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Erasmus of the Low Countries
No full textFew historical figures have been more important in modeling the ideal of impartial critical scholarship than Erasmus of Rotterdam (1469-1536). Yet his critical scholarship, though beholden to no one, was not dispassionate. James Tracy shows how Erasmus the scholar sought through his writings to promote the moral and religious renewal of Christian society.Tracy finds the genesis of the humanist's notion of a "Christian republic" of pious and learned individuals in his "Burgundian," or Low Countries, roots. Erasmus's vision of reform, Tracy argues, sprung from a humanist tradition focusing on the importance of teaching ( doctrina ), a tradition from which Erasmus departed in his optimism about human nature and his deep suspicion of the powers that be. Amid the storms of Reformation controversy, he pruned back the "dissimulation" by which he had thought to convey different meanings to different readers, yet in the end he could not control the way his words were read. If Erasmus's scholarly ideal carries an enduring fascination, so too does his dilemma as a man of circumspection who would also be a reformer
The Society of Six: California colorists
No full textSix plein-air painters in Oakland, California, joined together in 1917 to form an association that lasted nearly fifteen years. The Society of Six - Selden Connor Gile, Maurice Logan, William H. Clapp, August F. Gay, Bernard von Eichman, and Louis Siegriest - created a color-centered modernist idiom that shocked establishment tastes but remains the most advanced painting of its era in Northern California. Nancy Boas's well-informed and sumptuously illustrated chronicle recognizes the importance of these six painters in the history of American Post-Impressionism.The Six found themselves in the position of an avant garde not because they set out to reject conventionality, but because they aspired to create their own indigenous modernism. While the artists were considered outsiders in their time, their work is now recognized as part of the vital and enduring lineage of American art. Depression hardship ended the Six's ascendancy, but their painterliness, use of color, and deep alliance with the land and the light became a beacon for postwar Northern California modern painters such as Richard Diebenkorn and Wayne Thiebaud. Combining biography and critical analysis, Nancy Boas offers a fitting tribute to the lives and exhilarating painting of the Society of Six
A Ming society: Tài-ho County, Kiangsi, fourteenth to seventeenth centuries
No full textJohn Dardess has selected a region of great political and intellectual importance, but one which local history has left almost untouched, for this detailed social history of T'ai-ho county during the Ming dynasty. Rather than making a sweeping, general survey of the region, he follows the careers of a large number of native sons and their relationship to Ming imperial politics. Using previously unexplored primary sources, Dardess details the rise and development of T'ai-ho village kinship, family lineage, landscape, agriculture, and economy. He follows its literati to positions of prominence in imperial government. This concentration on the history of one county over almost three centuries gives rise to an unusually sound and immediate understanding of how Ming society functioned and changed over time
Language, charisma, and creativity: the ritual life of a religious movement
No full textThomas Csordas's eloquent analysis of the Catholic Charismatic Renewal, part of the contemporary cultural and media phenomenon known as conservative Christianity, embraces one of the primary tasks of anthropology: to stimulate critical reflection by making the exotic seem familiar and the familiar appear strange. This story, unlike an ethnography of a little-known tribal society, is about people who are quite like everybody else but at the same time inhabit a substantially different phenomenological world.Csordas has observed and studied Charismatic groups throughout the United States. He begins with an introduction to the Charismatic Renewal and a history of its development during the roughly thirty years of its existence. He describes the movement's internal diversity as well as its international extent, emphasizing Charismatic identity and the transformation of space and time in Charismatic daily life. Language, Charisma, and Creativity extends and builds on the ideas of self-transformation that Csordas introduced in his earlier book on Charismatic healing. This work makes an original, important contribution to anthropology, studies of religion and ritual, linguistic-semiotic and rhetorical studies, the multidisciplinary study of social movements, and American studies
The custom of the castle: from Malory to Macbeth
No full textThe "custom of the castle" imposes strange ordeals on knights and ladies seeking hospitality - daunting, mostly evil challenges that travelers must obey or even defend. This seemingly fantastic motif, first conceived by Chrètien de Troyes in the twelfth century and widely imitated in medieval French romance, flowered again when Italian and English authors adopted it during the century before Shakespeare's plays and the rise of the novel. Unlike other scholars who have dismissed it as pure literary convention, Charles Ross finds serious social purpose behind the custom of the castle.Ross explores the changing legal and cultural conceptions of custom in France, Italy, and England to uncover a broad array of moral issues in the many castle stories. He concentrates on single scenes that are common to a series of epics, showing how their nuanced narratives reflect real social limits of order, violence, justice, civility, and political conformity. His investigation of masterpieces from the thirteenth-century Lancelot to The Faerie Queene - by way of Malory, Boiardo, and Ariosto - demonstrates for the first time the impact on Shakespeare's plays, particularly Macbeth , of an earlier way of thinking about the strengths and weaknesses of social customs
Fiction as history: Nero to Julian
