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UB-FA students’ yearbook 2021-2022 [Studio Design 03a (3rd Year - BA/IA)]
Get PDFГодишњак студентских радова УБ-АФ је резултат вишегодишње активности развијане на Универзитету у Београду – Архитектонском факултету и настао је са намером да буде један од канала дисеминације и промоције резултата наставног процеса на студијским програмима основног и мастер нивоа. Годишњак је публикација прегледног карактера која на систематизован начин пружа увид у теме, приступе и одговоре на семестралне задатке. Тежња је да се Годишњак приређује на годишњем нивоу архивирањем и презентацијом испитних елабората студената како на предметима типа студио пројекат, тако и осталим предметима чија се методологија заснива на пројектној настави.UB-FA Students’ Yearbook is the result of multi-year activities with a focus on archiving and presenting the students’ work in design studio courses, as well as other project-based courses at the University of Belgrade - Faculty of Architecture. The Yearbook is created to be one of the channels for dissemination and promotion of the results from the educational process in bachelor’s and master's programs. Published annually, the Yearbook gives an overview as a systematic insight into topics, approaches, and responses to semester tasks
ZAKS Jewelery Store [STRAND 2021]
Get PDFVišegodišnja saradnja sa klijentom, zlatarskom kompanijom „ZAKS“, započela je istraživanjem aktuelnog tržišta kroz pilot projekte, koji teoretski stav autora o predmetnom programu integriše u zahteve savremenog vida izlaganja nakita. Zahvaljujući tome, tradicionalni pristup prezentaciji proizvoda koji je praktikovan više decenija, biva napušten, a novonastali koncept i prostorna organizacija, koja je podređena specifičnim zahtevima, omogućavaju korisniku da izloženi nakit sagleda u potpunosti, a da pristup, nenametljivo, bude u potpunosti kontrolisan. Takav arhitektonski izraz rezultuje prepoznatljivim enterijerom, koji pruža afirmativni doživljaj izloženog.
Novonastalim koncepttom je, zahvaljujući dobro promišljenom i visokokvalitetnom projektantskom rešenju, postignuto da izgled i funkcija mogu biti prilagođeni svakoj situaciji koje tržište diktira. Novoformirano rešenje omogućava fleksibilnost u ispunjavanju mnoštva potencijalnih prostornih zahteva u skladu sa specifičnostima koje nameđe prezentovanje nakita u savremenom kontekstu. Takođe, uspostavljena koncepcija pruža mogućnost transformabilnosti, tako da pojedini elementi (segmenti enterijera) mogu biti izmenjeni i remodelovani bez ugrožavanja prepoznatljivog izgleda celine uz očuvanje novog identiteta prodajnog prostora.The years-long collaboration with the client, the jewelry company "ZAKS," began with market research and pilot projects that aimed to integrate the author's theoretical stance on the subject program into the requirements of modern jewelry presentation. As a result, the traditional approach to product presentation, practiced for several decades, was abandoned, and the newly developed concept and spatial organization, tailored to specific needs, allowed the user to fully appreciate the displayed jewelry while maintaining complete control over access in a non-intrusive manner. This architectural expression resulted in a distinctive interior that offers an affirmative experience of the exhibits.
