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    1840 research outputs found

    Destination culture: tourism, museums, and heritage

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    Destination Culture takes the reader on an eye-opening journey from ethnological artifacts to kitsch. Posing the question, "What does it mean to show?" Barbara Kirshenblatt-Gimblett explores the agency of display in a variety of settings: museums, festivals, world's fairs, historical re-creations, memorials, and tourist attractions. She talks about how objects - and people - are made to "perform" their meaning for us by the very fact of being collected and exhibited, and about how specific techniques of display, not just the things shown, convey powerful messages. Her engaging analysis shows how museums compete with tourism in the production of "heritage." To make themselves profitable, museums are marketing themselves as tourist attractions. To make locations into destinations, tourism is staging the world as a museum of itself. Both promise to deliver heritage. Although heritage is marketed as something old, she argues that heritage is actually a new mode of cultural production that gives a second life to dying ways of life, economies, and places. The book concludes with a lively commentary on the "good taste/bad taste" debate in the ephemeral "museum of the life world," where everyone is a curator of sorts and the process of converting life into heritage begins

    Letters from freedom: post-cold war realities and perspectives

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    A hero to many, Polish writer Adam Michnik ranks among today's most fearless and persuasive public figures. His imprisonment by Poland's military regime in the 1980s did nothing to quench his outpouring of writings, many of which were published in English as Letters from Prison . Beginning where that volume ended, Letters from Freedom finds Michnik briefly in prison at the height of the "cold civil war" between authorities and citizens in Poland, then released. Through his continuing essays, articles, and interviews, the reader can follow all the momentous changes of the last decade in Poland and East-Central Europe. Some of the writings have appeared in English in various publications; most are translated here for the first time.Michnik is never detached. His belief that people can get what they want without hatred and violence has always translated into action, and his actions, particularly the activity of writing, have required his contemporaries to think seriously about what it is they want. His commitment to freedom is absolute, but neither wild-eyed nor humorless; with a characteristic combination of idealism and pragmatism, Michnik says, "In the end, politics is the art of foreseeing and implementing the possible."Michnik's blend of conviction and political acumen is perhaps most vividly revealed in the interviews transcribed in the book, whether he is the subject of the interview or is conducting a conversation with Czeslaw Milosz, Vacláv Havel, or Wojciech Jaruzelski. These face-to-face exchanges tell more about the forces at work in contemporary Eastern Europe than could any textbook. Sharing Michnik's intellectual journey through a tumultuous era, we touch on all the subjects important to him in this wide-ranging collection and find they have importance for everyone who values conscience and responsibility. In the words of Jonathan Schell, "Michnik is one of those who bring honor to the last two decades of the twentieth century.

    American homo: community and perversity

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    Jeffrey Escoffier traces the emergence of a gay and lesbian political identity over the last four decades in this wide-ranging collection of his most influential essays. Situating the development of gay and lesbian communities in a broad sweep of recent American history, Escoffier examines how an urban subculture created by stigmatized and invisible men and women evolved into a vital public community with an activist political agenda and an influential position in contemporary American culture. Detailing what he calls the "political economy of the closet," Escoffier argues that the market process often played a crucial role (for better or for worse) in the emergence of gay and lesbian communities, and conversely, that these new communities have significantly impacted the American marketplace.From the development of a camp sensibility in popular culture - inspired by the erotic exhibitionism of drag queens - to the public reformation of safer-sex guidelines, Escoffier demonstrates how the gay movement has gradually acquired both social authority and recognition as a booming market. Throughout the ongoing struggle for legitimacy, gays and lesbians have had to negotiate the historical tension between the homoeroticism that courses through American culture and periodic outbreaks of homophobic paranoia. Escoffier follows the lesbian and gay movement across the contested terrain of American political life between the poles of multiculturalism and the religious right, to reveal how sexual minorities constitute a challenge to American society even as they are thoroughly integrated as citizens and kin. From McCarthy-era witchhunts to the activism of Queer Nation, Escoffier vividly describes the characteristic American homosexual journey through the tangled political web of authenticity, identity, and community

