technology. Each year experts from diverse backgrounds are involved to offer a comprehensive view of urban development.
In 2022, Good Urban Life explored themes of health, care, urban food production and consumption, playful interaction, and digital augmentation. These topics were addressed through Good Urban Life Actions within 17. BINA – Belgrade International Architecture Week: Taking care of the careless, Streetscape, Human – Natural – Urban, Digital Interactions, Bina & Silosi Play Day
Sincerity [Мајска изложба графике београдског круга, 2022]
No full textСугестивном поруком, обликованом заштитним знацима глобалних брендова, графика на саркастичан начин указује на сурове последице капиталистичког света, где корпоративни терор полако прождире наше најдубље емоције и интимна осећања. Рад је приказан у оквиру традиционалне Мајске изложбе графике београдског круга 2022, која се сваке године одржава у галерији Графичког колектива.Мајска изложба графике београдског круга 2023, Галерија "Графички колектив", Београд, 30. јун – 20. јул 2022
Introducing the students’ participation, upgrading the curriculum: The case of the course Sustainable City, University of Belgrade - Faculty of Architecture
Get PDFThis paper describes the process applied in the course named Sustainable City (University of Belgrade - Faculty of Architecture, 1st year of master studies) which directly influences its design and further upgrading. By introducing the students’ participation, the curriculum supports their research work which is divided into two phases: reflexive and creative.
The first, reflexive phase is focused on the problem analysis targeting the sustainable urban transformation processes. Through the examples selected by students a number of specific urban problems related to different aspects of sustainability are identified and described, as a practical contribution. The second, creative phase introduces the students’ proposals and recommendations for improving the urban environment, tested through a development of a small pilot project (representing the final outcome - exam). Through these two phases students verify their ability for preparing proposals for various research projects and grants, aiming at the desirable transformations of cities via affordable solutions.
The design of the course curriculum also enables students to understand the genesis and an impact of sustainable processes on urban development, creating the basis for the knowledge application in both urban planning and design. Simultaneously, this participative approach influences the elaboration of an iterative process in which students provide inputs, i.e. the desirable research topics for curriculum improvement, later included into an updated and upgraded version of the course, implemented in the following school year. The results suggest that through an inclusive learning process, a culture of proactively envisioning a sustainable alternative future is emerging. Most importantly, student participants show their commitment as the agents of potential change to create alternative environmental values and sustainable behavior
Novi naslovi u Biblioteci Arhitektonsog fakulteta
No full textVideo zapis je napravljen u cilju prezentacije novih naslova u Biblioteci Arhitektonskog fakulteta u Beogradu za 2022. godinu. Ideja je bila da se u skaldu sa potrebama digitalnog doba, fond Biblioteke predstavi kroz video sadržaj, kako bi se našim nastavnicima i studentima učinila dostupnijom informaciju o novim naslovima.The video was made in order to present the new titles in the Library of the Faculty of Architecture in Belgrade for the year 2022. The idea was to present the Library's collection through video content in line with the needs of the digital age, in order to make information about new titles available to our teachers and students
Digital Technologies for Urban Regeneration: A Case Study of the Former Bileća Street in Trebinje, Bosnia and Herzegovina
Get PDFThe Digital or Fourth Industrial Revolution, which began in the 1980s, is the event that has
contributed the most substantially to possibilities for global information dissemination. The explosion
of digital technologies over the last twenty years has brought change to the conventional workflow.
Institutions dealing with cultural heritage have recognised the opportunities afforded by digital
technologies for the preservation of tangible and intangible heritage, especially the great potential
they have shown for improving public access to different forms of cultural heritage and its
reuse.1Over the last two decades, there has been a debate among experts about the benefits and
drawbacks of using digital technologies for the purpose of preservation of cultural heritage, as well as
the relationship between the material and virtual worlds. Digitisation has caused many controversies
and dilemmas as to whether digital technologies can recapture the past outside what was previously
the human sociocultural context. Heritage is revitalised not solely for its spatial presentation, but also
for the experience and magic of feeling that one is in the past. This is a creative approach that allows
one to experience history using all senses and is a way to present heritage that really appeals to
people. The upside of digital technology is that it allows the protection, conservation and promotion
of tangible and intangible heritage. Ideas and initiatives such as virtual museums, libraries and
galleries are readily embraced when a site or an institution cannot be accessed physically, and they
were actively implemented during the COVID-19 pandemic. It is often reiterated that the ultimate
goal of using digital technology is to understand the past and to appreciate the achievements of
ancestors. 2 The European Commission launched Europeana, a platform that provides access to
cultural heritage through digital technology and is freely publicly accessible. 3 The use of digital
technology is a two-way process in that it has influenced our understanding of heritage on the one
hand, while on the other, cultural heritage has also influenced how digital tools can be used
Urban and Architectural Contract: Shared Interest Small Scale Architectural Project within the Study of the Design Variability and Generative Principles in Architectural Design
Get PDFSeveral stakeholders expressed their interest in the design of a small multiuse building through a mutual agreement defined to improve the value of their urban neighbourhood and individual assets and find a solution to an abandoned and decaying estate. In line with tight urban and architectural regulations, alongside the owners’ requirements, which have all immediately restricted any inappropriately excessive design response, the architectural proposal offered new living and working conditions by favouring beauty and elegance that arise from simplicity. With the form highly constrained along the edges by the external conditions, the architectural research has been oriented towards the internal morphing, variability, and optimisation, thereby problematising the contested approaches of analogue (human) and digital automated (machine) generative architectural design, anticipating their hybrid form as the next subject to be investigated.Design Variability and Generative Principles in Architectural Design : https://dciricgenpdecmakeanaloguevidpage.tumblr.com/ : Related Work - Chapter: https://doi.org/10.5281/zenodo.11062819.