Thanks to a well-thought-out and high-quality design solution, the newly created concept ensures that the appearance and function can be adapted to any situation dictated by the market. The newly devised solution provides flexibility in meeting a multitude of potential spatial requirements in accordance with the specific demands of presenting jewelry in a contemporary context. Furthermore, the established concept allows for transformability, so that individual elements (interior segments) can be modified and remodeled without compromising the recognizable appearance of the whole while preserving the new identity of the retail space.Rad je prikazan u delu publikacije - Nasl. str. prištampanog teksta: Exhibition boo
The Office Building at Južni Bulevar 10, Belgrade
Get PDFПроцесом тоталне реконструкције и доградње постојеће зграде у Јужном булевару, архитекте из бироа ВИА, на челу са Гораном Војводићем и Јеленом Ивановић Војводић формирали су пословни објекат који одговара захтевима савременог пословања. Зграду одликује једноставна форма са стакленим зид завесама, потенцираним ритмом отварања и наглашеном колонадом приступне зоне, којом је успостављен дијалог с окружењем и корисницима. Функционалном и декоративном расветом постигнуто је компоновање различитих амбијената у ентеријеру, а сменом сенки и интезивних боја дат је нагласак колоритној анемичности фасадних и ентеријерских завршних обрада. Међу бројним наградама и признањима, аутори овог дела освојили су престижну награду у категорији Архитектура на 41. Салону архитектуре.In the process of total reconstruction and extension of the existing building in Južni bulevar, architects from the Biro VIA, led by Goran Vojvodić and Jelena Ivanović Vojvodić, designed the office building according to requirements of modern business. The building is characterized by a simple form with glass curtain wall, an accentuated rhythm of opening, and an emphasized colonnade of the access zone, which establishes a dialogue with the environment and users. Functional and decorative lighting composes different ambiences in the interior, and the change of shades and intense colors gives emphasis to the colorful anemia of facade and interior finishes. Among numerous awards and recognitions, the authors of this work won the prestigious award in the category of Architecture at the 41st Salon of Architecture.Associates: Dušan Radišić, Bratislav Milojević, Vanja Enbulajev, Jovana Grujevska, Miloš Obradović - Biro VIA / Photography: Relja Ivani
Nature Based Solutions
Get PDFThis text deals with the potential of Nature-Based Solutions as an important design action for teaching the sustainability of the built environment and heritage awareness. It provides an overview of relevant contents, methods, goals, teacher competencies, course types, and learning outcomes
Office building BULEVAR 79
Get PDFThe office building was renovated using modern materials and techniques. Since the building is not listed authors had a freedom to experiment with materials and elements that are not common in the local design practice
Чији је ово град? [УЛУПУДС 2021]
Get PDFГрафички експеримент на тему града, промена у граду, партиципације у променама, одлука, (не)задовољства одлукама и запитаности коме град заправо припада - свим грађанима или појединцима
Zoom panel 2 contemporary housing – on the trail of the Belgrade school of housing
Get PDFKraj osmadesetih godina uzima se za kraj perioda koji se označava zlatnim dobom Beogradske škole stanovanja, ponikle na iskustvima međuratne arhitekture, skandinavskim iskustvima, brutalizmu i zaokretu prema kontekstu i verankularnom. Projektanti koji su obeležili to vreme, Aleksandar Stjepanović, Milan Lojanica, Darko Marušić, Branislav Milenković, Predrag Cagić bili su istovremeno i profesori na Arhitektonskom fakultetu u Beogradu. Oni su učili od svojih prethodnika, a svoje znanje i iskustvo su prenosili svojim studentima.
Kao poseban segment izložbe Beogradska škola stanovanja, selektovanim primerima predstavljamo trojicu arhitekata, bivših studenata, a danas profesora, koji su značajan segment svog opusa realizovali upravo u tipologiji stambene arhitekture. Vasa J. Perović, predstavlja se objektima kolektivnog stanovanja koji savremenim jezikom nastavljaju tokove modernizma, formirajući nove koncepte složenih stambenih skopova i urbanog tkiva gradova. Goran Vojvodić prepoznavajući specifične elemente gradskog ambijenta vešto pozicionira stambene objekte u zadati kontekst, ne posežući za mimikrijom, ili ponavljanjem kreativno istupa prostornim i oblikovnim rešenjima u skladu sa potrebama i stilom života savremenog čoveka. Dejan Miljković objekte smešta u rezidencijalne kvartove, neretko guste izgrađenosti. Minimalističkim pristupom, kubičnim formama kreira intimne prostore blisko povezane sa prirodom.
Dela savremenika su iz perspektive našeg vremena ocenjena kao izuzetna, prepoznati su i u stručnoj javnosti i nagrađivani brojnim nagradama. Verujemo da će se kvalitet njihovog pristupa, način na koji misle stambenu arhitekturu, naslutiti i u radu onih koji dolaze za njima, njihovih učenika. Priča se nastavlja...The late 1980s mark the end of the so-called golden age of the Belgrade School of Housing, which was founded on the experience of interwar architecture, Scandinavian architecture, brutalist architecture and the suddenly embraced contextual and vernacular architecture. The architects that marked that period, Aleksandar Stjepanović, Milan Lojanica, Darko Marušić, Branislav Milenković, Predrag Cagić, also taught at the Faculty of Architecture in Belgrade. Having learnt a lot from their predecessors, they transferred their knowledge and experience to their own students.
