1840 research outputs found
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Hegemony to empire: the development of the Roman Imperium in the East from 148 to 62 B.C
No full textIn one of the most important contributions to the study of Roman imperialism to appear in recent years, Robert Kallet-Marx argues for a less simplistic, more fluid understanding of the evolution of Roman power in the Balkans, Greece, and Asia Minor. He distinguishes between hegemony - the ability of the Romans to command obedience on the basis of a real or implied military threat - and the later phenomenon of empire, demonstrating that Roman imperium was not the result of the sudden imposition of geographically defined provinces or permanent armies. Rather, the integration of the Greek world into a Roman imperial system was a complex process of evolution requiring mutual adaptation by both Romans and Greeks
University of California Press eScholarship editions in process
No full textKepner's selection shows the many ways fiction has mirrored the lives of Thai women over the twentieth century. The spectrum is broad, encompassing the young and the old, the rural and the cosmopolitan, the privileged and the poor. Some writers address previously unacceptable themes: female sexuality, spousal abuse, gender oppression. Others display a scintillating sense of humor. They touch on many themes - injustice, the heartlessness of society, loneliness, the difficult choices that life presents. Susan Kepner's lyrical, faithful translations preserve the tenor and resonances of these voices, many of which will be heard for the first time by English-speaking readers
University of California Press eScholarship editions in process
No full textJing Wang offers the first overview of the feverish decade of the 1980s in China, from early reexaminations of Maoism through the crackdown in Tiananmen Square. Wang's energetic, creative, and highly intelligent take on Chinese culture provides a broad portrait of the post-revolutionary era and a provocative inquiry into the nature of Chinese modernity.In seven linked essays, the author examines the cultural dynamics that have given rise to the epochal discourse. She traces the Chinese Marxists' short debate over "socialist alienation" and examines the various schools of thought - Li Zehou and the Marxist Reconstruction of Confucianism, the neo-Confucian Revivalists, and the Enlightenment School - that came into play in the Culture Fever. She also critiques the controversial mini-series Yellow River Elegy . In mapping out China's post-revolutionary aesthetics, Wang introduces the debate over "pseudo-modernism," refutes the pseudo-proposition of "Chinese postmodernism," and looks at the dawning of popular culture in the 1990s.This book delivers a ten-year intertwined history of Chinese intellectuals, writers, literary critics, and cultural critics that gives us a deeper understanding of the China of the 1980s, the 1990s, and beyond
On the edge of America: California modernist art, 1900-1950
No full textTo many, California's social and cultural identity has set it apart from the rest of the nation. Identified almost exclusively with Hollywood and popular culture, the entire region has been denied a meaningful relationship to mainstream twentieth-century modernism. This groundbreaking collection emphatically challenges that assumption. In essays about California art during the first half of the century, the contributors evoke a culture, now recognizable as modernist, that reflects the actual circumstances of contemporary West Coast artistic experience in all its richness. The subjects include painting, murals, sculpture, film, photography, and architecture.The issue of regionalism is central to this remarkable collection. How do we build a cultural portrait of an area that reveals its distinctive character while recognizing its participation in the larger art historical framework? Through the essays runs the theme of an alternative culture that transformed modernism to suit its own regional imperatives. Compelled by a sense of distance and the need for reinvention, California artists created traditions for a new cultural landscape and society. On the Edge of America is an enlightening and visually exciting addition to the growing literature on California art and culture. Through its fresh and expanded view of modernism, it is also well suited to the formulation of a truly national cultural narrative, one that embraces the edges as well as the center of American creative life
University of California Press eScholarship editions in process
