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Planning urban shrinkage along the danube – a paradox or a new normality?
Get PDFCOULD MACRO-LEVEL URBAN PLANNING be an effective solution to the issue of the shrinkage of many low-income cities in post-socialist countries in the eastern half of Europe? Although urban shrinkage is a rather complicated and often irreversible process, different global and local planning strategies are developed to overcome its consequences (Neill & Schlappa, 2016), which is often the subject of a “top-down” political regulation. These intentions have opened new perspective for traditional urban planning, embracing different novelties
New Poles of Reurbanisation
Get PDFMost of the urban studies define reurbanisation as a distinctive qualitative change in local population structures, particularly in the inner neighbourhoods of cities (Haase et al, 2003), urban renewal (Bernt, 2009) or middle-class housing change and gentrification (Bridge, 2006). In the post-socialist countries, reurbanisation is very much expressed as a suburbanisation (Ouředníček & Šimon, 2015), while the process of deconcentration and decentralisation is clearly generated by the political, economic and societal changes occurred after 1990 (Stan, 2015).Након прибављених Мишљења о наведеној монографији/тематском зборнику чланови МНО за саобраћај, урбанизам и грађевинарство су их, на седници одржаној 31.01.2024. године разматрали и сачинили предлог да монографија/тематски зборник “D+ Atlas: Atlas of Hidden Urban Values along the Danube” аутори проф. Александра Ђукић и ас. Др Бранислав Антонић из 2022. године ИСПУЊАВА све услове предвиђене Правилником о стицању истраживачких и научних звања (“Службени гласник РС”, број 159/20 и 14/23) за доделу категорије М16 – Лексикографска јединица или карта у публикацији међународног значаја
Javni međunarodni urbanističko-arhitektonski konkurs za uređenje Arheološkog parka Belo brdo sa idejnim rešenjem objekata centra za posetioce i naučnoistraživačkog centra u Vinči [2022] [otkup]
No full textOsnovne karakteristike prostorne koncepcije konkursnog rešenja oslonjene su na tumačenje pejzaža. Ova odluka vezana je za materijalni odnos tla i njegovog sadržaja. Savremeni principi razumevanja uloge arheologije idu u korist efemernosti i autentičnosti, koncepcijski pružajući mogućnost oslobađanja pejzaža od nasilne urbanizacije. Prirodnost lokacije jednaka je prirodnosti prostornog koncepta, te se u tom smislu prostor može gledati kao slika postojećeg stanja. U toj slici se elementi vrednuju u onoj hijerarhiji u kojoj su zatečeni, pa je estetizacija samo potrebna na mestima koja su dovoljno udaljena od lokaliteta Prvog stepena zaštite. Prostornom konceptu pripadaju vizure sa reke, šireći realnu veličinu lokacije na ideju o teritorijalnom uticaju vinčanske kulture. Prostorni koncept rešenja dozvoljava brisanje granica u korist pejzaža u kojem su tlo i nebo jednakog intenziteta. U skladu sa zahtevima programa konkursa, rešenje se precizno drži granica preporučenih intervencija, dok se dodir sa tlom koncepcijski pojavljuje tačkasto, povećanog intenziteta prema granicama konteksta. Dosledno se ovakva prostorna ideja gradi elementima infrastrukture imajući u vidu dostupnost, kretanje, zadržavanje i kontrolu teritorije
SAJ : Serbian architectural journal [Architectural identities: Japan] [Part 2]
No full textThe thematic issue of the Serbian Architectural Journal titled Architectural
Identities: Japan was conceived in an effort to cast a wide net and provide
a veritable smorgasbord of research ideas. These in turn serve as a snapshot
(Czarniawska, 2002) of contemporary thoughts on all things interconnecting
Japan, identity and architecture.
Snapshots of any kind, and especially presented here, are particularly informative,
essentially viewed as layers, stacked over time and contextualized, with
one common thread throughout. This particular thread, the one that cannot be
untangled and does not point out of the labyrinth, is the most precious aspect
that unifies all the presented contributions. And the beauty is – you choose
which one to pull
SAJ : Serbian architectural journal [Body Space]
No full textThinking about how we are in the world and at the same time how we behold,
experience and shape our world is of all times. The relationship, or lack of it,
between the Mind and the Body is a recurring theme in this, strongly influenced
in the Western world by the Frenchman René Descartes (1596-1650). Known
for his statement Cogito, Ergo Sum -I think, therefore I am- he pushed for a
separation of Mind and Body. Although this separation has, of course, been
debated, modified and doubted, it is nevertheless taken for granted by many that
the body is nothing but the material bearer of the dominant mind..