No full textUsing pagan fiction produced in Greek and Latin during the early Christian era, G. W. Bowersock investigates the complex relationship between "historical" and "fictional" truths. This relationship preoccupied writers of the second century, a time when apparent fictions about both past and present were proliferating at an astonishing rate and history was being invented all over again. With force and eloquence, Bowersock illuminates social attitudes of this period and persuasively argues that its fiction was influenced by the emerging Christian Gospel narratives.Enthralling in its breadth and enhanced by two erudite appendices, this is a book that will be warmly welcomed by historians and interpreters of literature
Resistant structures: particularity, radicalism, and Renaissance texts
No full textTaking Wittgenstein's "Don't think, but look" as his motto, Richard Strier argues against the application of a priori schemes to Renaissance (and all) texts. He argues for the possibility and desirability of rigorously attentive but "pre-theoretical" reading. His approach privileges particularity and attempts to respect the "resistant structures" of texts. He opposes theories, critical and historical, that dictate in advance what texts must - or cannot - say or do.The first part of the book, "Against Schemes," demonstrates, in discussions of Rosemond Tuve, Stephen Greenblatt, and Stanley Fish among others, how both historicist and purely theoretical approaches can equally produce distortion of particulars. The second part, "Against Received Ideas," shows how a variety of texts (by Shakespeare, Donne, Herbert, and others) have been seen through the lenses of fixed, mainly conservative ideas in ways that have obscured their actual, surprising, and sometimes surprisingly radical content
Nerves & narratives
No full textThe British middle class of the early nineteenth century was defined by its nervous complaints - hysteria, hypochondria, vapours, melancholia, and other maladies. Peter Melville Logan explores the link between medical theories of nervous physiology and narrative issues central to the literary writing of the period. He examines the assumption, implicit in medical thinking at the time, that the nervous body - unlike its non-nervous counterpart - has a narrative inscribed on its nerve fibers. It becomes "the body with a story to tell."Logan takes up several literary works whose nervous narrators connect their present disorder with an unnatural, unhealthy social order. Concentrating on novels by Godwin, Hays, and Edgeworth, and on De Quincey's Confessions of an English Opium-Eater , Logan weaves cultural phenomena such as crowd psychology and attitudes toward opium addiction into the basic paradigm of the nervous narrative. He explains why these social critiques always tended to promote the same distempered civilization that brought them into being. He then looks at the emergence of the working-class body in the 1840s, changing medical theories, and George Eliot's treatment of medicine in Middlemarch .Logan's book is especially valuable for its rethinking of disciplinary categories that separate medicine from literature and for bringing to light lesser-known literary texts. With a foreword by Roy Porter, it will be a welcome addition to literary, gender, and cultural studies
Toward a simpler way of life: the arts & crafts architects of California
No full textThis book celebrates one of the richest and most enduring themes in American architecture - California's Arts and Crafts Movement. Echoing the writings of Helen Hunt Jackson, Charles F. Lummis, and Charles Keeler, this movement represented a retreat into a quieter place from the materialism of American society. Anti-commercial, anti-modern, Arts and Crafts practitioners drew on the decorative schemes of English Tudor, Swiss chalet, Japanese temple, and Spanish mission, evoking an earlier time before modern industry and technology intruded. And if only one word is used to describe virtually every Arts and Crafts house in California, that word is "woodsy": wood shingles outside, wood paneling inside, a wood fire burning in the homey, welcoming fireplace.Most chapters in this impressive and very readable book focus on one building by a particular architect or designer and illustrate that person's development and influences. Familiar architects such as Bernard Maybeck, Charles and Henry Greene, John Galen Howard, and Julia Morgan are here, but so too are less well-known names who were a vibrant part of the Arts and Crafts Movement. These late Romantics designed houses to complement nature rather than contrast with it. Their eclecticism and historicism reflected a Romantic bent as well, no doubt cultivated by their familiarity with the Ecole des Beaux-Arts in Paris, where, in fact, Howard, Maybeck, and Morgan studied.The book's contributors also give attention to the builders, contractors, and craftsmen whose skills contributed to the lasting impact of the California Arts and Crafts Movement. Superb illustrations provide examples of elevations, composition details, interior fixtures, and gardens, all designed to promote the "simple living and high thinking" of the Craftsman style, an esthetic that continues to influence architecture today
Whitman and the romance of medicine
No full textIn this compelling, accessible examination of one of America's greatest cultural and literary figures, Robert Leigh Davis details the literary and social significance of Walt Whitman's career as a nurse during the American Civil War. Davis shows how the concept of "convalescence" in nineteenth-century medicine and philosophy - along with Whitman's personal war experiences - provide a crucial point of convergence for Whitman's work as a gay and democratic writer.In his analysis of Whitman's writings during this period - Drum-Taps, Democratic Vistas, Memoranda During the War , along with journalistic works and correspondence - Davis argues against the standard interpretation that Whitman's earliest work was his best. He finds instead that Whitman's hospital writings are his most persuasive account of the democratic experience. Deeply moved by the courage and dignity of common soldiers, Whitman came to identify the Civil War hospitals with the very essence of American democratic life, and his writing during this period includes some of his most urgent reflections on suffering, sympathy, violence, and love. Davis concludes this study with an essay on the contemporary medical writer Richard Selzer, who develops the implications of Whitman's ideas into a new theory of medical narrative