Trinity Digital Collections (Trinity University, San Antonio)
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Black American Baptist Churchmen, 1971- 1994
No full textFolder: Black American Baptist Churchmen, 1971- 199
Let Mount Zion Rejoice, Historical Pageant 1871-1971, side two
No full textMusical sound recording made on two long-playing vinyl discs of a historical pageant celebrating one hundred years of Mount Zion First Baptist Church, San Antonio, Texas. SIDE II
1. I Waited for the Lord - Mendelssohn (From the Cantata "Hymn of Praise") -- (Ensemble); 2. (4:09) A Psalm of Praise- Dewitty
Soloist, Cora French; 3. (8:37) Praise God from Whom All Blessings Flow - arr. Cleveland (Chorus); 4. (11:11) Let Mt. Zion Rejoice- Dr. Herbert "Excerpt" (Chorus); 5. (17:53) I Will Give Thanks Unto Thee O Lord - Rossini (Soloist, Minerva Watson). [Total playing time: 22:18
Christian Education for the 70s, by Reverend Black, circa 1970
No full textEditorial in the National Baptist Union-Review by Reverend Black, urging Black Christian leadership to deliver education and knowledge in ways relevant to the times
Bust of George Storch
No full textTwo students in front of the bust of George Storch, sculpted by Trinity faculty member Pompeo Coppini
American Baptist Convention Annual Meeting, 1970
No full textSlides that depict scenes and attendees at the American Baptist Convention Annual Meeting, May 13-17, 1970, in Cincinnati, Ohio. The convention theme was: "God Speaks in Revolution, Reconciliation, and Renewal - Listen and Respond." Reverend Black was the Chairman of the Program Committee for the convention
Decorating a Christmas Tree
No full textUndated photograph of students decorating a Christmas tree on campus
Reverend Black at social function, 1970
No full textPhotograph of Reverend Black at social function, most likely at Mount Zion First baptist Church, 197
Indians (2 photos)
No full textBlackface--racist portrayals of African American characters by white actors--has a long history in American theater, and productions at Trinity were no different. Insensitive portrayals of non-white races occurred in many Trinity productions. Photographs from these productions are included here uncensored and in their original form, as it is important to acknowledge and document the shortcomings in the school's history