Urbomorphological structure of remembrance in Student square, Belgrade
No full textIn the context of modern city development, a significant aspect in urban planning consists of elements of the identity of the place. The historical cores of European cities, such as Belgrade, have a large number of overlapping layers of heritage in public spaces, which cannot always be physically marked due to lack of physical space, or due to the high diversity of required spatial information for an understanding of the entirety of the site. In the urban design of such densely built heterogeneous environments, it is necessary to identify and define the factors of identity, local culture and places of remembrance, to use as guidelines for the planning of sustainable public spaces, related to the local context. Elements of the city's identity, in this case, include historical and architectural heritage and urban memory, as well as traditional and cultural patterns specific to individual communities. The paper aims to identify spatial patterns and ways of interaction with heritage sites and urban memory in Belgrade, on the territory of Student Square, one of the oldest parts of Belgrade, with the highest variety of overlapped layers. The palimpsest method analysis along with the analysis of interaction and morphology of existing monuments and memorials provides new insight to identifying and designing the unmarked "invisible" heritage sites, which cannot be marked with physical landmarks and the specific identity elements that can’t be perceived within the urban tissue today. These "invisible" places whose traces exist in urban tissue need to be presented in public spaces, in a way that does not burden physical space, i.e. enable the multi-level interaction of the visible and invisible urban memory with the user of space through digital media.[https://aesopyaturkey2022.wordpress.com/abstract-book
Palimpsest as a research method in urban studies – Examination of the development of morphology of space through historical layers of the urban tissue in the centre of Belgrade for digital heritage presentation
No full textУ испитивању аналитичких процеса који претходе урбаном дизајну и урбанистичком планирању, као значајан сегмент базе знања у пољу урбаних студија истиче се познавање историјског развоја шире локације, нарочито када су у питању историјска градска језгра. Метод читања града као палимпсеста омогућава истовремену анализу и сагледавање свих сегмената урбоморфолошког и функционалног развоја локација, чиме се у даљем урбанистичком планирању или пројектовању може вршити одабир елемената који припадају урбаној меморији, а које треба посебно нагласити кроз савремени третман градског простора. У раду ће бити испитане могућности и базе знања које у урбаним студијама нуди примена методе палимпсеста. Полигон за истраживање је ужи центар Београда, у коме је могуће преклопити већи број слојева од антике до данас, те на основу којих је могуће вршити различите анализе контекста потребне за дигитално обележавање наслеђа града. Резултати истраживања обухватају категоризацију података који се могу добити раслојавањем палимпсеста, према морфолошким, културолошким и функционалним аспектима.In researching the analytical processes that precede urban design and urban planning, a significant segment of the knowledge base in the field of urban studies is the knowledge of the historical development of the wider site, especially when it comes to historical urban cores. The palimpsest method enables simultaneous analysis and research of all segments of urbomorphological and functional development of sites, which can be selected as fragments of urban memory in further urban planning or design, and should thus be specifically emphasized through the modern treatment of urban space. The work will examine the possibilities and variety of knowledge bases offered in urban studies by the application of the palimpsest method. The research polygon is the inner core of Belgrade. It is possible to overlap more layers from antiquity until the present-day city, making it possible to conduct different context analyses required for digital heritage presentation. The results of the study include the categorization of data that can be obtained by layering the palimpsest, according to morphological, cultural and functional aspects
Philosophy of Architectural Figures
Get PDFFollowing Lyotard’s deconstruction of the opposition between the discursive and the figural, the
construction “philosophy of architectural figures” would include the intention to depart from the
problem of order between the two. If, instead of the question what is discursive in the figural or
what is figural of the discursive, the question of the “whole” is asked, then the meaning of the
position “between” the discourse and the figure – the discursive content and the figural materiality
– would be found in what resists (discursive and/or figural) representation. Architecturally
speaking, we can always talk about the conceptual materiality or the projected immateriality of
architectural figures. The figure tends to elude discourse or mere representation through the
philosophy of concepts. But it also insists on the simultaneous presence of the textual. The
play between the materiality of language (which cannot be reduced to the phenomenological)
and the certain phenomenology of the figure (which cannot be fully translated into linguistic
concepts) is close to “desire” itself. More precisely, it becomes the most extreme form of desire.
The idea to speak simultaneously about the absence of the figurative in figuration and the textual
presence by the “body of words” – through a series of short sequences, that is, figures – is close
to Lyotard’s comma between the discourse and figure. By dividing or linking the two words, this
comma introduces an element of “incommensurability” that seeks to insinuate the radicality that
allowed the term “figure” to enter the discourse. On the other hand, placing a comma begins the
deconstruction of the word figure. This is why we construct sequences with “commas” that do not
aim to explain anything but to inspire philosophers to see architectural figures. At the same time,
these sequences open up the possibility for the architect to assign movement to architectural
figures through the body of words. The idea to use text for confirming architectural possibility
of the final materiality of the architectural concept at the same time represents an opportunity
for philosophy to explore the materiality of words. Invoking what cannot be represented, the
figural destabilizes the boundaries of the representable, that is, the boundaries of the discursive,
striving to finally merge with it
23. Salon arhitekture Novi Sad, 2022 [žiriranje]
Get PDFŽiriranje međunarodne izložbe iz oblasti arhitekture, urbanizma i dizajna — 23. Salon arhitekture Novi Sa
Cloud Cities Barcelona
No full textOpening on May 20th, 2022, Cloud Cities Barcelona, by artist Tomás Saraceno, invites participants into a space of communal encounter, discourse and critical speculation, suspended at a height of over 130 meters over the city of Barcelona and housed in the 360° observation deck of Mirador torre Glòries. Cloud Cities Barcelona occupies an area of 130m³ and is composed of 113 cloud spaces made of 5000 nodes connecting 6km of tensile cables. Moving through the air at a height between 4 and 10m relative to the floor, or becoming enveloped by the atmosphere of the cupola’s apex, participants can open to a novel sensory experience that converts this observatory into a suspended realm from which to look inwards and outwards, to gather and dialogue, immersed in the multiplicity of worlds made manifest in the changing shapes of passing clouds. Wandering along three paths of varying levels of complexity, participants can pause to find a rotating selection of books, in an invitation to inhabit shared time and consider alternative constellations of the urban public sphere, speculative architectures, the environmental crisis, and the entangled web of life.Napomena administratora: Autorski tim naveden od strane Nemanje Kordića