Rad se nalazi u delu - Nasl. str. prištampanog teksta: Philosophy of Architecture : exhibition boo
Idejno rešenje nove zgrade Fakulteta muzičke umetnosti u Beogradu [druga nagrada]
No full textNova zgrada FMU u Beogradu zamišljena je kao rasklopljeni (muzički) instrument čije su karakteristike takve da ga je moguće projektovati u razmeri koja prevazilazi njegovu geometriju prelamajući oblike u jednu zvučnu sliku. Sa arhitektonske tačke gledišta, radi se o interpretaciji fizičkog pokreta koji se nalazi u osnovi fenomena kao što su zvuk ili muzika, figuracija ili ples. Potonji više govore o arhitektonskom sklopu kojim se obezbeđuje plastičnost, dok se fizičke karakteristike prvo prevode iz nedovršenosti jedne forme u drugu
SAJ : Serbian architectural journal [Architectural identities: Japan] [Part 1]
No full textThe thematic issue of the Serbian Architectural Journal titled Architectural
Identities: Japan was conceived in an effort to cast a wide net and provide
a veritable smorgasbord of research ideas. These in turn serve as a snapshot
(Czarniawska, 2002) of contemporary thoughts on all things interconnecting
Japan, identity and architecture.
Snapshots of any kind, and especially presented here, are particularly informative,
essentially viewed as layers, stacked over time and contextualized, with
one common thread throughout. This particular thread, the one that cannot be
untangled and does not point out of the labyrinth, is the most precious aspect
that unifies all the presented contributions. And the beauty is – you choose
which one to pull
Formation of renovation models for reinforced concrete facades on the example of multifamily buildings of New Belgrade
No full textОсновни циљ истраживања у раду представља процес успостављања модела обнове армиранобетонских фасада на основу њихове валоризације. У склопу процеса валоризације обрађене су вишепородичне зграде које су изграђене у периоду од 1958. до 1980. године са простора блокова 1 и 2 и централне зоне Новог Београда. Заједничка карактеристика зграда је да садрже армиранобетонске фасаде као доминантне чиниоце њихове материјализације и да представљају значајне примере домаће архитектуре који се третирају као архитектонско наслеђе, што је и био предуслов у склопу процеса избора адекватних примера архитектонских решења. Анализом структуре фасадних склопова изабраних зграда и осталих релевантних чињеница које су за њих везане, као и за савремене приступе обнови зграда, успостављени су одређени фактори у виду критеријума и ограничења. Дати фактори су заједно са дефинисаним циљевима обнове у виду: санације, енергетске санације и задржавања оригиналног изгледа фасада, послужили за формирање разноврсних модела обнове. Модели према свом карактеру представљају начине обнове у домену парцијалних и свеобухватних обнова нетранспарентних и транспарентних зона армиранобетонских фасадних склопова. Формирани модели обнове и ефекти њихове примене су анализирани на примерима изабраних зграда у виду студија случаја. Основни закључак након реализације студија случаја показује да ефикасност примене модела обнове може зависити од: форме објекта и фасадних елемената, конструкције фасадних елемената, примењених материјала, као и статуса објекта у случају када објекат представља културно добро. На основу свих релевантних података у раду, формиран је образац у виду упитника који се може примењивати у процесу одабира адекватног модела обнове армиранобетонских фасада вишепородичних зграда у реалним ситуацијама.The main goal of the research in dissertation is the process of establishing renovation models for reinforced concrete facades based on their valorization. As part of the valorization process, multifamily buildings that were built in the period from 1958 to 1980 from the area of blocks 1 and 2 and the central zone of New Belgrade were processed. A common feature of buildings is that they contain reinforced concrete facades as the dominant factors of their materialization and represent significant examples of domestic architecture that are treated as architectural heritage, which was a prerequisite in the process of selecting adequate examples of architectural designs. The analysis of the structure of the facade assemblies of selected buildings and other relevant facts related to them, as well as modern approaches to the renovation of buildings, established certain factors in the form of criteria and limitations. The given factors, together with the defined goals of the renovation in the form of: renovation, energy rehabilitation and preservation of the original appearance of the facades, served to form various models of renovation. According to their character, the models represent ways of renovation in the domain of partial and comprehensive renovations of non-transparent and transparent zones of reinforced concrete facade assemblies. The formed models of renovation and the effects of their application were analyzed on the examples of selected buildings in the form of case studies. The basic conclusion after the case studies shows that the efficiency of the renovation models may depend on: the shape of the building and facade elements, construction of facade elements, applied materials, as well as the status of the building in case the building is a cultural property. Based on all relevant data in dissertation, form of a questionnaire is formed so that can be used in the process of selecting an adequate model for the renovation of reinforced concrete facades of multifamily buildings in real situations