As a special part of the Belgrade School of Housing exhibition, we will present to you three architects – former students and today’s professors – who have realized a significant segment of their work in the field of residential architecture. The work of Vasa J. Perović is presented through the collective housing structures that have continued modernist trends while speaking the language of today and which have formed some new concepts of the complex housing and urban tissue of the cities. Another architect, Goran Vojvodić, having recognized the specific elements of an urban setting, skilfully positions the housing structures into the set context, without resorting to mimicry, or, through repetition, takes a creative approach with his spatial and formal solutions meeting the needs and lifestyle of people today. Dejan Miljković places his structures into residential and very often densely-built neighborhoods. He applies a minimalist approach and cubic forms to create intimate spaces closely connected with nature. The works of our contemporaries have, from today’s point of view, been assessed as exceptional, have been recognized among experts as well and have won numerous awards. We believe that the quality of their approach and the way in which they contemplate residential architecture will also appear in the work of the forthcoming generations – in the work of their students.
The story goes on….Photography: Vlada Popovi
Tri Nove Apartment [STRAND 2021]
Get PDFThe main conceptual idea arose from the intention to open the kitchen towards the living area and make it a central motif of the apartment. Opposite to the kitchen's open structure, surrounding the sanitary block lies solid continual storage and display element. Applied materials are reduced to ash wood, terrazzo, and plain surfaces accented with black and brushed steel details, aiming to make different atmospheric feels in different lighting regimes in everyday living space.Rad je prikazan u delu publikacije - Nasl. str. prištampanog teksta: Exhibition boo
To Be and Not to Build: A Contingent Manifesto for Sustainable Belgrade
Get PDFMore than 100 years after the Manifesto of Futurist Architecture written by Antonio Sant’Elia and reinterpreted by Filippo Tommaso Marinetti, the founder of Italian Futurism, we are once again questioning our ventures and an ongoing course of our discipline. The Italian futurists radically speculated that our houses would last less long than we and that each generation, would have to build its own city. But our thoughts about architecture and design altogether are nowadays fundamentally altered. The pandemic situation we are currently living in shows how frozen globalized production systems are, as Bruno Latour argues, not only seen as a great opportunity for the ecologists, rather as a vast potential for the reconceptualization of our working models. So what does this mean for architects and architecture discipline?
This research project aims to design a narrative for the (un)built environments of the future; a narrative that is at once economically realistic and ecologically positive. The concept of sustainability in this research is represented in the state of not building anything ever again: The only sustainable architecture is the one that is built upon the existing built environment. What can’t be rebuilt or built upon becomes the third landscape: no extra land is to be occupied by architecture ever again. The proposed scenario for the future does not evolve from architectural motivation- rather, architecture is an agency that reacts to changing circumstances.
This work is a design-based manifesto. It is embedded in the research that was conducted in the city of Belgrade as proving grounds. By using the research-by-design method this research attempts to make a small contribution to the long-lasting culture of manifestos in the architectural discipline. This design-based manifesto is conceived through research that has been developing through an elective course at the University of Belgrade, Faculty of Architecture for the past 3 years.To Be and Not to Build: A Contingent Manifesto for Sustainable Belgrade, presented at RAPS ‘Radicality’ Conference Bristol 2021 (17-18 September 2021) in Bristol, UK, organized by: Radical Architecture Practice for Sustainability with ARENA (Architectural Research Network). Session: NOT Building, chairs: Ana Betancour (Umea University), Fidel Meraz (Bristol UWE), Davide Landi (Bristol UWE)
Translating Architecture of Walls into the Architecture of Words
Get PDFThe authors begin this research with the story of the Tower of Babel, taking it not as a narrative demonstrating a divide, but as a parable of a modern construction project where people work together in a universal language with the aim to build a massive structure. While the mythological story sets the foundations for the rise of multilingualism, from the architectural point of view, it explains the incessant desire of the human kind to construct projects that will last forever. Building on George Steiner’s argument stated in his seminal work After Babel (1975) that “even substantive remains such as buildings and historical sites must be ‘read’, i.e. located in a context of verbal recognition and placement, before they assume real presence”, the authors embark on the exploration of literary works (such as The Bridge on the Drina by Ivo Andrić, a Nobel laureate, or A Gentleman in Moscow by Amor Towles) which translate the architecture of bridges or walls into the architecture of words. The foundation for this kind of study is set in Paul Ricoeur’s essay Architecture and Narrative, in which he compares “the configuration of time in literary narrative” to “the configuration of space by the architectural project.” The authors investigate the ways in which writing stories in time overlaps with building stories in space