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Response to Donne\u27s Woman\u27s Constancy
Kristyn Hardy is an English major at Louisiana Tech University with a concentration in creative writing. She was raised in a home surrounded by books, wit, and love, making the three somewhat synonymous to her. It has only been in the last couple years that she has considered dedicating her life to writing, but she loves it and cannot wait to see where it takes her
Train Station of the Afterlife
Alayna Juneau is a senior in interdisciplinary studies at Louisiana Tech University. She is passionate about telling stories through any medium. Her favorite things to do are pet cats, take naps, and play video games. She hopes to one day be a game developer, a writer, or a crazy cat lady
Firsts
Kristyn Hardy is an English major at Louisiana Tech University with a concentration in creative writing. She was raised in a home surrounded by books, wit, and love, making the three somewhat synonymous to her. It has only been in the last couple years that she has considered dedicating her life to writing, but she loves it and cannot wait to see where it takes her
Waste
Camryn Price is a second year student at Louisiana Tech University, majoring in studio art. She is from Winnsboro, Louisiana. She has a strong interest in 3D design, sculpture, and installation. She has begun to develop a love of the conceptual arts
Melvin
Noah Blessing is from northeast Ohio and moved to the south as he began his early journey in art. Enduring family hardships and trials led him back to his relationship with God, and now he creates for his creator. From abstractions to pop colors and design, he ventures to create interesting environments with vivid colors and unique forms that tell their own stories
Crimson in the Snow
https://digitalcommons.latech.edu/quatrain-gallery-volume-5/1018/thumbnail.jp
Self-Portrait within the Wallpaper
https://digitalcommons.latech.edu/quatrain-gallery-volume-5/1005/thumbnail.jp
Permanence. Anxiety. Acceptance.
https://digitalcommons.latech.edu/quatrain-gallery-volume-5-cropped/1017/thumbnail.jp
Emotional Labor: An Affective-Commitment Perspective
The emotional-labor literature asserts that individuals respond to emotion-display requirements, called display rules, with surface and deep acting. However, surface acting, but not deep acting, relates to deleterious occupational-health outcomes. Deep acting, therefore, is a strategy organizations should promote, should they wish to prioritize the well-being of their employees. Unfortunately, little research exists that clarifies the emotional-labor-choice process. The current study used the job demands-resources model and self-determination theory to hypothesize that affective organizational commitment would differentially moderate the relationship between display rules and the methods of emotional labor. To evaluate this study\u27s hypotheses, 320 participants on an online survey platform completed a survey for this study. A moderated path analysis indicated support for the relationship between display rules and surface acting but did not support the relationship between display rules and deep acting. Further, the results did not support the moderation hypotheses. I provide a comprehensive interpretation of this research and discuss implications for the predominant model of emotional labor. Additionally, I review the limitations, practical applications, and future directions of this study