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    Love Thyself as Thy Neighbor? Self-Other Orientations of Inviting Behaviors

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    One of the key components of the invitational model (Purkey, 1978; Purkey & Novak, 1984; Purkey Schmidt, 1987; Purkey & Stanley, 1991) is that individuals who are intentionally respectful, trusting, and optimistic towards both themselves and others, personally and professionally, are most likely to move towards optimal human growth and wellness. Actions that exhibit these qualities are known as "inviting" behaviors; while actions that devalue, dehumanize, or disrespect the self or others are known as "disinviting" behaviors (Purkey & Schmidt, 1987)

    East or West, the Goal Is the Same: Buddhist Psychology and Its Potential Contributions to Invitational Education

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    After describing the basic tenets of Invitational Education and Buddhist psychology, this articleexplores four commonalities and their implications: The individual is in control; knowing is notdoing; others can help; and we can facilitate others’ efforts to use effective strategies to reachhappiness. The paper concludes by contrasting Invitational Education and Buddhist views onself, perception, and appropriate action. Invitational appropriate wisdom (pradjna paramita)and is totally under the control of the individual

    Editorial: The Ties that Bind Us

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    Serving as editor for a journal like JITP provides many personalbenefits but none greater than the contact with so many bright andengaging scholars. When the journal is international, that benefit ismultiplied many times over. This issue of JITP represents workfrom scholars in three continents (Africa, Australia, and NorthAmerica). Our biannual leadership conference was held in HongKong, perhaps the most vital hub of Asia. Without question, theinternational aspect of invitational education is vibrant and visible.In today’s world, that is an important point to ponder. We are embroiledin a world that seems obsessed with our differences. Thosedifferences seem to be too frequently used to divide the world’speoples into suspicious and distrusting factions

    Exploring Factors that Influence the Effective Implementation of Professional Development Programmes on Invitational Education

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    Professional development (PD) has emerged over that last decade as a recognisedarea of study (Evans 2002). PD of teachers is seen as an essential ingredientfor creating effective schools and raising students’ performance (Rhodes &Houghton-Hill 2000; Wood & Millichamp 2000; Birman, Desimone, Porter &Garet 2000). Since teachers have the most direct contact with students as wellas a considerable control over what is taught and how it is taught, it is reasonablyassumed that enhancing teachers’ knowledge, skills and attitudes is a criticalstep in improving learner performance (King & Newman 2001; Ribisch1999; Anonymous 2001/2002). It is necessary to realise that teachers cannothope to use the most sophisticated approach to student learning unless they haveboth the skills to use it and the desire to implement it (Shaw 2003)

    Coloring in the Emotional Language of Place

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    Making educational places more inviting to learners is a key aspect of Invitational Theory. Thispaper introduces a simple technique for sensitizing learners and instructors to how their environmentaffects their feelings and ability to learn. It describes a learning exercise that may beused to assess, evaluate and transform places, to promote either calm reflection or creative energyas well as some experience based on three years of application in a college-level Geographycourse. The approach, founded in the S!mkhya–Yoga conception of the three modes of materialnature, asks learners detect the roles of Sattva (peace, harmony, tranquility, awareness), Rajas(energy, action, creativity, destructiveness) and Tamas (inert, veiled, ignorance) workingtogether in their habitat and to think about how this balance may be adjusted to positive effect.Learners found the approach novel but many welcomed this new way of envisioning their world

    Why Not . . . On Purpose?

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    Through the use of case examples, the authors present theconcept that behavior might best be viewed from the perspectiveof goal directedness as opposed to internal or externalcausality. With an understanding of the individuals psychologicalmovement, teachers and counselors might be in a betterposition to provide more effective and inviting psychologicalservices to students

    L\u27 esthétique de l’hétérogénéité dans Dites-moi le songe d’Abdelfattah Kilito

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    Looking at aesthetics and heterogeneity in Abdelfattah Kilito’s Dites-moi le songe, this article examines how this work challenges the limits of literary genres. Dites-moi le songe includes essayistic digressions, fragmentary writing, oneiric narratives, and elements of the novel. Using literary and extra-literary intertextuality, it rehabilitates Classical Arabic literature.  Cette contribution analyse l’esthétique de l’hétérogénéité dans Dites-moi le songe, essai narrativisé de l’écrivain et universitaire marocain Abdelfattah Kilito. Dans ce texte éclaté, Kilito passe avec souplesse d’un genre à l’autre, favorisant une créativité au-delà des limites génériques. Les digressions essayistiques, l’écriture fragmentaire, le récit onirique et l’intertextualité littéraire et extra-littéraire sont aussi bien les aspects internes qu’externes de cette esthétique de l’hétérogénéité. C’est dans ce sens que l’identité générique du texte se pose avec acuité. Est-ce un roman ? Un essai ? Ou s’agit-il d’un texte qui cherche son identité entre les frontières génériques ? Par ailleurs, Kilito opère, à travers cette écriture transgénérique et réflexive, une relecture critique et une réhabilitation de la mémoire littéraire arabe classique. Il revisite dans cette perspective les classiques de cette mémoire afin d’interroger les systèmes axiologiques d’Orient et d’Occident. En d’autres termes, il réhabilite la littérature en tant que méditation littéraire, dont l’identité est mouvante. S’il en est ainsi, Dites-moi le songe est le lieu d’une sensibilité pensante

    Editorial

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    Représentation contemporaine de la femme mahoraise dans l’archipel des Comores : une lecture du roman Mon mari est plus qu’un fou : c’est un homme de Nassur Attoumani

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    L’image de la femme îlienne a souvent été associée à des stéréotypes réducteurs la représentant dans une position de victime battue, maltraitée et exploitée. Pour se démarquer de cette représentation, l’auteur Nassur Attoumani propose une nouvelle approche en dépeignant la femme insulaire contemporaine sous de nouveaux jours dans le roman Mon mari est plus qu’un fou : c’est un homme. Cette étude montre comment après s’être soumise à l’autorité patriarcale, la femme mahoraise rejette la domination masculine et revendique son agentivité pour reprendre sa destinée en main.L’image de la femme îlienne a souvent été associée à des stéréotypes réducteurs la représentant dans une position de victime battue, maltraitée et exploitée. Pour se démarquer de cette représentation, l’auteur Nassur Attoumani propose une nouvelle approche en dépeignant la femme insulaire contemporaine sous de nouveaux jours dans le roman Mon mari est plus qu’un fou : c’est un homme. Cette étude montre comment après s’être soumise à l’autorité patriarcale, la femme mahoraise rejette la domination masculine et revendique son agentivité pour reprendre sa destinée en main

    Q: What Happened Then? The Verbal Workshop

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    The objective of the Verbal Workshop led by artist Landon Mackenzie at Brock University was to discuss the participants’ experience of wearing a mask during the pandemic. The mask will be the most remembered object from this pandemic. It is part of how we present ourselves, and our wardrobe, but also our disguise. To prepare for the workshop, participants made masks and revisited the strange comfort of these disguises that became so comforting yet alienating in the time of Covid-19. They also made small stands out of cardboard, plastic or wire that allowed them to properly display their masks as objects of value. In addition, they prepared a 3–5-minute story about something that occurred to them in pandemic times. Reports on how they made their masks were also accepted

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