    Illness and culture in the postmodern age

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    We become ill in ways our parents and grandparents did not, with diseases unheard of and treatments undreamed of by them. Illness has changed in the postmodern era - roughly the period since World War II - as dramatically as technology, transportation, and the texture of everyday life. Exploring these changes, David B. Morris tells the fascinating story, or stories, of what goes into making the postmodern experience of illness different, perhaps unique. Even as he decries the overuse and misuse of the term "postmodern," Morris shows how brightly ideas of illness, health, and postmodernism illuminate one another in late-twentieth-century culture.Modern medicine traditionally separates disease - an objectively verified disorder - from illness - a patient's subjective experience. Postmodern medicine, Morris says, can make no such clean distinction; instead, it demands a biocultural model, situating illness at the crossroads of biology and culture. Maladies such as chronic fatigue syndrome and post-traumatic stress disorder signal our awareness that there are biocultural ways of being sick.The biocultural vision of illness not only blurs old boundaries but also offers a new and infinitely promising arena for investigating both biology and culture. In many ways Illness and Culture in the Postmodern Age leads us to understand our experience of the world differently

    University of California Press eScholarship editions

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    In its natural condition the Sacramento Valley was a flood-ravaged region where an inland sea a hundred miles long regularly formed during the rainy season, to drain slowly away by the summer months. Today the Valley is marvelously productive, with a great capital city at its center, but only after a seventy-year struggle to devise and build an intricate thousand miles of levees and drains. Robert Kelley sets that battle within the encompassing national political culture, which produced, through the Republican and Democratic parties, widely diverging ideas about how best to reclaim the Valley from flood. He draws on approaches developed in the field of policy analysis to examine the relationship between American political culture and environmental policy-making. We find that the prolonged controversy over the Sacramento Valley illuminates American decision-making, then and now

    Sierra Nevada: the naturalist's companion

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    All lovers of the mountains will welcome Verna Johnston's new and completely updated edition of her classic, Sierra Nevada , originally published in 1970. A professional biologist, veteran ornithologist, and well-known wildlife photographer, Johnston is the perfect guide for a natural-history trip into the Sierra. Regardless of how one explores the magnificent 400-mile-long mountain range, on foot or by car, in an armchair or a classroom, this is the book to have.Beginning with the western foothills, Johnston evokes a vivid picture of the varied plant and animal life encountered as the elevation increases, tops the crest, and drops to the more precipitous, arid eastern Sierra slope. The reader is taken through chaparral and mountain meadows, pine and fir forests, granite expanses and snowy peaks. Johnston writes of the Native Americans' uses and stewardship of the land, the role of fire in forest ecology, the eras of sheep herders and loggers, the work of John Muir and other preservationists, and the battles to save Mono Lake and Lake Tahoe. Her lifetime of field experience and discovery offers intimate observations of rarely recorded events: the courtship of the Sierra Nevada salamander, a wolverine attacking two bears, a fight to the death between a skink and a scorpion.Many changes have occurred in the Sierra since the first edition of this book was published, including acid snow, tensions involving human and cougar habitats, and an ominous drop in amphibian populations. Johnston documents these events and updates the ecological research in the rich, evocative writing style that makes her book a naturalist's treasure. This is a guide to the Sierra Nevada for the next millennium

    Sex seen: the emergence of modern sexuality in America

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    Sex Seen provides a complex and intriguing account of the changes that have taken place in the social construction of sexuality during the past century. Focusing on Sacramento, California, at the dawn of the twentieth century, Sharon Ullman juxtaposes early cinema, vaudeville performances, and popular newspapers and magazines with insights drawn from close interpretations of transcripts from Sacramento court cases. She demonstrates how attitudes that emerged in the popular discourse - ideas about gender roles, female desire, prostitution, divorce, and homosexuality - often found complex and contradictory expression in the courts. As judges, prosecutors, defense attorneys, and juries all weighed in with differing opinions, the courtroom itself became a site of multiple discourses that attempted to make sense of a growing sexual chaos. In tracing the birth of modern sexuality, Ullman chronicles the dynamics of social change during a unique cultural moment and explains the shifts in the sexual ethos of turn-of-the-century America. Instead of telling the familiar story of steadily increasing liberation of sexual urges, Ullman chronicles the complex confusions and negotiations of an increasingly public sexual discourse. She relates how laws against cross-dressing gained force at the same time that female impersonation became popular in vaudeville acts, how images of prostitutes were changed by the commercialization of the female body in advertising and film, and how visible expression of female desire was submerged in rape and divorce proceedings. Ullman blends social history, textual analysis, and film and performance criticism to explain how sexuality and desire became an essential part of personal identity in this century. Her keen, accessible account of a community on the brink of the modern era offers a provocative interpretation of the seeds of our sexual present

