Institut Seni Indonesia Yogyakarta: Jurnal Online ISI Yogyakarta / Indonesia Institute of The Arts Yogyakarta
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Ikonisitas Tata Panggung: Sebuah Kajian Semiotika Seni Rupa Teater
The Semiotic of Stage. Semiotics is a study dealing with signs and sign systems. Signs are created for theneeds of communication and information. According to Piercean’s, semiotics in theatre is a transformation of storysigns which symbolically become iconic signs of its acts. Stage setting is an artistic part of theatre which makes usethe potentials of iconicity. Since its functions as a drama support of the acts, its potentials of iconicity optimize itsfunctions
AMÈN: Tatakelola Wayang Jekdong dalam Tradisi Jawa Timuran
Amen: Jekdong Shadow Puppet Play Management in East Java Tradition. Amen is a moving jekdongshadow puppet performances from one place to another place. This is done by a cantrik ( puppet master assistant)in his last period of study. This is a kind of procession preparing a puppet master assistant to meet any possibilitiesand challenges in different kinds of situations for his future shadow puppet performances. Amen is a better wayfor a puppet master assistant to know and compete in the markets of shadow puppet business. Furthermore, amenis also done by a dalang ( puppet master) together with some panjak (musicians) in rainy season when farmers startto cultivate their rice fi elds. Since it is not the time for harvest yet and not the time for them to do some traditionalceremonies and rituals, amen becomes a way o