No full textJerusalem is more than a holy city built of stone. Domain of Muslims, Jews, and Christians, Jerusalem is a perpetual contest, and its shrines, housing projects, and bulldozers compete in a scramble for possession. Now one of Jerusalem's most respected authorities presents a history of the city that does not fall prey to any one version of its past.Meron Benvenisti begins with a reflection on the 1996 celebration of Jerusalem's 3000-year anniversary as the capital of the Kingdom of Israel. He then juxtaposes eras, dynasties, and rulers in ways that provide grand comparative insights. But unlike recent politically motivated histories written to justify the claims of Jews and Arabs now living in Jerusalem, Benvenisti has no such agenda. His history is a polyphonic story that lacks victors as well as vanquished. He describes the triumphs and defeats of all the city's residents, from those who walk its streets today to the meddlesome ghosts who linger in its shadows.Benvenisti focuses primarily on the twentieth century, but ancient hatreds are constantly discovered just below the surface. These hostilities have created intense social, cultural, and political interactions that Benvenisti weaves into a compelling human story. For him, any claim to the city means recognizing its historical diversity and multiple populations.A native son of Jerusalem, Benvenisti knows the city well, and his integrated history makes clear that all of Jerusalem's citizens have enriched the Holy City in the past. It is his belief that they can also do so in the future
Cholera in post-revolutionary Paris: a cultural history
No full textCholera terrified and fascinated nineteenth-century Europeans more than any other modern disease. Its symptoms were gruesome, its sources were mysterious, and it tended to strike poor neighborhoods hardest. In this insightful cultural history, Catherine Kudlick explores the dynamics of class relations through an investigation of the responses to two cholera epidemics in Paris.While Paris climbed toward the height of its urban and industrial growth, two outbreaks of the disease ravaged the capital, one in 1832, the other in 1849. Despite the similarity of the epidemics, the first outbreak was met with general frenzy and far greater attention in the press, popular literature and personal accounts, while the second was greeted with relative silence. Finding no compelling evidence for improved medical knowledge, changes in the Paris environment, or desensitization of Parisians, Kudlick looks to the evolution of the French revolutionary tradition and the emergence of the Parisian bourgeoisie for answers
University of California Press eScholarship editions in process
No full textDuring the interwar years in Japan, discourse on culture turned sharply inward after generations of openness to Western ideas. The characterizations that arose - that Japanese culture is unique, essential, and enduring - came to be accepted both inside and outside Japan. Leslie Pincus focuses on the work of Kuki Shuzo, a philosopher and the author of the classic "Iki" no Kozo , to explore culture and theory in Japan during the interwar years. She shows how Japanese intellectual culture ultimately became complicit, even instrumental, in an increasingly repressive and militaristic regime that ultimately brought the world to war.Pincus provides an extensive critical study of Kuki's intellectual lineage and shows how it intersects with a number of central figures in both European and Japanese philosophy. The discussion moves between Germany, France, and Japan, providing a guide to the development of culture in a number of national settings from the turn of the century to the 1930s.Inspired by the work of Foucault, the Marxist culturalists, and the Frankfurt School, Pincus reads against the grain of traditional interpretation. Her theoretically informed approach situates culture in a historical perspective and charts the ideological dimensions of cultural aesthetics in Japan. Authenticating Culture in Imperial Japan makes an important contribution to our understanding of modernity, nationalism, and fascism in the early twentieth century
Devī: goddesses of India
No full textThe monotheistic religions of Judaism, Christianity, and Islam have severely limited the portrayal of the divine as feminine. But in Hinduism "God" very often means "Goddess." This extraordinary collection explores twelve different Hindu goddesses, all of whom are in some way related to Devi, the Great Goddess. They range from the liquid goddess-energy of the River Ganges to the possessing, entrancing heat of Bhagavati and Seranvali. They are local, like Vindhyavasini, and global, like Kali; ancient, like Saranyu, and modern, like "Mother India." The collection combines analysis of texts with intensive fieldwork, allowing the reader to see how goddesses are worshiped in everyday life. In these compelling essays, the divine feminine in Hinduism is revealed as never before - fascinating, contradictory, powerful
Land, labor and the origins of the Israeli-Palestinian conflict, 1882-1914
No full textGershon Shafir challenges the heroic myths about the foundation of the State of Israel by investigating the struggle to control land and labor during the early Zionist enterprise. He argues that it was not the imported Zionist ideas that were responsible for the character of the Israeli state, but the particular conditions of the local conflict between the European "settlers" and the Palestinian Arab population