    Windows on the house of Islam: Muslim sources on spirituality and religious life

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    Over the centuries and across the globe, Muslim authors and artists have given moving testimony to their experience of being members of the Islamic community. Their many vantage points come together in this collection, one that represents major Islamic groups from the past through the present and covers a range of themes essential to understanding Islamic spirituality and religious life. More than thirty leading Islam scholars present translations originating from a dozen languages, including Arabic, Persian, Chinese, and Indonesian. Texts include samples of virtually every major literary form of significance to the Muslim faith: the Qur'an, hadith, scriptural commentary, letters, treatises, lyric and didactic poetry, hagiography, historical chronicle, aphorism, endowment deeds, and personal diary entries. In addition, over five dozen illustrations thematically document a full range of artistic forms and historical periods, from ritual objects and architecture to manuscripts of religious texts. This volume and its companion, John Renard's 1996 book, Seven Doors to Islam , are the only books available that integrate such a wide range of Islamic literary and visual forms. Together they offer a superb introduction to the primary religious sources as well as a general understanding of Islamic spirituality and culture

    Indian traffic: identities in question in colonial and postcolonial India

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    The continual, unpredictable, and often violent "traffic" between identities in colonial and postcolonial India is the focus of Parama Roy's stimulating and original book. Mimicry has been commonly recognized as an important colonial model of bourgeois/elite subject formation, and Roy examines its place in the exchanges between South Asian and British, Hindu and Muslim, female and male, and subaltern and elite actors. Roy draws on a variety of sources - religious texts, novels, travelogues, colonial archival documents, and films - making her book genuinely interdisciplinary. She explores the ways in which questions of originality and impersonation function, not just for "western" or "westernized" subjects, but across a range of identities. For example, Roy considers the Englishman's fascination with "going native," an Irishwoman's assumption of Hindu feminine celibacy, Gandhi's impersonation of femininity, and a Muslim actress's emulation of a Hindu/Indian mother goddess. Familiar works by Richard Burton and Kipling are given fresh treatment, as are topics such as the "muscular Hinduism" of Swami Vivekananda. Indian Traffic demonstrates that questions of originality and impersonation are in the forefront of both the colonial and the nationalist discourses of South Asia and are central to the conceptual identity of South Asian postcolonial theory itself

    Revenge in Attic and later tragedy

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    Modern readings of ancient Athenian drama tend to view it as a presentation of social or moral problems, as if ancient drama showed the same realism seen on the present-day stage. Such views are belied by the plays themselves, in which supremely violent actions occur in a legendary time and place distinct both from reality and from the ethics of ordinary life. Offering fresh readings of Attic tragedy, Anne Pippin Burnett urges readers to peel away twentieth-century attitudes toward vengeance and reconsider the revenge tragedies of ancient Athens in their own context.After a consideration of how our view of Elizabethan drama has obscured an accurate view of the ancient tragedies, Burnett reviews early Greek notions of vengeance as expressed in the Odyssey , Heracles' tales, Pindar's odes, Attic judicial processes, and the legend of Harmodius and Aristogeiton. Then, setting aside post-Platonic and Judeo-Christian notions of criminality, she provides new interpretations of all the Attic tragedies in which revenge is a central theme: Aeschylus' Libation Bearers , Sophocles' Ajax, Electra, and Tereus , and Euripides' Children of Heracles, Hecuba, Medea, Electra, and Orestes. Burnett shows that for the ancients, revenge meant a redress of imbalances in both human and divine worlds, achieved through human actions. The vengeful heroines thus appear in a new light. Electra, Hecuba, Medea, and others cease to be the picture of depravity in dramas that are grotesque and sensational, and are instead representative human figures who respond with grandeur to the outsize demands of necessity and supernatural powers

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